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In this book, John Brownlie translates and collects hymns from the early Christian church, including those originally written in Greek and Latin. The book includes centos and suggestions for use in modern worship. This is a valuable resource for scholars and practitioners of Christian worship. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Throughout the history of the Church, Christians have expressed their faith in word and song. Among the ways they confessed what they believed was through creeds. The term"creed," which comes from the Latin credo ("I believe"), has played a central role in the identity of the Church and expressing her core beliefs. Some of the more famous creeds are the Apostles' Creed and Nicene Creed. While these creeds developed in the first few centuries of the Church, the earliest creeds are embedded within the New Testament text itself. The singing of hymns, which are closely associated with creeds, has also been part of the Church's ancient heritage. These credal hymns were adopted from the synagogues and have continued to be an integral expression of worship today. The New Testament contains many of the hymns that the early Christians sang. Since these hymns are confessional in nature, we can state that hymns were creed-like, confessing in song what the earliest Christians believed. This book examines the ancient creeds and hymns found in the New Testament, shedding light on what the earliest Christians held to be central, definitional, and foundational to their faith.
There is no part of the general field of Christian hymnology so baffling to the student or so full of difficulties as the one under consideration in this paper. Many accounts of the subject are in existence but are far from conclusive. This is due, first of all, to the unexpected scarcity of original sources. When one views the rise of Christianity from its inception to the period of the Council of Nicaea, 325, its numerical growth from a handful of original adherents to millions of followers at the time of the Edict of Milan, 313, its literary development from early scattered records to the works of the great Greek and Latin fathers, one cannot help inquiring, “What has become of their hymns?” Aeterna Press
This collection offers the first English translation of the oldest known Christian hymnal, a book of hymns which was compiled in Jerusalem during the later 4th or early 5th century. The First Christian Hymnal offers an unmatched resource for understanding the development of early Christian worship and piety, as well as the transmission of Christian doctrine to the unlettered. For too long, this invaluable collection has been almost completely ignored by scholars of early Christianity, having survived only in an Old Georgian translation.
Refers to New Testament teachings while delineating the nature of early Christian worship of God. Bibliogs.
Even as worship wars in the church and music controversies in society at large continue to rage, many people do not realize that conflict over music goes back to the earliest Christians as they sought to live out the "new song" of their faith. In A New Song for an Old World Calvin Stapert challenges contemporary Christians to learn from the wisdom of the early church in the area of music. Stapert draws parallels between the pagan cultures of the early Christian era and our own multicultural realities, enabling readers to comprehend the musical ideas of early Christian thinkers, from Clement and Tertullian to John Chrysostom and Augustine. Stapert's expert treatment of the attitudes of the early church toward psalms and hymns on the one hand, and pagan music on the other, is ideal for scholars of early Christianity, church musicians, and all Christians seeking an ancient yet relevant perspective on music in their worship and lives today.
Providing literary analysis and historical background, Leland Ryken invites us to experience great hymns as powerful works of devotional poetrysavoring elements that we easily miss when singing them.
This classic presents people seeking to change their community by pledging themselves to experiment for a whole year with the question, 'What would Jesus do?'
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Hymns of the Early Church by John Brownlie is a meticulously curated collection of hymns from the early Christian church, spanning the first few centuries of Christianity. Brownlie's selection offers readers a glimpse into the spiritual and liturgical practices of the early Christians, providing insight into the themes, beliefs, and emotions that shaped their worship. The hymns are presented in their original form, with Brownlie's translations capturing the essence of the original texts while maintaining their historical and cultural significance. This book not only serves as a valuable resource for scholars and historians studying early Christianity but also as a devotional tool for modern readers interested in connecting with the spiritual traditions of the past. Brownlie's writing style is both informative and engaging, making the hymns accessible to a wide range of readers. John Brownlie, a renowned scholar of Christian hymnody, brings his expertise and passion for early church history to this collection. His extensive research and understanding of the subject shine through in the thorough introduction and annotations that accompany the hymns, providing readers with valuable context and background information. Brownlie's dedication to preserving and sharing these ancient hymns highlights their enduring relevance and significance in the history of Christian worship. I highly recommend Hymns of the Early Church to anyone interested in the history of Christian worship, early church traditions, or devotional literature. Brownlie's collection offers a unique opportunity to connect with the spiritual heritage of the early Christian community and gain a deeper understanding of the roots of Christian hymnody.