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Being an Account of Three Years' Ivory-Hunting Under Mount Kenia and Among the Ndorobo Savages of the Lorogi Mountains. Including a Trip to the North of Lake Rudolph
An intrepid, humorous Hungarian hunter-collector, Kalman Kittenberger offers one of the most heartstopping, charming, and funny accounts of adventure in the Kenya Colony ever penned--a diamond of reality in a field full of sensationalist writing. Illustrated.
The story of the author's life as a professional hunter and conservationist in East Africa. He recounts many of his greatest hunts, biggest trophies, narrowest escapes and liveliest campfire tales.
There are some things which cannot be learned quickly, and time, which is all we have, must be paid heavily for their acquiring. They are the very simplest things, and because it takes a man's life to know them the little new that each man gets from life is very costly and the only heritage he has to leave. In the winter of 1933, Ernest Hemingway and his wife Pauline set out on a two-month safari in the big-game country of East Africa, camping out on the great Serengeti Plain at the foot of magnificent Mount Kilimanjaro. “I had quite a trip,” the author told his friend Philip Percival, with characteristic understatement. Green Hills of Africa is Hemingway's account of that expedition, of what it taught him about Africa and himself. Richly evocative of the region's natural beauty, tremendously alive to its character, culture, and customs, and pregnant with a hard-won wisdom gained from the extraordinary situations it describes, it is widely held to be one of the twentieth century's classic travelogues.
A comprehensive manual on hunting in Africa featuring descriptions of 130 species available for trophy hunting.
This book recovers the multiplicity of meanings embedded in colonial hunting and the power it symbolized by examining both the incorporation and representation of British women hunters in the sport and how African people leveraged British hunters' dependence on their labor and knowledge to direct the impact and experience of hunting.
From its medieval origins to the present, Mandé culture in West Africa is known for its highly intriguing art and tradition of hunting; undeniably one of its most conspicuous distinctive features. Totally entrenched in myth, legend and history; firmly grounded in the supernatural, the divine and the abstruse, hunting is altogether a cult, a ritual gesture, a token of allegiance to divine forces. Considered to be a dauntless intrusion of man into the realm of metaphysics and the “unknown”, the hunting vocation transcends by far the confines of human and tangible spheres. This study examines various articulations of the hunting art and tradition as they are conveyed in numerous African literary and cinematographic works. It elucidates the mythical and supernatural magnitude of the hunting activity by showing how it is presided over by immutable deities and tutelary figures. Held to be endowed with infrangible supernatural and esoteric proportions, hunting is deemed to be a reflection of Mandé people’s worldview, a vibrant expression of how they perceive and articulate their existence as part of, and in relation to the world. From all perspectives, traditional hunting in Mandé society is viewed as a noble, dignified and revered activity; sustained by a vehement sense of brotherhood, esprit de corps, faithful loyalty, compassion, munificence. It encompasses a set of principles and values enjoined by transcendent forces, in illo tempore, and meant to serve as timeless paradigmatic ideals to be preserved and handed down along generations. By persistently echoing the magnificence of the hunting art and tradition, African artists place the vocation at the heart of contemporary Africans’ yearning quest for origins, identity and plenitude.
Mbogo, the Black Death, which manifests itself in the African Cape buffalo, now stood less than 12 feet away from me. The cow and calf were too close for me to have time to be scared. I would only have time to react on instinct if they came closer. That is the type of excitement that every hunter dreams of and it is still possible in Africa today. It is also one that I was fortunate enough to experience without any permanent ill effects. Eighty percent or more of American hunters think that Africa is too expensive or off-limits and that they will never have a chance to experience their own, up-close-and-personal adventure in the African bushveld. Safari 101 proves just the opposite. Safari 101 is written for the hunter that has always considered Africa out of reach, someone who has a spark of desire just waiting to be fanned into a flame. American hunters spend thousands of dollars every year hunting at home. Almost none of them know that, for the price of a guided elk hunt in the western United States, they can take an African Safari. The myths of being too expensive and too difficult are firmly entrenched in many hunters minds. Safari 101 has forty-six hints dispersed throughout 11 chapters and proves these myths false. Personal experiences are used to illustrate the value of each hint and to make each one easy to remember. Safari 101 takes the author's experiences, and what he learned from professional hunters and outfitters, and puts the information in a logical progression that is entertaining as well as informative. Safari 101 will help fan the spark into a flame.