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One bad day. Freed once again from the confines of Arkham Asylum, The Joker is out to prove a deranged point. And he's going to use Gotham City's top cop, commissioner Jim Gordon, and his brilliant daughter Barbara (a.k.a. Batgirl) to do it. Now Batman must race to stop his archnemesis before his reign of terror claims two of the Dark Knight's closest friends. Critically acclaimed author Alan Moore redefined graphic novel story-telling with Watchmen and V for Vendetta. In Batman: The Killing Joke, he takes on the origin of comics' greatest super-villain, The Joker, and changes Batman's world forever. Absolute Batman: The Killing Joke (30th Anniversary Edition) includes both the recolored art by artist Brian Bolland and the original colors by John Higgins, along with the never-before-published scripts, and numerous Batman and Joker sketches and stories by Bolland. Collects Batman: Black and White #4; Batman: The Killing Joke; Countdown #31; Cover Story: The DC Comics Art of Brian Bolland; Joker: Last Laugh #1, #6; Joker's Greatest Stories Ever Told; Who's Who in the DC Universe #13 and Wonder Woman #96.
Killing Joke are worthy of more than a quiet mention on the back of the socially acceptable bands who rip off their riffs, so who else than a big-mouthed truth speaker to share her views and observations about a post punk / industrial rock band who remain superior to most, unknown to many, an inpiration to more and yet still utterly offensive to some. An extended review of a unique band with a massive cult following, coupled with the real life soap opera of a jackanapes...
"A celebration of last laughs and deadly crimes as written and drawn by many of the greatest writers and artists ever to grace the comic art medium! The companion volume to The Greatest Batman Stories Ever Told!"--Cover, page 4.
The complete story of the post-punk originators Killing Joke. From squats of London to chart topping singles and recording in the Great Pyramid of Giza. New insight into the band's ground breaking, genre-defining albums with exclusive interviews from past and present band members, the producers including Grammy Award winning, Hugh Padgham, journalists, record label executives, film makers and contemporaries such as Public Image Limited. Interviews from the graphic artists give insight to the visual aspect of the musical geniuses. With over 20 interviewees the book gives unique insight to the band that influenced everyone from Nirvana to Metallica.
The saga of a a mysterious boy named Aang, who is an airbender--a race of people no one has seen in a century.
After the Joker thinks that he has killed Batman, he reacts to the loss of his nemesis by attempting to leave his insanity behind him and lead a normal life as Joseph Kerr.
In 1988, Alan Moore and Brian Bolland's BATMAN: THE KILLING JOKE offered a violent, literate, and controversial take on the Joker's origins and his relationship with Batman. Now, Dr. Julian Darius examines it in the context of the high-art ambitions of 1980s super-hero comics, exposing the narrative's ambiguities and secrets. From Sequart Organization. More info at http: //sequart.org
Written by Alan Moore Art by Jim Aparo, Jim Baikie, Brian Bolland, Paris Cullins, George Freeman, Dave Gibbons, Klaus Janson, Kevin O'Neill, Joe Orlando, George P�rez, Kurt Schaffenberger, Curt Swan, Rick Veitch, Al Williamson and Bill Willingham Cover by Brian Bolland Don't miss this exhaustive collection featuring the World's Greatest Super-Heroes as interpreted by one of the most acclaimed authors in comics! The work of Alan Moore (WATCHMEN, V FOR VENDETTA, THE LEAGUE OF EXTRAORDINARY GENTLEMEN) in the DCU during the 1980s is considered a benchmark for great stories with fresh approaches to iconic characters. Collected in this volume are all of Moore's Superman and Batman stories, including the long out-of-print "Whatever Happened to the Man of Tomorrow?" as well as, for the first time in trade paperback, BATMAN: THE KILLING JOKE (illustrated by Brian Bolland, who provides a new cover). This volume - which no comics fan should be without - collects stories from ACTION COMICS #584, BATMAN ANNUAL #11, BATMAN: THE KILLING JOKE, DC COMICS PRESENTS #85, DETECTIVE COMICS #549-550, GREEN LANTERN #188, THE OMEGA MEN #26-27, SECRET ORIGINS #10, SUPERMAN #423, TALES OF THE GREEN LANTERN CORPS ANNUAL #2 & 3, SUPERMAN ANNUAL #11 and VIGILANTE #17-18. On sale January 2
Forged in a London fire ritual in 1979 and reborn with their original line-up in 2008, Killing Joke have been creating uncompromising music for over 40 years. In addition to their incandescent self-titled debut in 1980, they have released essential albums in each of the past four decades: Night Time (1985), Pandemonium (1994), Killing Joke (2003) and Pylon (2015). But Killing Joke are more than a band; they are a primal force that exerts an intangible gravity on both its members and its fans. They have influenced countless groups across multiple genres – including Metallica, Nirvana and Nine Inch Nails – while their own style ranges across post-punk, dub, industrial, world music, electronica and alt-metal. Their equally eclectic lyrics traverse social alienation, dystopian futures, the folly of hubris, Cold War dread, paganism and the occult. Above all, their work embodies a process of self-discovery whose aim is nothing less than the revelation and integration of our darkest urges. Killing Joke On Track covers the fifteen studio albums and almost 200 songs of Killing Joke’s vocation to date, including obscure gems, live albums and compilations. It’s a celebration of a band who are often challenging, always provocative, but ultimately life-affirming. Nic Ransome spent most of the past 20 years as a screenwriter and is currently researching toward a PhD. Straight out of school in the mid-1980s, he self-published a rock fanzine then played bass in a short-lived space-punk band, before dabbling in theatre. He spent the next ten years doing a series of bullshit jobs to earn a living before rekindling a teenage obsession with movies, which eventually led to a seven-year stint at legendary British film company Hammer. This book is Nic turning full circle back to his first love as an adult: writing about music, specifically a band of which he’s been a fan going on 42 years. He lives in Suffolk, UK.