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Magazine. Poetry. Fiction. Literary Nonfiction. Art. Translation. "This second issue of HYDROLITH is a continuation of what the first volume started, which was and is to assemble a stimulating selection of exclusively recent work by groups and individuals of the international Surrealist movement, to facilitate intellectual exchange and collaboration, enabling us to concentrate the echoes of our commonalities as well as the shadows of our differences. In so doing, this volume aspires to reduce all manner of distances that exist between us. All works in this book are in English, while many of them are translations from the Dutch, French, Greek, Portuguese, Romanian, Spanish and Turkish languages."--from the Preface
Poetry. THE AUDIOGRAPHIC AS DATA is none other than telepathic conundrum. It is language that renders the visible as invisible and the invisible as visible thus, transmuting both states into incalculable presence.
Poetry. Fiction. Ribitch was a surrealist, artist, poet, photographer, and storyteller. For the first time ever, his complete writings have been collected in two volumes, a project he started and his friends and family finished. This two-volume collection encompasses 50 years of his creative expression.
"THE MOUNTAINS OF MOURNE" is a collection of poems in English written over the course of 60 years, published in February of 2019 by Oyster Moon Press at Berkeley, California. With eight photographs by Gloria DeFilipps Brush, marking the different sections of poems.
Poetry. Fiction. Ribitch was a surrealist, artist, poet, photographer, and storyteller. For the first time ever his complete writings have been collected in two volumes, a project he started and his friends and family finished. Together with Volume 2, this collection encompass 50 years of his creative expression.
Fiction. The SOMNAMBULIST FOOTPRINTS is the result of a collective project in which several contemporary surrealists and fellow travelers wrote short stories according to their own interests and imperatives, based on their common desire to subvert the very foundations of conventional reality, both on the written page and -- more importantly -- beyond it, in the open space of consciousness. Contributing authors: Mariela Arzadun, J. Karl Bogartte, Daniel Boyer, Eric W. Bragg, Mattias Forshage, Parry Harnden, Dale Michael Houstman, Philip Kane, Merl, Ribitch, Matthew Rounsville, Shibek, Andrew Torch, and Xtian. With illustrations in black and white. Edited and introduced by Eric W. Bragg.
An “insightful cultural history of the mythical, self-immolating bird” from Ancient Egypt to contemporary pop culture by the author of The Book of Gryphons (Library Journal). The phoenix, which rises again and again from its own ashes, has been a symbol of resilience and renewal for thousands of years. But how did this mythical bird come to play a part in cultures around the world and throughout human history? Here, mythologist Joseph Nigg presents a comprehensive biography of this legendary creature. Beginning in ancient Egypt, Nigg’s sweeping narrative discusses the many myths and representations of the phoenix, including legends of the Chinese, where it was considered a sacred creature that presided over China’s destiny; classical Greece and Rome, where it appears in the writings of Herodotus and Ovid; medieval Christianity, in which it came to embody the resurrection; and in Europe during the Renaissance, when it was a popular emblem of royals. Nigg examines the various phoenix traditions, the beliefs and tales associated with them, their symbolic and metaphoric use, and their appearance in religion, bestiaries, and even contemporary popular culture, in which the ageless bird of renewal is employed as a mascot and logo. “An exceptional work of scholarship.”—Publishers Weekly
A freshly funny and heartfelt novel about one woman's secret life, the stories she tells, and the thrill and notoriety of being noticed. On the same day Bells Walker learns that her IUD has failed, her husband, Harry, is denied tenure at his Manhattan university. So Bells, Harry, their two adolescent children, and her baby bump move to New York's Hudson Valley, where Harry has landed a job at Dutchess College in the town of Pigkill. When the farm-to-table utopia Bells envisioned is anything but, she turns to the blogosphere. Under the pen name the County Dutchess, she anonymously dishes about life in Pigkill, detailing the activities of hypercompetitive parents and kombucha-drinking hipsters. Suddenly, Bells has a place to say all the things she's been secretly thinking about being a wife and mother. As Bells turns the focus of her blog on her new neighbors, her readership continues to grow, but her scandalous posts hit closer to home: she puts Harry's new job in jeopardy, derails her children's lives, and risks the one real friendship she's built. When Bells uncovers scandals right under her nose, the Dutchess goes viral, and soon everyone is asking, Who is the County Dutchess? Now Bells has to ask herself if it's worth losing the people closest to her to finally feel noticed by everyone else.
The heroine of this story (described only as "I") is compelled to visit a mysterious uncle who turns out to be a black magician who lords over a kind of Prospero's Island that exists out of time and space. Startled by his bizarre behavior and odd nocturnal movements, she eventually learns that he is searching for the philosopher's stone. When his sinister attentions fall upon the priceless jewel heirloom in her possession, bewilderment turns into stark terror and she realizes she must find a way off the island. An esoteric dreamworld fantasy composed of uncorrelated scenes and imagery mostly derived from medieval occult sources, Goose of Hermogenes might be described as a gothic novel, an occult picaresque, or a surrealist fantasy. However one wants to approach this obscure tale, it remains today as vividly unforgettable and disturbing as when it was first published by Peter Owen in 1961.
Queer Cinema, the Film Reader brings together key writings that use queer theory to explore cinematic sexualities, especially those historically designated as gay, lesbian, bisexual and/or transgendered.