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Hungary's War of Independence was the bloodiest conflict of a European revolutionary era. It excited nationalist passions that have not yet been stilled. The principal actor of the drama was the nobleman, Louis Kossuth. The story of the revolution of 1848, Hungary's most important historic event, is told here in terms of the towering personality of Louis Kossuth. In the spring of that year, Kossuth and his fellow noblemen seized the opportunity presented by the European revolutions to legally restore the sovereignty of the country under the Habsburg Crown. They also introduced many administrative, social and economic reforms. The goals of the reformers however ran into the opposition of the Habsburg Court, the new liberal Austrian government and the non-Magyar peoples of Hungary who feared Hungarian nationalism. In the ensuing war the country was led by Kossuth. The Hungarians lost the war and, in August 1849, Kossuth fled, never to return to his homeland. Louis Kossuth was a forceful, powerful governor-president of Hungary, the people's spokesman and hero but also the symbol of much that they considered calamitous in the national character. At once dynamic and forceful, but also hesitant and weak - he made great provisions for the wounded, veterans, women and orphans but also squandered the lives of his soldiers unnecessarily. He emancipated the peasants and the Jews and, though he died an impoverished exile, he remained a popular idol in Hungary, his name a symbol of the aspiration for independence. His legend grew with the years and was further cultivated after 1945, when Hungary had lost much of the independence for which Kossuth struggled.
The Hungarian War of Independence was one of the largest European conflicts of the 19th century, lasting a year, encompassing a dozen major battles and many smaller actions and sieges, with half a million men under arms by its end. Yet it remains strangely obscure and overlooked by the Anglophone world, perhaps because of the inaccessibility of Hungarian-language sources for most English readers, combined with the limited number of German-language sources due to Austria's embarrassment about the whole episode. The first half of this war was the Winter Campaign of 1848-1849, in which invading Austrian armies drove deep into Hungary, only to be hurled back again almost to the Austrian border. The Austrian commander was sacked, and the Kaiser had to ask the Tsar for his aid in the Summer Campaign. 250,000 Russians helped the Austrians finally to defeat the Hungarian revolution. This book is a translation of the Austrian semi-official history of the Winter Campaign. It therefore provides a detailed and authoritative account of this neglected war, replete with fascinating episodes and invaluable factual data, in English for the first time ever. It includes extensive information about orders of battle, precious nuggets about uniforms and weaponry, actual despatches reproduced verbatim, and accounts of myriad actions from tiny skirmishes up to the major battles of Kápolna and Isaszeg. The translation of the original text is complemented by extensive scholarly annotation providing both critical analysis and additional data or contextual information. No other work in English approaches this level of detail.
"Audiences at theaters, fairs, statue raisings, and commemorations of national figures; political rallies; ethnic mobs; May Day celebrations; monarchical festivities; and finally war rallies all take up places in this history. Not only insurgent crowds, but festive ones as well have political and material goals, Freifeld finds. And hope for liberal nationalism, which Hungarian crowds carried from their experience of 1848, thus continued to confront the monarchy, its bureaucracy, and the gentry.
67 texts, including hymns, manifestos, articles or extracts from lengthy studies exemplify the relation between Romanticism and the national movements in the cultural space ranging from Poland to the Ottoman Empire. Each text is accompanied by a presentation of the author, and by an analysis of the context in which the respective work was born.The end of the 18th century and first decades of the 19th were in many respects a watershed period in European history. The ideas of the Enlightenment and the dramatic convulsions of the French Revolution had shattered the old bonds and cast doubt upon the established moral and social norms of the old corporate society. In culture a new trend, Romanticism, was successfully asserting itself against Classicism and provided a new key for a growing number of activists to 're-imagine' their national community, reaching beyond the traditional frameworks of identification (such as the 'political nation', regional patriotism, or Christian universalism). The collection focuses on the interplay of Romantic cultural discourses and the shaping of national ideology throughout the 19th century, tracing the patterns of cultural transfer with Western Europe as well as the mimetic competition of national ideologies within the region.