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Freshly returned from his first-ever goblin hunt, Noor is tasked with accompanying Lynne and Ines to the nearby nation of Mithra. But with sinister forces acting behind the scenes, will they even manage to get there? Is the royal capital ready to withstand the nefarious schemes that threaten to destroy it? And, above all else, do poisonous toads make for good eating?! Whatever the case, our humble hero is just glad to be riding in a coach for the very first time—and he’s not about to let a little thing like a deadly assassin get in his way!
Ever since he was a young boy, Noor has wanted to be like the adventurers in his father’s stories—dragon-slayers, curse-breakers, heroes who always save the day. But as everyone knows, to be an adventurer, you’ve gotta have the right skills! Unfortunately for Noor, his [Parry] is bottom-of-the-barrel useless, his prospects are nonexistent, and everybody he knows is telling him to throw in the towel. Faced with this harsh reality, he figures there’s only one thing to do: make up for it with effort! An intense, solitary training regimen ought to do it. If one year won’t cut it, he’ll train for five! If not five, ten! Now facing the tail end of his twenties with no new skills to show for his labors, Noor sets out to become an adventurer anyway, determined to try one last time to make his dream come true. He might be clueless when it comes to adventuring, but he’s no stranger to hard work! Now, if only he can figure out why everyone keeps looking at him like that...
Within the tenth-floor boss room of the Sazardon Labyrinth, the mighty minotaur awakens once more. Unlike its predecessors, slain at the hands of treasure-seeking adventurers, this monster’s primal urges push it further than ever before. Kill. Consume. Grow stronger. The more powerful its opponent, the more powerful it becomes. Even the very rules of the labyrinth seem to bend to its indomitable will. Can none triumph against this bovine behemoth? Will the minotaur ever meet its match…?
'A fine example of the new anti-epic fiction at its best . . . This is one of the more brilliant pieces of writing that you're liable to read for a long time.' - Seattle Post-Intelligencer 'One of the major-league fantasy releases of 2011, the highly awaited The White-Luck Warrior by Scott Bakker . . . Nobody can deny the powerful nature of those books . . . Overall [Bakker's books have] enriched the potential of the fantasy genre quite a lot.' - Fantasy Book Critic A score of years after he first walked into the histories of men, Anasûrimbor Kellhus rules all the three seas, the first true aspect-emperor in a thousand years. As Kellhus and his Great Ordeal march ever farther into the perilous wastes of the Ancient North, Esmenet finds herself at war with not only the Gods, but her own family as well. Achamian, meanwhile, leads his own ragtag expedition to the legendary ruins of Sauglish, and to a truth he can scarce survive, let alone comprehend. Into this tumult walks the White Luck Warrior, assassin and messiah both, executing a mission as old as the World's making . . . The second volume in the ambitious and compelling Aspect-Emperor fantasy series Books by R Scott Baker: Prince of Nothing Trilogy The Darkness That Comes Before The Warrior-Prophet The Thousandfold Thought Aspect-Emperor The Judging Eye The White Luck Warrior The Great Ordeal The Unholy Consult Novels Neuropath Disciple of the Dog Light, Time, and Gravity
With most of Rabbit’s zombie army out of the way, only one thing stands between Ox and Tiger and taking down Rabbit for good—Monkey. Her sheer strength and power, once disciplined in life, are completely unhinged in death, making her far and away the strongest fighter! With only four fighters and one zombie remaining, who will come out victorious? Don’t miss the thrilling, unexpected conclusion to the twelfth Zodiac War! -- VIZ Media
Here is a book as joyous and painful, as mysterious and memorable, as childhood itself. I Know Why the Caged Bird Sings captures the longing of lonely children, the brute insult of bigotry, and the wonder of words that can make the world right. Maya Angelou’s debut memoir is a modern American classic beloved worldwide. Sent by their mother to live with their devout, self-sufficient grandmother in a small Southern town, Maya and her brother, Bailey, endure the ache of abandonment and the prejudice of the local “powhitetrash.” At eight years old and back at her mother’s side in St. Louis, Maya is attacked by a man many times her age—and has to live with the consequences for a lifetime. Years later, in San Francisco, Maya learns that love for herself, the kindness of others, her own strong spirit, and the ideas of great authors (“I met and fell in love with William Shakespeare”) will allow her to be free instead of imprisoned. Poetic and powerful, I Know Why the Caged Bird Sings will touch hearts and change minds for as long as people read. “I Know Why the Caged Bird Sings liberates the reader into life simply because Maya Angelou confronts her own life with such a moving wonder, such a luminous dignity.”—James Baldwin From the Paperback edition.
