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Jones's Icones contains finely delineated paintings of more than 760 species of Lepidoptera, many of which it described for the first time, marking a critical moment in the study of natural history. With Iconotypes Jones's seminal work is published for the first time, accompanied by expert commentary and contextual essays, and featuring annotated maps showing the location of each species. Jones painted the species between the early 1780s and 1800, drawing from his own collection and the collections of Joseph Banks, Dru Drury, Sir James Edward Smith, John Francillon, the British Museum and the Linnean Society. For every specimen painting he provided a species name, the collection from which it was taken and the geographical location in which it was found. In 1787, during a visit to London, the Danish scientist Johann Christian Fabricius studied Jones's paintings and based 231 species of butterfly and moths on them. In this enhanced facsimile, Jones's references to historic references are clarified and modern taxonomic names are provided, together with notes on which paintings serve as iconotypes. Contextual commentary by specialist entomologist Richard I. Vane-Wright gives an account of Jones's life and his motivation for collecting butterflies and creating the Icones, and evaluates the significance of his work. Interspersed at intervals between the pages of Jones's paintings are modern maps showing the location of each species painted, and expert essays on the development of lepidoptery and taxonomy after Linneaus, and the roles of collectors and natural history artists from the late 1700s to mid-1800s. With 1600 illustrations in colour In partnership with Oxford University Museum of Natural History
This fully realized colour catalogue includes elegant contemporary illustrations of every animal, plant or mineral cited in Syme's edition of “Werner's nomenclature of colours”
Spectacular, mysterious, elegant and disturbing - the compelling beauty of vertebrate skeletons is revealed as never before in this collection of photographs, which offers an original explanation of the mechanics of evolution.
Recording the world of plant and animal life and documenting the strange beauty of the natural world have been human passions ever since the first cave paintings. While there are many histories of botanical art featuring beautiful paintings and finished drawings, the artists' preparatory sketches, first impressions, and scribbled notes on paper are rarely seen. But it is often these early attempts that give us real insight into the firsthand experiences and adventures of the botanists, artists, collectors, and explorers behind them. This exquisite visual compendium of botanical sketches by eighty artists from around the world brings these personal and vividly spontaneous records back into the light. Filled with remarkable images from the fifteenth to the twentieth centuries, sourced from the unparalleled collections of the Royal Botanic Gardens, Kew Library, Art & Archives, and other libraries, museums, and archives, Botanical Sketchbooks also provides fascinating biographical portraits of the intriguing characters featured within, including such renowned artists, scientists, and amateur botanists as Leonardo da Vinci, Georg Dionysius Ehret, Carl Linnaeus, Maria Sibylla Merian, Mark Catesby, and Helen and Margaret Shelley (sisters of the novelist Mary Shelley), among many others.
“The focus is the most severe mass extinction known in earth’s history. The science on which the book is based is up-to-date, thorough, and balanced. Highly recommended.” —Choice Today it is common knowledge that the dinosaurs were wiped out by a meteorite impact 65 million years ago that killed half of all species then living. It is far less widely understood that a much greater catastrophe took place at the end of the Permian period 251 million years ago: at least ninety percent of life on earth was destroyed. When Life Nearly Died documents not only what happened during this gigantic mass extinction but also the recent renewal of the idea of catastrophism: the theory that changes in the earth’s crust were brought about suddenly in the past by phenomena that cannot be observed today. Was the end-Permian event caused by the impact of a huge meteorite or comet, or by prolonged volcanic eruption in Siberia? The evidence has been accumulating, and Michael J. Benton gives his verdict at the end of the volume. The new edition brings the study of the greatest mass extinction of all time thoroughly up-to-date. In the twelve years since the book was originally published, hundreds of geologists and paleontologists have been investigating all aspects of how life could be driven to the brink of annihilation, and especially how life recovered afterwards, providing the foundations of modern ecosystems.
Photographs of outer space--produced by earthbound and space telescopes and planet-roving satellites--have captivated a vast audience. This stunning book presents in unprecedented clarity 365 spectacular images culled from the thousands that have been featured on the popular Web site APOD. 365 illustrations.
A dazzling collection of jewelry imitating flowers, from the seventeenth century to today
From Classical times to the 19th century, the great quest to discover and define the intoxicating diversity of the natural world attracted a host of intrepid thinkers and explorers. Aristotle and Linnaeus set out to classify nature; Joseph Banks and von Humboldt made perilous journeys to collect and record it. Antony van Leeuwenhoek discovered bacteria with a homemade microscope and James Hutton revealed the immense age of the Earth. Mary Anning hunted fossils; others insects, birds and plants. Georges Cuvier pondered extinction, and Charles Darwin proclaimed the origin of species. With their radical thinking and commitment to close observation, these pioneers laid foundations for the specialist scientists of today. Here thirty-nine of them are brought vividly to life by an array of experts, with illustrations from the unmatched archive of the Natural History Museum, London.
The first survey of its kind to explore contemporary art that focuses on ecology From land art and earthworks in the 1960s to conceptual art of the new millennium, ecology-focused art has been a prominent genre in the art world for decades. This book offers a look into the recent explosion in contemporary art that deals directly with nature, the environment, climate change, and ecology. Organized into six thematic chapters, Art & Ecology Now moves through the various levels of artists’ engagement, from those who document and reflect on nature, to those who use the physical environment as the raw material for their art, and committed activists who set out to make art that transforms both our attitudes and our habits. More than 300 color illustrations feature the work of over 90 artists, including Allora & Calzadilla, Edward Burtynsky, Tue Greenfort, Hans Haacke, Eva Jospin, Nadav Kander, Yao Lu, David Maisel, Gustav Metzger, Svetlana Ostapovici, Nyaba Leon Ouedraogo, Berndnaut Smilde, and more.