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Jandamarra is an aboriginal warrior of the spiritual Kimberley area of Australia, home to the tribe known as the Bunuba people. Jandamarra is a legendary hero of the 1890s known to his people as a Jalgangurru, a magic man, due to his extraordinary skills and abilities. He is a cheeky, likeable boy, and a quick learner. At around 12 years of age, Jandamarra, named Pigeon by the whitefellas, begins working on a sheep station, where he learns to shoot, ride horses, and live among the whitefellas. These are skills which will serve him well in his manhood. He is popular among whitefellas and enjoys the excitement and movement of their way of living, but the time comes when he must return to his tribe for initiation into manhood. Jandamarra is torn between black and white cultures. But how can he belong to two different worlds with each pulling at his loyalties? How can he be accepted by one without rejecting the other? This powerfully spiritual story of the legendary Jandamarra is based on extensive research of people and events.
Relates the story of Jandamarra, hero to his Aboriginal Bunuba people, but hunted as an outlaw by the English settlers.
The true story of the Aboriginal resistance fighter, Jandamarra, whose legend is etched into the Australian landscape. Set in the Kimberley outback during the late nineteenth century, the last stage of Australia's invasion is played out in the lands of the Bunuba people. Leases are marked across Aboriginal country and, amidst the chaos and turmoil, extraordinary and sometimes contradictory relationships develop. A powerful collaboration between a non - Indigenous historian and the Indigenous custodians of the Jandamarra story.
This book explores the ways in which Australian Indigenous filmmakers, performers and writers work within their Indigenous communities to tell the stories of early Indigenous resistance leaders who fought against British invaders and settlers, thus keeping their legacies alive and connected to community in the present. It offers the first comprehensive and trans-disciplinary analysis of how the stories of Pemulwuy, Jandamarra and Yagan (Bidjigal, Bunuba and Noongar freedom fighters, respectively) have been retold in the past forty years across different media. Combining textual and historical analysis with original interviews with Indigenous cultural producers, it foregrounds the multimodal nature of Indigenous storytelling and the dynamic relationship of these stories to reclamations of sovereignty in the present. It adds a significant new chapter to the study of Indigenous history-making as political action, while modelling a new approach to stories of frontier resistance leaders and providing a greater understanding of how the decolonizing power of Indigenous screen, stage and text production connects past, present and future acts of resistance.
Two unlikely heroes rescue hundreds of men wounded in war in a poignant picture book based on a true tale of World War I. When Jack Simpson was a boy in England, he loved leading donkeys along the beach for a penny a ride. So when he enlists as a stretcher bearer in World War I, his gentle way with those animals soon leads him to his calling. Braving bullets and bombs on the battlefields of Gallipoli, Jack brings a donkey to the aid of 300 Allied soldiers — earning both man and donkey a beloved spot in legend. This engaging nonfiction tale includes a map and brief bios of key characters. Back matter includes further information.
An encyclopedia designed especially to meet the needs of elementary, junior high, and senior high school students.
First Australians is the dramatic story of the collision of two worlds that created contemporary Australia. Told from the perspective of Australia's first people, it vividly brings to life the events that unfolded when the oldest living culture in the world was overrun by the world's greatest empire. Seven of Australia's leading historians reveal the true stories of individuals—both black and white—caught in an epic drama of friendship, revenge, loss and victory in Australia's most transformative period of history. Their story begins in 1788 in Warrane, now known as Sydney, with the friendship between an Englishman, Governor Phillip, and the kidnapped warrior Bennelong. It ends in 1992 with Koiki Mabo's legal challenge to the foundation of Australia. By illuminating a handful of extraordinary lives spanning two centuries, First Australians reveals, through their eyes, the events that shaped a new nation. Note: This is the unillustrated version ofFirst Australians.
In the heart of Tasmania, where ancient forests whisper secrets and shadows dance with the wind, a chilling mystery unfolds, leaving the island community in a state of fear and uncertainty. When three young girls vanish without a trace from the seemingly tranquil town of Hobart, the lives of the island's inhabitants are forever changed. Enter Detective Harry Chin, a seasoned investigator with an unreadable face, and eyes that have witnessed the darkest depths of human nature. Harry has spent his life navigating the labyrinthine world of crime. His unwavering dedication and sharp intellect have made him a formidable force in the pursuit of justice. Ash Friday, a towering six-foot-two Aboriginal with a stoic demeanor and a penchant for vibrant Hawaiian shirts, stands as Harry's steadfast partner. Their contrasting personalities, a blend of seasoned wisdom and fresh perspectives, form an indomitable investigative team. Harry and Ash are summoned to unravel the truth. The island's rugged beauty and close-knit community offer both challenges and potential clues. With each step deeper into the investigation, they uncover a labyrinth of secrets, lies, and hidden connections. Tasmanian Devil is a captivating tale of suspense and intrigue, where the boundaries between reality and myth blur, and the stakes couldn't be higher. Harry and Ash must race against time to find the missing girls before the darkness that has gripped Hobart consumes the entire island.
"This is a marvellous contribution by Chris Owen to the understanding of the role the Western Australian police force played in the colonial expansion into the Kimberley district of Western Australia."--Senator Patrick Dodson, Yawuru Elder ***Chris Owen provides a compelling account of policing in the Kimberley district from 1882, when police were established in the district, until 1905 when Dr. Walter Roth's controversial Royal Commission into the treatment of Aboriginal people was released. Owen's achievement is to take elements of all the pre-existing historiography and test them against a rigorous archival investigation. In doing so, a fuller understanding of the complex social, economic, and political changes occurring in Western Australia during the period are exposed. The policing of Aboriginal people changed from one of protection under law to one of punishment and control. The subsequent violence of colonial settlement and the associated policing and criminal justice system that developed, often of questionable legality, was what Royal Commissioner Roth termed a 'brutal and outrageous state of affairs.' Every Mother's Son is Guilty is a significant contribution to Australian and colonial criminal justice history. Subject: History, Aboriginal Studies, Criminal Justice, policing]
Entrenched until recently in Western aesthetics, Australian composers are now developing a functional cultural identity expressed through a distinctly nationalistic musical idiom. Its ongoing formation, inspired by Australias Aboriginal heritage and unique natural environment, seeks to distance the nations artistic developments from the geographically remote Occidental regions and emphasize its native cultures. Presently, however, mounting sociopolitical and ethical concerns surrounding the cultural borrowing between Indigenous and non-Indigenous peoples are problematizing the developing nationalistic idiom, as composers must determine whether the two groups share any legitimate connection beyond mere occupation of the same land, given their tense post-colonial history. Musicologist Beatrice Dalov traces the formation of the Southern Lands cultural identity while simultaneously considering its complex relationship with the nations First Peoples. She illuminates the origins, influences, and developments of Australian art music, from colonization (late eighteenth century) to the present day, interweaving the social, cultural, political, and economic forces that shaped (and often determined) its evolution. The history demonstrates that the complex processes of articulating a unique cultural identity began almost immediately after arrival of the first colonists and continues uninterrupted through today. Drawing on newly available archival material, key works, and personally conducted interviews with numerous contemporary composers, Dalov traces the history of the lands music, from scattered convict settlements and eventful contacts with Aboriginal peoples, to the formation of a national musical infrastructure, to todays thriving musical independence. She brings forward not only the most prominent composers and musicians of the last century, but also those who laid a crucial foundation and offered the first contributions toward a national idiom. A comprehensive history of the music of the Great Southern Land has been too long neglected by social historians and musicologists worldwide. Beatrice Dalov sets the record straight.