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My Granddad Jonathan Slater of Dartmouth was a very special person. He has always held a very special place in my heart. His letters present quite a history of WWII in Dartmouth. The times were very hard and Granddad had the additional heartache of losing his wife at the end of 1939. His firstborn son, my father, Jonathan was living in the USA. Jonathan had come over to the USA in 1930, and married Agnes Reinertsen in 1938. His second son Jocelyn served in the London Irish Rifles and was taken captive in Tunisia in January, 1943. He was held in Italy, Campo PG70, Monteurano, and then sent north to Stalag IVB in Germany. The Russian Army under General Koniev liberated the camp which was located on the Elbe River in April, 1945. This collection of letters tells the story of civilian life in England during the war years through the eyes of my Grandfather and ends with the return of my Uncle Jocelyn to England in 1945.
Yet he did and, thankfully, considerable insight may be gained from this as to his relationships, compositional methods - especially with regard to publication of his works - philosophical thoughts, attitudes to literature, to other composers, other artists in different spheres, even, though more rarely, his approach to politics and, equally important, his religious leanings.".
It is time. It is time to free our voice. To speak is a revolution. For too long, through the most intimate acts of erasure, women have been silenced. Now, women everywhere are breaking through the limits placed on us by family, society, and tradition. To find our voices. To make space for ourselves in this world. Now is the moment to reclaim what was once lost, stolen, forsaken, or abandoned. I Am Yours is about my fight to protect and free my voice from those who have sought to silence me, for the sake of creating a world where all voices are welcome and respected. Because the voice, without intimacy, will atrophy. We're in this together. You are mine, and I am yours.
A cache of numerous letters, romantic poetry, and a diary recovered from the Wilson home place in Columbia, SC, informs the 19th-century story of George Mendenhall Chapin (nee Wilson). Adopted as a child into the Charleston home of Leonard Chapin, George struggled with his stern adoptive mother Sallie F. Chapin who led the Woman's Christian Temperance Union movement in the south. Through narrative and letters George & Son tells of his flight from home, his shipwreck at sea, and his eventual reunion with his biological siblings. Never truly successful, George marries and fathers "the Son" of the book's title. The story continues with this son, Thurston Adger Wilson, who accomplished all George would have aspired to-becoming a leading figure in the NC labor movement of the 1920s and 1930s and advocate for the workers of the state. A transcription of George's letters concludes the illustrated, annotated book.
"Bearing aloft the flag of his country in the final charge" by Company A, 103rd New York Volunteers at the Battle of Antietam, Captain Henry Augustus Sand fell wounded. He penned a letter to his family in Brooklyn Heights while lying on the battlefield, and then three more before dying of his wounds six weeks later. His complete correspondence from the field, covering the first 18 months of the Civil War, paints a vivid picture of combat and life in a 19th-century German-Irish immigrant family. Captain Sand helped raise the 103rd--known as "the German Grenadiers" and "Seward's Infantry"--at the beginning of the war. The unit joined General Ambrose Burnside's 1862 campaigns in North Carolina and Virginia. His letters were collected and transcribed by his sister, Emily Isabella Rossire nee Sand, and illustrated with her own watercolors of the Antietam battlefield and sketches by their younger brother, Maximilian Edward Sand.
In December 1945 Thomas Mann wrote a famous letter to Adorno in which he formulated the principle of montage adopted in his novel Doctor Faustus. The writer expressly invited the philosopher to consider, with me, how such a work and I mean Leverkhns work could more or less be practically realized. Their close collaboration on questions concerning the character of the fictional composers putatively late works (Adorno produced specific sketches which are included as an appendix to the present volume) effectively laid the basis for a further exchange of letters. The ensuing correspondence between the two men documents a rare encounter of creative tension between literary tradition and aesthetic modernism which would be sustained right up until the novelists death in 1955. In the letters, Thomas Mann openly acknowledged his fascinated reading of Adornos Minima Moralia and commented in detail on the Essay on Wagner, which he was as eager to read as the one in the Book of Revelation consumes a book which tastes as sweet as honey. Adorno in turn offered detailed observations upon and frequently enthusiastic commendations of Manns later writings, such as The Holy Sinner, The Betrayed One and The Confessions of Felix Krull. Their correspondence also touches upon issues of great personal significance, notably the sensitive discussion of the problems of returning from exile to postwar Germany. The letters are extensively annotated and offer the reader detailed notes concerning the writings, events and personalities referred or alluded to in the correspondence.