NOW THE ACCLAIMED HBO SERIES GAME OF THRONES—THE MASTERPIECE THAT BECAME A CULTURAL PHENOMENON Winter is coming. Such is the stern motto of House Stark, the northernmost of the fiefdoms that owe allegiance to King Robert Baratheon in far-off King’s Landing. There Eddard Stark of Winterfell rules in Robert’s name. There his family dwells in peace and comfort: his proud wife, Catelyn; his sons Robb, Brandon, and Rickon; his daughters Sansa and Arya; and his bastard son, Jon Snow. Far to the north, behind the towering Wall, lie savage Wildings and worse—unnatural things relegated to myth during the centuries-long summer, but proving all too real and all too deadly in the turning of the season. Yet a more immediate threat lurks to the south, where Jon Arryn, the Hand of the King, has died under mysterious circumstances. Now Robert is riding north to Winterfell, bringing his queen, the lovely but cold Cersei, his son, the cruel, vainglorious Prince Joffrey, and the queen’s brothers Jaime and Tyrion of the powerful and wealthy House Lannister—the first a swordsman without equal, the second a dwarf whose stunted stature belies a brilliant mind. All are heading for Winterfell and a fateful encounter that will change the course of kingdoms. Meanwhile, across the Narrow Sea, Prince Viserys, heir of the fallen House Targaryen, which once ruled all of Westeros, schemes to reclaim the throne with an army of barbarian Dothraki—whose loyalty he will purchase in the only coin left to him: his beautiful yet innocent sister, Daenerys.
There is no consensus in the social and cultural sciences on what theory is, and that is as it should be. A consensus would be outright dangerous for the diversity of intellectual life. The perspectives represented in this volume show that theory can be understood as plot, hope, beholding, doxa, heritage, a stalemate, disappointment, personal matter, or family concept. But, even if theory can be defined in many ways, it cannot be defined in any one way. Beyond disciplinary and epistemological differences, theory has the steadfast characteristic of being what academics work with. More than an epistemological matter, the book's title question is an entry into the dynamics of academic practice. The book consists of a multidisciplinary collection of essays that are tied together by a common effort to tell what theory is. These essays are also paired as dialogues between senior and junior researchers from the same, or allied, disciplines to add a trans-generational dimension to the book's multidisciplinary approach. What Is Theory? has been designed for upper division and graduate students in the social sciences and the humanities, but it will also be of interest to anyone who has felt that the question of what theory is can be more easily asked than answered. Contents include: Why Ask What Theory Is? * The History of the Concept of Theory * History of Ideas at the End of Western Dominance * Looking at Theory in Theory in Science * Theory Has No Big Others in Science and Technology Studies * What Social Science Theory Is and What It Is Not * Theory as Hope * Theory Crisis and the Necessity of Theory - The Dilemmas of Sociology * Theory as Disappointment * Theory - A Personal Matter * Theory - A Professional Matter * Economic Theory - A Critical Realist Perspective * For Theoretical Pluralism in Economic Theory * What Is Theory in Political Science? * For a New Vocabulary of Theory in Political Science * Theorizing the Earth * Spatial Theory as an Interdisciplinary Praxis. *** "This highly original, lively and refreshing book is more than welcome: it is needed....the contributors' insights, passion and diversity fully restore the creative value of theorizing as a way to grasp, understand and more importantly shape the world." - Franck Cochoy, Professor of Sociology, U. of Toulouse
Then: Kunugi Kou waged bloody warfare as a hero in another world. Now: He’s a perfectly average high-schooler with a perfectly exceptional best friend: Ayase Kaito. The living incarnation of every cheesy romcom protagonist ever written, Kaito’s charming personality and looks that could kill have earned himself the harem of quirky beauties that every protagonist deserves—and Kou is dead-set on supporting him from the shadows as the ultimate wingman extra! And it’s all going great—that is, until a wrench is thrown into the works in the form of another romcom staple: the protagonist’s little sister, Ayase Hikari, who meets Kou under the most outlandish of circumstances possible. Even worse, it kinda sorta just maybe seems like she might have a thing for him? Now it’s up to the world’s most “extra” extra to crawl his way back into the obscurity he longs for!