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Ring Lardner, Jr.'s memoir is a pilgrimage through the American century. The son of an immensely popular and influential American writer, Lardner grew up swaddled in material and cultural privilege. After a memorable visit to Moscow in 1934, he worked as a reporter in New York before leaving for Hollywood where he served a bizarre apprenticeship with David O. Selznick, and won, at the age of 28, an Academy Award for the classic film, Woman of the Year, the first on-screen pairing of Spencer Tracy and Katherine Hepburn. In "irresistibly readable" pages (New Yorker), peopled by a cast including Carole Lombard, Louis B. Mayer, Dalton Trumbo, Marlene Dietrich, Otto Preminger, Darryl F. Zanuck, Bertolt Brecht, Bert Lahr, Robert Altman, and Muhammad Ali, Lardner recalls the strange existence of a contract screenwriter in the vanished age of the studio system--an existence made stranger by membership in the Hollywood branch of the American Communist Party. Lardner retraces the path that led him to a memorable confrontation with the House Un-American Activities Committee and thence to Federal prison and life on the Hollywood blacklist. One of the lucky few who were able to resume their careers, Lardner won his second Oscar for the screenplay to M.A.S.H. in 1970.
Two months in the last year of Judy Garland's life, told by her then-lover John Meyer. Meyer, a songwriter, met Garland when she agreed to listen to something he had written and an unexpected romance quickly flowered. The singer he had idolised became, for Meyer, tragic flesh and blood and he fought both fiercely and in vain to save her from herself. His diaries reveal an intimate portrait of the icon in the last moments of her life.
Filling a gap in literature and fulfilling the need for trans-focused work, TransNarratives is an interdisciplinary collection featuring narratives of transgender experiences, providing a sourcebook of a range of trans perspectives, writing styles, and trans methodological fields of applicability. The works included transcend disciplinary boundaries in the pursuit of academic knowledge and creativity, actively deconstructing binaries wherever they begin to appear, whether with regard to gender, race, ability, or sexuality, or to the binary divisions that can sometimes separate academic and creative production. Calling attention to transgender writers, this unique and timely text showcases a wide variety of material, including scholarship from multi- and interdisciplinary transgender perspectives, poetry and fiction that foregrounds trans experience, and first-person transgender narratives. The essays, poems, and stories cover a range of topics relevant to transgender, gender nonconforming, and nonbinary experiences, across time, geographic location, and cultures. An important addition to the field, this groundbreaking text will serve as an essential collection of works for students and researchers in transgender studies, queer studies, and gender studies. FEATURES - Provides accessible, thematically wide-ranging, and stylistically diverse writings, including scholarship from multi- and interdisciplinary transgender perspectives - Includes multi-generational perspectives and non-able-bodied subjectivities - Uniquely formatted to support a dialogue between creative and scholarly work
In 1950, facing artistic and legal persecution by Senator Joe McCarthy because of her inclusion on Louis Budenz’s list of four hundred concealed communists, single mother Hannah Weinstein fled to Europe. There, she built a television studio and established her own production company, Sapphire Films, then surreptitiously hired scores of such blacklisted writers as Waldo Salt, Ian McLellan Hunter, Adrian Scott, and Ring Lardner Jr., and “Trojan-horsed” democratic ideals back to the United States through more than three hundred half-hours of programming, making a fortune in the process. With the exception of a French producer, no other woman on the continent was creating television content at this time, and Weinstein was the only one who was head of her own studio. Before she became one of the more powerful independent production forces in 1950s British television, Hannah Weinstein had a distinguished career as a journalist, publicist, and left-wing political activist. She worked for the New York Herald Tribune from 1927, then began a career in politics when she joined Fiorello H. La Guardia’s New York mayoral campaign in 1937. She also organized the press side of the presidential campaigns of Franklin D. Roosevelt and later (in 1948) of Henry Wallace. Using declassified FBI and CIA files, interviews, and the personal papers of blacklisted writers and other sources, Red Sapphire depicts how for the better part of a decade, Weinstein was a leader in the Left’s battle with the Right to shape popular culture during the Cold War . . . a battle that she eventually won.
