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Captain Sebastian Valentino is a half-man, half-fox mercenary war veteran who loses the respect of his crew after a botched infiltration mission leaves his first officer and best friend dead. Matters grow worse when the powerful Canis Dominion places an unprecedented bounty on his head, leading an old enemy with a vendetta to pursue him.
Nancy’s friend Laura Passano has invited her down to Maryland to enjoy a horseback riding holiday. The weather is wonderful, the pastures peaceful, the trip a real treat. There’s only one catch: Someone’s out to sabotage the Passano family stables. First, the feed is poisoned, and then Laura's favorite horse, Morning Glory, is stolen! Did Alexa Shaw, Laura’s spoiled rival, find the perfect way to hurt her? Or has the upcoming fox hunt so enraged animal activists that they’ve turned to sabotage? Spurred to action, Nancy’s on the hunt for a lawbreaker—and she’s headed straight into a hornet’s nest of greed, jealousy, deception, and dangerous secrets!
"One of our greatest and most original living writers sets out the perils of the writing life with joyful provocation in this "anti-memoir." M. John Harrison has produced one of the greatest bodies of fiction of any living British author, encompassing space opera, speculative fiction, fantasy, and magical and literary realism. But is there even an M. John Harrison and if so, where do we find him? This is the question the author asks in this memoir-as-mystery, turning for clues to forty years of notetaking: "A note or it never happened. A note or you never looked." Are these notebooks records of failed presence? How do they shine a light on a childhood in the industrial Midlands, a portrait of a young artist in counterculture London, on an adulthood of restless escape into hill and moorland landscapes? And do they tell us anything about the writing of books, each one so different from the last that it might have been written by another version of the author? With aphoristic daring and laconic wit, this anti-memoir will fascinate and delight. It confirms M. John Harrison still further in his status as the most original British writer of his generation."--