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The period in which we live is marked by increasingly frequent and intense cultural encounters of all kinds. However we react to it, the global trend towards mixing or hybridization is impossible to miss, from curry and chips – recently voted the favourite dish in Britain – to Thai saunas, Zen Judaism, Nigerian Kung Fu, ‘Bollywood’ films or salsa or reggae music. Some people celebrate these phenomena, whilst others fear or condemn them. No wonder, then, that theorists such as Homi Bhabha, Stuart Hall, Paul Gilroy, and Ien Ang, have engaged with hybridity in their work and sought to untangle these complex events and reactions; or that a variety of disciplines now devote increasing attention to the works of these theorists and to the processes of cultural encounter, contact, interaction, exchange and hybridization. In this concise book, leading historian Peter Burke considers these fascinating and contested phenomena, ranging over theories, practices, processes and events in a manner that is as wide-ranging and vibrant as the topic at hand.
Over the last two decades, the unstable notion of hybridity has been the focus of a number of debates in cultural and literary studies, and has been discussed in connection with such notions as métissage, creolization, syncretism, diaspora, transculturation and in-betweeness. The aim of this volume is to form a critical assessment of the scope, significance and role of the notion in literature and the visual arts from the eighteenth century to the present day. The contributors propose to examine the development and various manifestations of the concept as a principle held in contempt by the partisans of racial purity, a process enthusiastically promoted by adepts of mixing and syncretism, but also a notion viewed with suspicion by those who decry its multifarious and triumphalist dimensions and its lack of political roots. The notion of hybridity is analysed in relation to the concepts of identity, nationhood, language and culture, drawing from the theories of Mikhail Bakhtin, Homi Bhabha, Robert Young, Paul Gilroy and Edouard Glissant, among others. Contributors examine forms of hybridity in the work of such canonical writers as Daniel Defoe, Robert Louis Stevenson, Thomas De Quincey and Victor Hugo, as well as in contemporary American and British fiction, Neo-Victorian and postcolonial literature.
This critical engagement with some of the most prominent contemporary theorists of postcolonial studies reevaluates recent theories of hybridity and agency. Challenging the claim that hybridity provides a site of resistance to hegemonic and homogenizing forces in an increasingly globalized world, Anjali Prabhu pursues the ways in which hybridity plays out in the Creole, postcolonial societies of Mauritius and La Réunion, two small islands in the Indian Ocean, and offers an introduction to the literature and culture of this lesser-known region of Francophonie. She also reconsiders two major theorists from the Francophone context, Edouard Glissant and Frantz Fanon, through a provocatively Marxian framing that reveals these two writers shared more in common about agency and society than has previously been recognized.
This interdisciplinary collection of critical articles seeks to reassess the concept of hybridity and its relevance to post-colonial theory and literature. The challenging articles written by internationally acclaimed scholars discuss the usefulness of the term in relation to such questions as citizenship, whiteness studies and transnational identity politics. In addition to developing theories of hybridity, the articles in this volume deal with the role of hybridity in a variety of literary and cultural phenomena in geographical settings ranging from the Pacific to native North America. The collection pays particular attention to questions of hybridity, migrancy and diaspora.
This study explores the history and experience of hybridity in North America, Latin America, Britain, Ireland, South Africa, Asia and the Pacific, examining hybridity and its relationship to essentialism.
This book explores recent developments in the concept of hybridity through a multi-disciplinary perspective, bringing ideas about legal plurality together with the fields of peace, development and cultural studies. Analysing the concepts of hybridity and hybridization, their history, their application in law and legal studies, and their implications for thinking and rethinking legal plurality, the book shows how the concept of hybridity can contribute to an understanding of the processes that occur when different normative or legal orders or frameworks confront each other.
Amid the modern-day complexities of migration and exile, immigration and repatriation, notions of stable national identity give way to ideas about cultural "hybridity". The authors represented in this volume use different forms of performative writing to question this process, to ask how the production of new political identities destabilizes ideas about gender, sexuality, and the nation in the public sphere. Contributors use forms such as the essay, poem, photography, and case study to examine historically specific cases in which the notion of hybridity recasts our ideas of identity and performance: the struggle for Aboriginal land rights in Australia; Bahian carnival; the creolization and pidginization of language in the Caribbean world; queer videos; and others.
This book contains Open Access chapters This volume integrates and redirects research on organizational hybridity, the mixing of logics, forms, and identities that do not conventionally go together. It sets a foundation for continued analytical rigor and real-world relevance.
One of the major characteristics of our contemporary culture is a positive, almost banal, view of the transgression and disruption of cultural boundaries. Strangers, migrants and nomads are celebrated in our postmodern world of hybrids and cyborgs. But we pay a price for this celebration of hybridity: the non-hybrid figures in our societies are ignored, rejected, silenced or exterminated. This book tells the story of these non-hybrid figures Ð the anti-heroes of our pop culture. The main example of non-hybrids in an otherwise hybridized world is that of deep old age. Hazan shows how we fervently distance ourselves from old age by grading and sequencing it into stages such as ‘the third age’, ‘the fourth age’ and so on. Aging bodies are manipulated through anti-aging techniques until it is no longer possible to do it anymore, at which point they become un-transformable and non-marketable objects and hence commercially and socially invisible or masked. Other examples are used to elucidate the same cultural logic of the non-hybrid: pain, the Holocaust, autism, fundamentalism and corporeal death. On the face of it, these examples may seem to have nothing in common, but they all exemplify the same cultural logic of the non-hybrid and provoke similar reactions of criticism, terror, abhorrence and moral indignation. This highly original and iconoclastic book offers a fresh critique of contemporary Western culture by focusing on that which is perceived as its other Ð the non-hybrid in our midst, often rejected, ignored or silenced and deemed to be in need of globally manageable correction.