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The first translation, with commentary, of the earliest and most important hymns to Egyptian goddess Isis.
The first translation, with commentary, of the earliest and most important hymns to Egyptian goddess Isis.
Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.
"This work provides information on the modern practice of Isis worship, portraying the goddess as a universal rather than specifically Egyptian deity. It contains rituals and exercises demonstrating how to divine the future using the Sacred Scarabs, cast love spells, and more."--Amazon.
This interdisciplinary study investigates the divine personas in the so-called magical hymns of the Greek magical papyri which, in a corpus usually seen as a significant expression of religious syncretism with strong Egyptian influence, were long considered to be the 'most authentically Greek' contribution. Fifteen hymns receive a line-by-line commentary focusing on religious concepts, ritual practice, language and style. The overarching aim is to categorise the nature of divinity according to its Greek or Egyptian elements, examining earlier Greek and Egyptian sources and religious-magical traditions in order to find textual or conceptual parallels. Are the gods of the magical hymns Greek or Egyptian in nature? Did the magical hymns originate in a Greek or Egyptian cultural background? The book tries to answer these questions and to shed light on the religious plurality and/or fusion of the two cultures in the treatment of divinity in the Greek magical papyri.
In Isis Pelagia: Images, Names and Cults of a Goddess of the Seas, Laurent Bricault, one of the principal scholars of the cults of Isis, presents a new interpretation of the multiple sources that present Isis as a goddess of the seas. Bricault discusses a wealth of relatively unknown archaeological and textual data, drawing on a profound knowledge of their historical context. After decades of scholarly study, Bricault offers an important contribution and a new phase in the debate on understanding the “diffusion” as well as the “reception” of the cults of Isis in the Graeco-Roman world. This book, the first English-language monograph by the leading French scholar in the field, underlines the importance of Isis Studies for broader debates in the study of ancient religion.
Humankind has made offerings to spirits and deities for centuries. This hallowed tradition helped ancient Egyptians develop a close and enduring relationship with one of their most beloved goddesses: Isis. M. Isidora Forrest, an ordained priestess of the Fellowship of Isis, guides magical practitioners down a modern, devotional path to this popular Egyptian goddess. She discusses the theory and practice of ancient offering rites and shows how they can be applied today for spiritual growth and sacred magic. Readers can choose from over seventy scripted offerings to Isis-from "Acacia" to "Words of Power." Also included are the sacred hieroglyphs associated with Isis and how these powerful, magical symbols can aid in forging a strong connection with the goddess.
Isis Magic: Cultivating a Relationship with the Goddess of 10,000 Names enables the many women and men who are today exploring Goddess spirituality to build a relationship with the Divine Feminine by focusing their exploration through the worship of one of the most well-known and well-loved Goddesses of all time: the Egyptian Isis. Today, as in ancient times, Isis, known as the Goddess of Ten Thousand Names, can become for Her devotees the One Goddess Who is All Goddesses. Isis Magic begins with a well-researched and in-depth history of the nature and worship of Isis from Her ancient Egyptian origins to the modern day. In the first part of the book, readers discover the many faces of Isis, from Ancient Bird of Prey Goddess and Lady of Magic to Queen of the Mysteries and Savior. Readers will learn how Isis later became disguised as a Black Madonna, a historical Queen of Egypt, and even as an Alchemical Principle--as well as how Her true identity as a Goddess was retained in the inner teachings of secret societies. Finally, readers follow Isis into the 20th and 21st centuries as Her undisguised worship is revived, first by colorful personalities like Dion Fortune and influential groups such as the Hermetic Order of the Golden Dawn, and today by worldwide associations like the Fellowship of Isis. The book's second part applies this knowledge to a four-part spiritual journey to the heart of the Goddess. With each step, the reader enters a successively deeper stage of relationship with Isis. By participating in exercises, meditations, and powerful, beautifully written rituals, readers can initiate themselves into the magical religion of Isis and become, if they so desire, a dedicated priestess or priest. Written by M. Isidora Forrest, an ordained Priestess of Isis and Hermetic Adept, Isis Magic brings the worship of Isis to life. It is the perfect resource to aid the individual seeker, to inspire a circle, coven, or Iseum, or to serve as a program of spiritual growth and personal development for those called by Isis to be Her priestesses and priests.
Presenting a large body of evidence for the first time, this book offers a comprehensive treatment of Nubian architecture, sculpture, and minor arts in the period between 300 BC-AD 250. It focuses primarily on the Nubian response to the traditional pharaonic, Hellenistic/Roman, Hellenizing, and “hybrid” elements of Ptolemaic and Roman Egyptian culture. The author begins with a history of Nubian art and a critical survey of the literature on Ptolemaic and Roman Egyptian art. Special chapters are then devoted to the discussion of the Egyptian-Greek interaction in the arts of Ptolemaic Egypt, the place of Egyptian Hellenistic and Hellenizing art within the oikumene, the pluralistic visual world of Ptolemaic and Roman Egypt, as well as on the specific genre of terracotta sculpture. Utilizing examples from Meroe City and Musawwarat es Sufra, the author argues that cultural transfer from Ptolemaic and Roman Egypt to Nubia resulted in an inward-focused adaptation. Therefore, the resulting Nubian art from this period expresses only those aspects of Egyptian and Greek art that are compatible with indigenous Nubian goals.