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Baltimore senior editor Ron Cassie has garnered national awards for his coverage of the death of Freddie Gray, sea-level rise on the Eastern Shore, and the opioid epidemic in Hagerstown. This collection of short stories, culled from a decade spent roaming around Charm City with a notebook in his back pocket, is different, however. They are of the kind of wide-ranging city writing and literary journalism that speaks directly to the fabric of a place. There are encounters with former Rep. Elijah Cummings, former Senator Barbara Mikulski, and Orioles Hall-of-Famer Jim Palmer. But more often, these stories revolve around people few Baltimoreans have heard of--a blind police detective, old Jewish boxers, a flower shop owner, the city native who created the statue of Billie Holiday in Upton. Each story makes the picture of Baltimore and its work-a-day inhabitants--gritty, resilient, quirky--clearer and more complex at the same time.
Longlisted for the 2018 PEN America Literary Awards In these nine stories, Marian Crotty inhabits the lives of people searching for human connection. Her characters, most often young women, are honest, troubled, and filled with longing. The stories are set in Arizona, North Carolina, Pennsylvania, Maryland, and the Persian Gulf, and often touch on themes of addiction, class, sexuality, and gender. What Counts as Love is a poignant, often funny collection that asks us to take it and its characters seriously.
This book offers 101 passive programming ideas that are extendable, adaptable, customizable, and above all, stealable-so your passive programming never runs dry. Passive programming is a cheap, quick, fun way to make all library customers feel like part of the community. It can support reading initiatives, foster family engagement, encourage visit frequency, and coax interaction out of library lurkers-while barely making a dent in your programming budget. Passive programming can be targeted at children, teens, adults, or seniors; used to augment existing programs; and executed in places where staff-led programming can't reach. It can be light-footed, spontaneous, and easily deployed to reflect and respond to current news, media, library events, and even the weather. But even passive programming pros run out of ideas sometimes, and when that happens, they want a fresh, funny source of inspiration.
Featuring an original introduction by Oprah Winfrey, this beautiful journal is a wonderful gift that's destined to become a trusted companion as you reflect on your own life’s journey. “The most valuable gift you can give yourself is the time to nurture the unique spirit that is you.”—Oprah Winfrey Oprah Winfrey has been keeping journals since she was fifteen years old. She has long considered the act of writing down her most personal experiences and giving thanks at the end of the day to be a form of therapy. For Oprah, journaling is a life-long, spiritual practice inspiring some of her most powerful aha moments and offering insight into her own evolution. The Wisdom Journal features an exclusive introduction by Oprah and showcases the hand-picked quotations from the world renowned thought-leaders who have enlightened and her throughout the years. Destined to become a trusted companion and beloved keepsake, recording your own life’s journey, The Wisdom Journal will prompt you to express all that you hold within your heart and to discover what it means to actualize the truest expression of yourself.
One of the Most Anticipated Small Press Books of 2018 (Big Other) "Timmy Reed writes like a whacked–out angel." —Amber Sparks, author of The Unfinished World and May We Shed These Human Bodies Miles Lover is an imaginative but insecure adolescent skateboarder with an unfortunate nickname, about to face his first semester of high school in the fall. In Kill Me Now, Miles exists in a liminal space—between junior high and high school, and between three houses: his mother's, his father's, and the now vacant house his family used to call home in a leafy, green neighborhood of north Baltimore. Miles struggles against his parents, his younger identical twin sisters, his probation officer, his old friends, his summer reading list, and his personal essay assignment (having to keep a journal). More than anything, though, he wrestles with himself and the fears that come with growing up. It's not until Miles begins a mutually beneficial friendship with a new elderly neighbor—whom his sisters spy on and suspect of murder—that he begins to find some understanding of lives different than his own, of the plain acceptance of true friends, and, maybe, just a little of himself in time to start a whole new year. When you're green, you grow, he learns. But when you're ripe, you rot. With tenderness and tenacity, Timmy Reed's prose—written in a confessional tone via Miles's journal—captures the anguish and grit of adolescence, and the potential of growing up.
Vols. 42-57 (1930-45) include separately paged reports of secretary-treasurer, auditor, roster of officials and other documents dealing with the activities of the association.
This collection of first-person essays by established authors provides a wealth of support and insights for new and experienced academic writers in language education and multicultural studies. Although writing for publication is becoming increasingly important as these fields become both more professional and more competitive, few scholars talk candidly about their experiences negotiating a piece of writing into print. These essays will help researchers, practitioners, and graduate students expand their understanding of what it means--professionally and personally--to write for publication. Carefully crafted, focused, and provocative, the chapters in this volume document authors' experiences with a range of practical, political, and personal issues in writing for publication. Many portray the hardship and struggle that are not obvious in a finished piece of writing. Readers are encouraged to resonate with the events and issues portrayed, and to connect the narratives to their own lives. Practical information, such as contact information for journal and book publishers, manuscript guidelines, and useful books are included in appendices. Although organized thematically, the essays in Writing for Scholarly Publication: Behind the Scenes in Language Education overlap in many ways as each author considers multiple issues: *In the Introduction, the editors discuss key aspects of writing for scholarly publication, such as writing as situated practice, issues faced by newcomers, the construction of personal identity through writing, writing and transparency, facets of the interactive nature of scholarly writing, and intertwined political issues. *Part I focuses on issues and concerns faced by "Newcomers." *In Part II, "Negotiating and Interacting," the essays closely examine the interactions among authors, editors, manuscript reviewers, and collaborators; these interactions tend to be the least often discussed and these essays therefore offer readers fascinating insights into the sensitive social, political, and personal relationships among the many players in the scholarly writing game. *"Identity Construction" is addressed in Part III, where authors share their experiences with and reflections on the ways that professional writing helps them construct their identities as writers and scholars. *The essays in Part IV, "From the Periphery," help redefine what the notion of "periphery" might mean, from a concept with a negative connotation of "outsider" to a positive connotation of active and unconventional participant.
Poetry. Jewish Studies. GRANDFATHER'S MANDOLIN; by Fran Markover; is a collection of poems deeply rooted in family and what has come before. David Keplinger notes that "in these poems languages and names and articles of clothing seem to have lives; hats are thought to be alive; and names deserve elegies and memorials because they are breathing things that can pass away from this world; if we do not take care. Poem by poem; Markover creates a rich landscape of lives remembered; honored and loved."
Vols. 12-20 include: Cigar Maker's International Union of America. Annual financial report (title varies slightly), 1886-94. (From 1886-91 issued as a numbered section of the periodical.)
No, no, NO! Geraldine is NOT moving. Not to this new town where she’s the only giraffe. Not to this new school where she has no friends. Not to this new place, where everyone only knows her as That Giraffe Girl. But soon Geraldine meets Cassie, a girl who is just as much of an outcast as she is, and as time goes by, she realizes that being yourself and making one really good, unusual friend can help someone who literally stands out fit right in. Together, Geraldine and Cassie play by their own rules.