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The fascinating story of a pleasure-seeking Persian boy who became one of 'Abdu'l-Baha's leading English translators and united East and West in the first Persian-American Baha'i marriage. Here is the colourful story of Ali-Kuli Khan, the first to translate into English such important works as the 'Seven Valleys', the 'Kitab-i-Iqan', and the Glad-Tidings. Told by his daughter, herself a well-known author and translator, Khan's story is based on his memoirs and personal papers. Through them we are given a unique and detailed picture of life in Persia at the end of the century, complete with an explanation of that oft-met protocol 'ta'aruf'. We follow the young Khan, dressed as a dervish, on his adventurous walk to 'Akka and note his transformation from a frivolous youth to a skilled translator for 'Abdu'l-Baha. In his nearly two years as a member of 'Abdu'l-Baha's household, Khan both translated for those first groups of American pilgrims to visit the Holy Land and rendered 'Abdu'l-Baha's Tablets into English. In 1901 Khan was sent to America to assist Mirza Abu'l-Fadl and to translate the great teacher's book, The Baha'i Proofs, into English. It was in America that Khan met and fell in love with a Boston society girl, Florence Breed. Their Victorian romance unfolds in the delicate love-letters written by Florence to Khan. Their marriage, the first between a Persian and an American Baha'i, not only symbolized but portrayed the unity between East and West taught by the Baha'i Faith. 'Summon Up Remembrance' is peopled with such familiar figures as Mirza Abu'l-Fadl, Laura Barney, Edward and Lua Getsinger, Mary Hanford Ford and the Atabak. But this is a book dedicated to 'Abdu'l-Baha, and it is His wisdom and teaching that characterizes it. A unique feature is the inclusion of the Tablet of Cremation revealed by 'Abdu'l-Baha, here published for the first time in English in a new translation by the Research Department of the Universal House of Justice. The story continues in Arches of the Years.
'The Phoenix and the Turtle' is an allegorical poem about the death of ideal love by William Shakespeare. It is widely considered to be one of his most obscure works and has led to many conflicting interpretations. The poem describes a funeral arranged for the deceased Phoenix and Turtledove, respectively emblems of perfection and of devoted love. Some birds are invited, but others excluded. It goes on to state that the love of the birds created a perfect unity which transcended all logic and material fact. It concludes with a prayer for the dead lovers.
"Few poetic forms have found more uses than the sonnet in English, and none is now more recognizable. It is one of the longest-lived of verse forms, and one of the briefest. A mere fourteen lines, fashioned by intricate rhymes, it is, as Dante Gabriel Rossetti called it, "a moment's monument." From the Renaissance to the present, the sonnet has given poets a superb vehicle for private contemplation, introspection, and the expression of passionate feelings and thoughts." "The Art of the Sonnet collects one hundred exemplary sonnets of the English language (and a few sonnets in translation), representing highlights in the history of the sonnet, accompanied by short commentaries on each of the poems. The commentaries by Stephen Burt and David Mikics offer new perspectives and insights, and, taken together, demonstrate the enduring as well as changing nature of the sonnet. The authors serve as guides to some of the most-celebrated sonnets in English as well as less-well-known gems by nineteenth- and twentieth-century poets. Also included is a general introductory essay, in which the authors examine the sonnet form and its long and fascinating history, from its origin in medieval Sicily to its English appropriation in the sixteenth century to sonnet writing today in the United States, the United Kingdom, and other English-speaking parts of the world." --Book Jacket.
Analyzes all of Shakespeare's sonnets in terms of their poetic structure, semantics, and use of sounds and images.
The crises of faith that fractured Reformation Europe also caused crises of individual and collective identity. Structures of feeling as well as structures of belief were transformed; there was a reformation of social emotions as well as a Reformation of faith. As Steven Mullaney shows in The Reformation of Emotions in the Age of Shakespeare, Elizabethan popular drama played a significant role in confronting the uncertainties and unresolved traumas of Elizabethan Protestant England. Shakespeare and his contemporaries—audiences as well as playwrights—reshaped popular drama into a new form of embodied social, critical, and affective thought. Examining a variety of works, from revenge plays to Shakespeare’s first history tetralogy and beyond, Mullaney explores how post-Reformation drama not only exposed these faultlines of society on stage but also provoked playgoers in the audience to acknowledge their shared differences. He demonstrates that our most lasting works of culture remain powerful largely because of their deep roots in the emotional landscape of their times.
A collection of energetic and inquisitive poetry invites the reader to explore beauty, heartbreak, loss, and outrage
When historian Alfred “Alf” Clayton is invited by an academic journal to record his impressions of the Gerald R. Ford Administration (1974–77), he recalls not the political events of the time but rather a turbulent period of his own sexual past. Alf’s highly idiosyncratic contribution to Retrospect consists not only of reams of unbuttoned personal history but also of pages from an unpublished project of the time, a chronicle of the presidency of James Buchanan (1857–61). The alternating texts mirror each other and tell a story in counterpoint, a frequently hilarious comedy of manners contrasting the erotic etiquette and social dictions of antebellum Washington with those of late-twentieth-century southern New Hampshire. Alf’s style is Nabokovian. His obsessions are vintage Updike.