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Beyond sound equipment and music charts, eleven noted worship leaders from around the United States write about the ministerial part of their work as it relates to the gospel, mission, disciple-making, liturgy, the Trinity, justice, creativity, family, and more.
(Sacred Folio). Family Hymn Sing is the third in the "Getty Kids Hymnal" series which exists to help children learn the Christian faith through singing. With kid-friendly arrangements recorded by the Gettys' band of Irish and American virtuosos and sung by kids, this collection features songs the whole family can sing together! Titles include: All Creatures of Our God & King * Crown Him with Many Crowns * This Is My Father's World * Power in the Blood * His Mercy Is More * Jesus Paid It All * O! For a Thousand Tongues to Sing * He Will Hold Me Fast * In Christ Alone/I Stand Amazed (How Marvelous) * How Great Thou Art * Be Thou My Vision * What Wondrous Love Is This?
A hymnal featuring the greatest hymns of church history and today.
In this addition to the 9Marks Building Healthy Churches series, Matt Merker explores the biblical understanding of corporate worship as an activity where God gathers the church by his grace, unto his glory, for their mutual good, and before the world's gaze.
Contemporary worship music shapes the way evangelical Christians understand worship itself. Author Monique M. Ingalls argues that participatory worship music performances have brought into being new religious social constellations, or "modes of congregating". Through exploration of five of these modes--concert, conference, church, public, and networked congregations--Singing the Congregation reinvigorates the analytic categories of "congregation" and "congregational music." Drawing from theoretical models in ethnomusicology and congregational studies, Singing the Congregation reconceives the congregation as a fluid, contingent social constellation that is actively performed into being through communal practice--in this case, the musically-structured participatory activity known as "worship." "Congregational music-making" is thereby recast as a practice capable of weaving together a religious community both inside and outside local institutional churches. Congregational music-making is not only a means of expressing local concerns and constituting the local religious community; it is also a powerful way to identify with far-flung individuals, institutions, and networks that comprise this global religious community. The interactions among the congregations reveal widespread conflicts over religious authority, carrying far-ranging implications for how evangelicals position themselves relative to other groups in North America and beyond.
This hymnal supports the full range of actions in worship. It is designed to serve those involved with group singing, worship planning, praise teams and choirs, choral conductors, personal and family devotions, pastoral care, and small groups. In addition to hymns and psalms, the second half of the hymnal includes prayers, litanies and liturgies.
Molly Ijames delivers a compelling setting of this timeless hymn with a creative accompaniment that helps us visualize the sunrise. This anthem is one constant crescendo and closes with the amazing cry, "May Jesus Christ be praised!"
This book includes thirty-three provocative essays on corporate worship, hymnody and psalmody, issues, and composers and composition. It explores scripture teaching on the role of music in the church. This volume exists because it contains ideas that every worshiper (pastor and layperson) and Christian musician (performer and academic) may benefit from reading, since it is entirely possible to live in the subculture of the evangelical church without encountering some of them. - Publisher.