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"[A] long, beautiful, heart-breaking love letter to potential and possibilities and hope, to the pain we survive in youth and carry with us into adulthood."--NPR Book Reviews One week. That's all Jessie said. A one-week break to get some perspective before graduation, before she and her boyfriend, Chris, would have to make all the big, scary decisions about their future -- decisions they had been fighting about for weeks. Then, Chris vanishes. The police think he's run away, but Jessie doesn't believe it. Chris is popular and good-looking, about to head off to college on a full-ride baseball scholarship. And he disappeared while going for a run along the river -- the same place where some boys from the rival high school beat him up just three weeks ago. Chris is one of the only black kids in a depressed paper mill town, and Jessie is terrified of what might have happened. As the police are spurred to reluctant action, Jessie and others speak up about the harassment Chris experienced and the danger he could be in. But there are people in Jessie's town who are infuriated by the suggestion that a boy like Chris would be a target of violence. They smear Chris's character and Jessie begins receiving frightening threats. Every Friday since they started dating, Chris has written Jessie a love letter. Now Jessie is writing Chris a letter of her own to tell him everything that's happening while he's gone. As Jessie searches for answers, she must face her fears, her guilt, and a past more complicated than she would like to admit.
An original and inspiring work from the bestselling author of The Artist's Way. This enlightening companion to Julia Cameron's bestselling Prayers Trilogy (Blessings, Heart Steps, and Transitions) is for anyone who has yearned for a more spiritual life, for anyone who has felt that their prayers have gone unheard. In this luminous book God answers our prayers with a prayer of His own: It is His greatest wish that we recognize the divine grace and goodness present within all of us. In Answered Prayers, the divine creator who watches over us-regardless of religion or creed-reveals that He is with us in every moment, that He in fact never leaves our side. In a language that is at once simple and eloquent, He responds to all of our fears and all of our longings are understood, and are answered. Answered Prayers is truly a gift from God. Award-winning writer Julia Cameron is the author of twenty books, both fiction and nonfiction, including the bestselling works on the creative process The Artist's Way, Walking in This World, The Vein of Gold, The Right to Write, and The Sound of Paper. A novelist, playwright, songwriter, and poet, she has extensive credits in theater, film, and television.
The Di Marcos lived in the village of Casino, at the foot of Monte Casino. Above on the mountain, was the world famous Abby of St. Benedict. Eventually, the head of the family, Papa Pasquale De Marco made the decision to seek a better fortune in America. He took his three daughters and two of his sons with him across the Atlantic Ocean to settle in the Charles street section of Providence, Rhode Island. Pasquale's eldest son, big Frank as he was called, remained back in Italy to take care of the family land and to pursue a promising career in professional boxing. After two years Frank's wife Anna, was wary of his fighting and wanted a child. Together they came to the conclusion to join the rest of the family in America. They settled on Luna Street, with the rest of the family, in the Charles Street section. Frank and Anna now had six children. Their eldest son was named Patty Di Marco and was the spitting image of his father. Someday he would retain the title his grandfather held as the adviser of the Di Marco family. At twelve years old he was already six feet tall, muscular and very handsome. Patty started fighting in the neighborhood at twelve years old. By the age of fourteen he became the undisputed leader of Charles Street. While attending Esek Hopkins junior high school, Patty asked one of his teachers, who spent twenty years in China, if she would teach him Chinese on her own time because they did not teach Chinese at his junior high school. Many years later his knowledge of the Chinese language, which Patty spoke perfectly, would prove to save his life in the Korean war. In his young adult life he was referred to as the king of Providence.
Between 1982 and 1989, Pelafina H. Lièvre sent her son, Johnny Truant, a series of letters from The Three Attic Whalestoe Institute, a psychiatric facility in Ohio where she spent the final years of her life. Beautiful, heartfelt, and tragic, this correspondence reveals the powerful and deeply moving relationship between a brilliant though mentally ill mother and the precocious, gifted young son she never ceases to love. Originally contained within the monumental House of Leaves, this collection stands alone as a stunning portrait of mother and child. It is presented here along with a foreword by Walden D. Wyhrta and eleven previously unavailable letters.
Important American periodical dating back to 1850.
Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.
This book examines how Wilkie Collins's interest in medical matters developed in his writing through exploration of his revisions of the late eighteenth-century Gothic novel from his first sensation novels to his last novels of the 1880s. Throughout his career, Collins made changes in the prototypical Gothic scenario. The aristocratic villains, victimized maidens and medieval castles of classic Gothic tales were reworked and adapted to thrill his Victorian readership. With the advances of neuroscience and the development of criminology as a significant backdrop to most of his novels, Collins drew upon contemporary anxieties and increasingly used the medical to propel his criminal plots. While the prototypical castles were turned into modern medical institutions, his heroines no longer feared ghosts but the scientist's knife. This study hence underlines the way in which Collins's Gothic revisions increasingly tackled medical questions, using the medical terrain to capitalize on the readers' fears. It also demonstrates how Wilkie Collins's fiction reworks Gothic themes and presents them through the prism of contemporary scientific, medical and psychological discourses, from debates revolving around mental physiology to those dealing with heredity and transmission. The book's structure is chronological covering a selection of texts in each chapter, with a balance between discussion of the more canonical of Collins's texts such as The Woman in White, The Moonstone and Armadale and some of his more neglected writings.
Examines how student protest against structural inequalities on campus pushes academic institutions to reckon with their legacy built on slavery and stolen Indigenous lands Using campus social justice movements as an entry point, Leigh Patel shows how the struggles in higher education often directly challenged the tension between narratives of education as a pathway to improvement and the structural reality of settler colonialism that creates and protects wealth for a select few. Through original research and interviews with activists and organizers from Black Lives Matter, The Black Panther party, the Student Nonviolent Coordinating Committee, the Combahee River Collective, and the Young Lords, Patel argues that the struggle on campuses reflect a starting point for higher education to confront settler strategies. She reveals how blurring the histories of slavery and Indigenous removal only traps us in history and perpetuates race, class, and gender inequalities. By acknowledging and challenging settler colonialism, Patel outlines the importance of understanding the relationship between the struggle and study and how this understanding is vital for societal improvement.