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A tough inner-city school, proud of its inclusivity, suddenly explodes in a rapidly escalating culture war. Sex secrets, hip-hop and hope fight for centre stage in a vibrant, loud and proud, real talk rollercoaster. Tom Wright's hard-hitting new play tackles contemporary issues in a school setting, published to coincide with Coventry's year as City of Culture.
"Tom Bernard...[is] a writer to watch."—John C. Boland, Wall Street Journal In this "lively tale" (Portfolio), Wall Street phenom George Wilhelm is poised to become one of the most successful young bond traders in the business. But when the Brooklyn mafia sends two hitmen to collect on a ruinous gambling debt, George must risk everything on an all-or-nothing trade.
A knockout collection of 16 original stories featuring young adults playing basketball and football, running track and cross-country, and training for the triathlon. Challenges abound in water sports, racquetball and tennis, boxing and wrestling, and the "ultimate" sport of the future.
I found [Singer's] honesty and raw emotion very refreshing. His treatment of friendship is very well thought out and the relationships among the boys are marked by essential checks and balances...[a] real roller-coaster ride of emotion and elation. Along t If you cringe at the ads for White Christmas on Broadway or roll your eyes at the plaintive pleas of Tiny Tim, then have I got a jolly good time for you. THE TRUTH ABOUT SANTA, a giddy, pleasingly sloppy downtown satire...is a holiday show for people sick
As the Black Death rampages across Europe, two creatures of the Elder World clash over the rotting corpse of Christendom in Scott Oden's third book in the Grimnir Series Skrælingr. Orcnéas. Fomoraig. He is Grimnir . . . For over a century, he has tracked the dragon, Níðhöggr -- the Malice-Striker -- from the shores of Lake Vänern, across the Baltic Sea, through Russia, and down into the Mediterranean; he has hounded the wyrm from Old Muscovy to Messina. And finally, to the Eternal City -- to Rome, itself. And in Rome, on a cold November night in 1347 AD, on the ruined steps of Old St. Peter’s basilica, Grimnir’s saga comes crashing to an end. A crossbow bolt, loosed in terror, slays him out of hand. It is a mundane finale to a life spent hip-deep in bloodshed and slaughter, surrounded by steel and savagery and the sorcery of the Elder World. But Death is just the beginning . . . Now, on the grim and misty isle of Nástrond, under the shadows of Yggðrasil, Grimnir is plunged headlong into the twisted Valhalla that is the afterlife of his people. Here, bloody in-fighting, schemes and betrayals are the order of the day. Grimnir is forced to contend with a cabal of witches, with giants and trolls who have never felt the light of Miðgarðr’s moon, and with his own rapacious kin as he journeys beyond the shores of Nástrond to find answers. And with every death, Grimnir unravels another thread of a monstrous secret woven at the dawn of time -- one that will turn him from the pawn of unknown gods into the most powerful being in the Nine Worlds. And the most hunted. For he, alone, holds the key to Ragnarök and the Doom of Odin . . .
An immensely popular genre, crime fiction has only in recent years been engaged significantly by African American authors. Historically, the racist stereotypes often central to crime fiction and the socially conservative nature of the genre presented problems for writing the black experience, and the tropes of justice and restoration of social order have not resonated with authors who saw social justice as a work in progress. Some African American authors did take up the challenge. Pauline Hopkins, Rudolph Fisher and Chester Himes led the way in the first half of the 20th century, followed by Ishmael Reed's "anti-detective" novels in the 1970s. Since the 1990s, Walter Mosley, Colson Whitehead and Stephen L. Carter have written detective fiction focusing on questions of constitutional law, civil rights, biological and medical issues, education, popular culture, the criminal justice system and matters of social justice. From Hopkins's Hagar's Daughter (published in 1901), to Hime's hardboiled "Harlem Detective" series, to Carter's patrician world of the black bourgeoisie, these authors provide a means of examining literary and social constructions of the African-American experience. Instructors considering this book for use in a course may request an examination copy here.
Its the Mountain Way is a coming-of-age story filled with suspense and memories of first love. Savannah Benjamin, born and raised in the Smoky Mountains of Tennessee, knew the ways of the mountain. She had only experienced the outside world from the books she read. But books couldnt teach her how first love felt, or explain why some people who seemed good were not always trustworthy. They didnt tell her that teenagers could be mean or unfriendly. These lessons she had to learn for herself. Set in 1983, marrying young was not unusual in the isolated hollows and villages of the mountains. At fourteen, Savannah was no longer a child, but not yet an adult. Her mother had married at fifteen, she wanted more for her daughter. Horace Jenks, the local moonshiner, had other plans for Savannah.
The Loner and the Lady Saloon owner Jake Scully knew his rough frontier town was no place for a delicate lady like Lacey Stewart. Once, he'd sheltered her from harm. Ten years later, Lacey was no longer a frightened girl, but a woman grown. She deserved a respectable man, not a jaded rogue like Jake. And Jake's "delicate lady" had a mind of her own—with ideas that included introducing Jake to a life of love and faith, no matter how hard he tried to keep his distance. But when danger began stalking her again, Jake realized the only safe place for Lacey was by his side.