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He called himself by the name of the father he had never known, Vazkor, king of a forgotten land. In his veins were mingled the blood of that regal warrior and that of his witch mother, the silver-masked, snowy-haired survivor of the hated Old Race. He had sworn that she would die at his hands in the name of his father and all that his world had become. Across that barbaric and age-haunted planet his quest went relentlessly on. As he searched, so grew his own powers, his fearful heritage. Across wide seas, in conquered cities, and among haunted mountains, the hunt took him. And as he drew closer to his objective, the clearer became the way she must be slain, the more certain his ability to sunder all her witchcraft and ancient science to rid the world once and for all of his creator - the white witch from the volcano.
“The world of the Hollows is fast-moving, funny, harrowing, and scary, and—the greatest compliment to a fantasy—absolutely real.” —New York Times bestselling author Diana Gabaldon Kim Harrison is a New York Times-bestselling phenomenon, in the superstar pantheon along with Laurel K. Hamilton and Charlaine Harris of Sookie Stackhouse fame. Return to “the Hollows” in White Witch, Black Curse, as tough-as-nails bounty hunter witch Rachel Morgan seeks vengeance for the death of her lover among the creatures of the night. Indeed, Charlaine Harris herself has nothing but praise for Harrison’s peerless protagonist, promising, “You’re going to love this bounty hunter!” White Witch, Black Curse is contemporary dark fantasy at its electrifying best.
We are witnessing a new surge of interpersonal and institutional violence against women, including new witch hunts. This surge of violence has occurred alongside an expansion of capitalist social relations. In this new work that revisits some of the main themes of Caliban and the Witch, Silvia Federici examines the root causes of these developments and outlines the consequences for the women affected and their communities. She argues that, no less than the witch hunts in sixteenth- and seventeenth-century Europe and the “New World,” this new war on women is a structural element of the new forms of capitalist accumulation. These processes are founded on the destruction of people’s most basic means of reproduction. Like at the dawn of capitalism, what we discover behind today’s violence against women are processes of enclosure, land dispossession, and the remolding of women’s reproductive activities and subjectivity. As well as an investigation into the causes of this new violence, the book is also a feminist call to arms. Federici’s work provides new ways of understanding the methods in which women are resisting victimization and offers a powerful reminder that reconstructing the memory of the past is crucial for the struggles of the present.
I saw her, hanging in the sky like a flake of the moon. A woman, her face masked by a black shireen, her body by a black shift, but her white arms spread, and her white, white, bone-white hair blowing all around her like a flame composed of smoke. Recognition was immediate. It was my mother. I shouted at her. It was crystal clear to me, what he had meant for me, my father, Vazkor, what she had robbed me of. And I drew from my belt my hunting knife and threw it at her heart.
A mysterious woman awakens in the heart of a dormant volcano. She comes forth into a brutal ancient world transformed by genocidal pestilence, fierce beauty, and cultural devastation. She has no memory of herself, and she could be anyone—mortal woman, demoness lover, last living heir to a long-gone race, or a goddess of destruction. Compelled by the terrifying Karrakaz to search for the mysterious Jade that is the answer to her secret self, she embarks on a journey of timeless wonder. Rediscover this realm of brilliant cruel beauty and seductive immortal ruins, of savage war and grand conquest, of falling stars and silver gods. This 40th anniversary edition of legendary fantastist Tanith Lee's debut novel includes its original introduction by Marion Zimmer Bradley.
What if Snow White were the real villain and the "wicked queen" just a sadly maligned innocent? What if awakening Sleeping Beauty would be the mistake of a lifetime -- of several lifetimes? What if the famous folk tales were retold with an eye to more horrific possibilities? Only Tanith Lee -- "Goddess-Empress of the Hot Read" (Village Voice) could retell the world-famous tales of the Brothers Grimm (and others) as they might have been told by the Sisters Grimmer! This special edition, put together for the 30th anniversary of the original edition, adds a new Grimmer fairy tale written especially for this volume!
C. S. Lewis was a British author, lay theologian, and contemporary of J.R.R. Tolkien. The Lion, the Witch, and the Wardrobe is the first book in The Chronicles of Narnia.
In Malevolent Nurture, Deborah Willis explores the dynamics of witchcraft accusation through legal documents, pamphlet literature, religious tracts, and the plays of Shakespeare.
Shortlisted for the 2008 Katharine Briggs Award Witch-Hunting in Scotland presents a fresh perspective on the trial and execution of the hundreds of women and men prosecuted for the crime of witchcraft, an offence that involved the alleged practice of maleficent magic and the worship of the devil, for inflicting harm on their neighbours and making pacts with the devil. Brian P. Levack draws on law, politics and religion to explain the intensity of Scottish witch-hunting. Topics discussed include: the distinctive features of the Scottish criminal justice system the use of torture to extract confessions the intersection of witch-hunting with local and national politics the relationship between state-building and witch-hunting and the role of James VI Scottish Calvinism and the determination of zealous Scottish clergy and magistrates to achieve a godly society. This original survey combines broad interpretations of the rise and fall of Scottish witchcraft prosecutions with detailed case studies of specific witch-hunts. Witch-Hunting in Scotland makes fascinating reading for anyone with an interest in witchcraft or in the political, legal and religious history of the early modern period.
Black Hat Bureau, Book 1 Remember that old line about how the only way out of the organization is in a pine box? Well, Rue Hollis spent ten years thinking she had escaped the Black Hat Bureau, no coffin required. Then her former partner had to go and shatter the illusion by showing up on her doorstep with grim tidings. As much as Rue wants to kick him to the curb, she agrees to hear him out for old times' sake, and what he says chills her to the bone. The Silver Stag was the most notorious paranormal serial killer in modern history, and Rue brought him down. Now a copycat has picked up where the Stag left off, and the Bureau wants her on the case. She beat the Stag once. They think she can do it again. But they don't know she's given up black magic, and she's not about to tell them. White witches are prey, and Rue is the hunter, not the hunted. Always. But can she take down the protégé of the man who almost beat her at her black witch best? If she wants to keep her new town, her new home, her new life, then she has no choice but to find out.