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Indonesian Manuscripts from the Islands of Java, Madura, Bali and Lombok discusses aspects of the long and impressive manuscript traditions of these islands, which share many aspects of manuscript production. Many hitherto unaddressed features of palm-leaf manuscripts are discussed here for the first time as well as elements of poetic texts, indications of mistakes, colophons and the calendrical information used in these manuscripts. All features discussed are explained with photographs. The introductory chapters offer insights into these traditions in a wider setting and the way researchers have studied them. This original and pioneering work also points out what topics needs further exploration to understand these manuscript traditions that use a variety of materials, languages, and scripts to a wider public.
Note: This title was out of print. Re-issued in its original form in 2010. The first comprehensive history of Balinese politics from the middle of the 17th century till the end of Dutch colonial rule in 1942. Based on extensive research in colonial archives in the Netherlands and Indonesia, a variety of Balinese historical narratives, interviews with former colonial officials as well as many Balinese, and fieldwork data concerning temples, rituals, and oral histories. Schulte Nordholt traces Balinese history by means of a collective biography of the Mengwi dynasty, describing the rise to power, the formation and expansion of a negara, the subsequent crises, and its fall in 1891. Between 1906 and 1942 Bali became part of the Dutch colonial state and experienced bureaucratic rule and processes that resulted in a ‘traditionalization’ of Balinese kingship and culture. The story of the Mengwi dynasty under colonial rule ended in a conflict between two factions. This conflict had an unexpected but devastating outcome.
Balinese Art is the first comprehensive survey of Balinese painting from its origins in the traditional Balinese village to its present position at the forefront of the high-priced Asian art scene. Balinese art has been popular and widely collected around the world for many decades. In fact, the contemporary painter who commands the highest prices in Southeast Asia's hot art market is Bali-born Nyoman Masriadi (1973-). This book demonstrates that his work draws on a long and deeply-rooted tradition of the Bali art scene. Balinese painting has deep local roots and has followed its own distinctive trajectory, yet has been heavily influenced by outsiders. Indian artistic and religious traditions were introduced to Bali over a thousand years ago through the prism of ancient Javanese culture. Beyond the world of Indonesian art, Balinese artists and craftsmen have also interacted with other Asian artists, particularly those of China, and later Western artists. From these sources, an aesthetic tradition developed that depicts stories from the ancient Indian epics as well as themes from Javanese mythology and the religious and communal life of the Balinese themselves. Starting with a discussion of the island's aesthetic traditions and how Balinese art should be viewed and understood, this book goes on to present pre-colonial painting traditions, some of which are still practiced in the village of Kamasan--the home of "classical" Balinese art. However, the main focus is the development of new styles starting in the 1930s and how these gradually evolved in response to the tourist industry that has come to dominate the island. Balinese Art acquaints readers with the masterpieces and master artists of Bali, and the final chapter presents the most important artists who are active today and serves as an introduction to their work.
Mads Johansen Lange (1807-1856) was the most influential person that made Bali prosper during the mid 19th century. In order to receive favorable treatment and procure lucrative trade deals, he presented the kings of Bali with luxury goods. His philosophy was to unite and share rather than divide and conquer, so he treated all his relationships equally within the social-political system of the time. Lange strived to have peace maintained in Bali for his business to succeed and for the welfare of the inhabitants. The prosperity is evident in the luxury goods that he presented to his contacts, from valuable daggers with gold and precious gems, to elaborate temple sculptures, to fancy carved cabinets. Lange branded these gifts with his name, many with an image of his face or important scenes from his life. Portrait figures done in an unusual and animated style illustrate important events, from befriending royalty, to playful interactions with his wives, to negotiating peace treaties between the Balinese and the Dutch. Those who are closely or remotely familiar with Lange’s role in Balinese history will be fascinated by these artifacts as they increase the interest and understanding of him as a human being. These gifts remained hidden in palaces, temples, and caves across the island for nearly 200 years. This unique collection was made possible through the untiring efforts of a fellow Dane, Peter Bloch.
In Storytelling in Bali, Hildred Geertz makes a case for the importance of the role of informal storytelling as an engine of social change in Bali in the 1930s. This is a study of more than 200 texts dictated by the painters of the village of Batuan in 1936 to the anthropologist Gregory Bateson. It is completed by three years field work in Batuan in the 1980s. The tales reveal a set of strong ambivalences about the magical powers of kings, priests and sorcerers, and about social strains within villages and families. These narratives were related in the daily settings of home and coffee shop and also in the spectacular dance-dramas of the time.
The only guide you'll need for getting around Bali! Everything you need is in this one convenient travel guide--including a large pull-out map! This updated and revised edition of the bestselling Tuttle guide to Bali gives the latest information on what to do and see on this spectacular tropical Indonesian island. Bali is one of the few places in the world where an ancient civilization still thrives in the modern world. And the island has so much to offer: ancient temples, elaborate ritual celebrations, spellbinding music and dances, exquisite art and crafts, gorgeous beaches, bustling markets, delicious food, and much more! Bali: The Ultimate Guide to the World's Most Famous Island is the most complete guide to Bali ever published. Lively articles by world-renowned experts present every aspect of the island's history and culture, along with detailed descriptions of all the sights, with maps and photos included. An informative travel reference section at the end of the book gives important travel and etiquette tips, transportation notes, a language primer, and a glossary.
A constellation of thoughts by 25 established and emerging scholars who plot the indices of modernity and locate new coordinates within the shifting landscape of art. These newly commissioned essays are accompanied by close to 200 full-colour image plates.
Intrepid young curator-turned-private eye Jenna Murphy—whom readers first met in A Head in Cambodia—goes to the tourist town of Ubud to study early twentieth-century Balinese painting. But her first discovery when she arrives in Indonesia is the speared body of expat artist Flip Hendricks. She soon is working with an old friend, a detective for the Ubud police force, to seek the killer. Jenna suspects the motive for the killing has to do with Flip’s paintings. Detective Wayan Tyo is not so sure. Is Jenna right, or are there other forces at work in this paradise overrun with tourists? The threats to Jenna’s safety pile up, until she can no longer deny that her life is in danger. Her entanglement with various men only clouds her judgment and complicates the situation. As she did in the first Jenna Murphy book, in A Death in Bali, Nancy Tingley draws on her extensive experience as a scholar of Asian art to bring the armchair traveler an immersive, inside view of the art world.