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For centuries Hungarian village and peasant craftsmen and women have practiced the folk art of decorating embroidery, furniture, walls, pottery and paintings with regional motifs. Each motif is peculiar to one of the numerous ethnic and geographic areas comprising modern Hungary. Anne Szalavary's mother collected authentic designs from every corner of that country, and the author has adapted over 250 of them for use by embroiderers, woodworkers, and other craftspeople.
Includes entries for maps and atlases.
WINNER OF A CHOICE OUTSTANDING ACADEMIC TITLE AWARD 2018 In the early twentieth century, Marguerite Zorach and Georgiana Brown Harbeson were at the forefront of the modern embroidery movement in the United States. In the first scholarly examination of their work and influence, Cynthia Fowler explores the arguments presented by these pioneering women and their collaborators for embroidery to be considered as art. Using key exhibitions and contemporary criticism, The Modern Embroidery Movement focuses extensively on the individual work of Zorach and Brown Harbeson, casting a new light on their careers. Documenting a previously marginalised movement, Fowler brings together the history of craft, art and women's rights and firmly establishes embroidery as a significant aspect of modern art.
A century ago, a folk art enthusiast collected these ornate, highly stylized designs from among a now-dispersed community of ethnic Germans residing in Transylvania. Nearly 200 designs include birds, flowers, mythical creatures, and other motifs in styles ranging from simple to complex and in themes from medieval to modern. Easily adapted to other crafts projects.