In the words of one reader, Brian W. Fairbanks has a real talent for extracting the essence of a given subject and articulating it in a meaningful way. In WRITINGS, the author collects some of his finest essays and criticism spanning the years 1991-2005 and covering four subjects: FILM LITERATURE MUSIC SOCIETY Whether offering an insightful analysis of film noir, examining Benjamin Franklin's impact on American society, taking a clear-eyed, non-partisan look at democrats, republicans, the 2004 presidential campaign, George W. Bush, and the war on terror, or lambasting the corruption of television news, Brian W. Fairbanks is ingenious with a sophisticated yet effortlessly readable style. Also available in two hardcover editions.
In her newest well-tuned, witty, and altogether wonderful novel, bestselling author Elinor Lipman dares to ask: Can an upper-middle-class doctor find love with a shady, fast-talking salesman? Meet Alice Thrift, surgical intern in a Boston hospital, high of I.Q. but low in social graces. She doesn’t mean to be acerbic, clinical, or blunt, but where was she the day they taught Bedside Manner 101? Into Alice’s workaholic and wallflower life comes Ray Russo, a slick traveling fudge salesman in search of a nose job and well-heeled companionship, but not necessarily in that order. Is he a conman or a sincere suitor? Good guy or bad? Alice’s parents, roommate, and best friend Sylvie are appalled at her choice of mate. Despite her doubts, Alice finds herself walking down the aisle, not so much won over as worn down. Will their marriage last the honeymoon? Only if Alice’s best instincts can triumph over Ray’s unsavory ways.
“Trumbo emerges from this well-rounded biography as a larger-than-life figure, not unlike the characters he scripted for the screen.” —Publishers Weekly James Dalton Trumbo is widely recognized as a screenwriter, playwright, and author, but he is also remembered as one of the Hollywood Ten who opposed the House Un-American Activities Committee. Refusing to answer questions about his prior involvement with the Communist Party, Trumbo sacrificed a successful career in Hollywood to stand up for his rights and defend political freedom. In Dalton Trumbo, Larry Ceplair and Christopher Trumbo present their extensive research on the famed writer, detailing his work; his membership in the Communist Party; his long campaign against censorship during the domestic cold war; his ten-month prison sentence for contempt of Congress; and his thirteen-year struggle to break the blacklist. The blacklist ended for Trumbo in 1960, when he received screen credits for Exodus and Spartacus. Just before his death, he received a long-delayed Academy Award for The Brave One, and in 1993, he was posthumously given another for Roman Holiday. This comprehensive biography, which includes excerpts of Trumbo’s letters, notes, and other writings, also provides insights into the notable people with whom Trumbo worked, including Stanley Kubrick, Otto Preminger, and Kirk Douglas, and a fascinating look at the life of one of Hollywood’s most prominent screenwriters and his battle against persecution.
He was Clear Blue Lou, perfect master of the Clear Blue Way, at one with the law of muscle, sun, wind and water governing Aquaria. She was Sunshine Sue, always in a hurry in a world that was too slow, Queen of Word of Mouth. Their meeting had been arranged - but by whom? and why? Beyond the beginning of where the world ended, beyond the highest peaks of its primeval majesty, lay a radio active hell and the lairs of the black sorcerers, the Spacers. The black scientists had not forgotten man's old dream of touching the stars: they wanted the Age of Space reborn. But they needed a little help.
"Shane Dawson, dubbed 'YouTube's comic for the under-30 set' by the New York Times, reveals some of his most embarrassing moments in 20 original, personal essays that are at once hilarious and heartwarming, self-deprecating, and ultimately inspiring to his audience of more than 12 million channel subscribers"--