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SWING, BABY, SWING Luscious Lane Peterson was a swinger, but now the high-bouncing brunette was swinging as she never had before—with a rope tied tight around her deep throat. One look at the shapely corpse, and Hardy was ready to plunge into action. His list of suspects looked like a sexual who's-who of the kinky set, from a hard-as-nails lady named Natasha to a mattress-soft playmate named Faith, and from a hang-loose superstud named Miklos to an up-tight tycoon named Butler. Hardy did his best to make it all hang out as he checked out each one, but things kept going from bed to worse, until it was dead sure that an outasight killer was setting him up for the ultimate kiss-off….
The body of Edward Rewold is discovered hanged in an abandoned warehouse and has a puzzling cryptic message—Lukas Boston's name is painted on his feet. It begins a bizarre investigation involving the stolen contents of a safe, a seaside markets populated by insane stall owners, and an evil corporation that decides on sending Lukas to the bottom of the harbour as the best solution to stop him poking his nose into its illegal business. For a change, someone is merely trying to drown Lukas, while an old enemy only wants to beat him to death with a pool cue. Normally, bad people are only trying to shoot him, but good times like that don't last forever... Welcome to the world of Lukas Boston, a private investigator, where even eating fish and chips can be murder.
“[This] is one of the great crime mysteries of modern times. It took an author of Caitlin Rother’s caliber to bring it into sharp focus. A riveting read.” —Gregg Olsen, #1 New York Times bestselling author “I got a girl, hung herself in the guest house.” The call came on the morning of July 13, 2011, from the historic Spreckels Mansion, a lavish beachfront property in Coronado, California, owned by pharmaceutical tycoon and multimillionaire Jonah Shacknai. When authorities arrived, they found the naked body of Jonah’s girlfriend, Rebecca Zahau, gagged, her ankles tied and her wrists bound behind her. Jonah’s brother, Adam, claimed to have found Rebecca hanging by a rope from the second-floor balcony. On a bedroom door in black paint were the cryptic words: SHE SAVED HIM CAN YOU SAVE HER. Was this scrawled message a suicide note or a killer’s taunt? Rebecca’s death came two days after Jonah’s six-year-old son, Max, took a devastating fall while in Rebecca’s care. Authorities deemed Rebecca’s death a suicide resulting from her guilt. But who would stage either a suicide ora murder in such a bizarre, elaborate way? Award-winning investigative journalist Caitlin Rother weaves stunning new details into a personal yet objective examination of the sensational case. She explores its many layers—including the civil suit in which a jury found Adam Shacknai responsible for Rebecca’s death, and the San Diego County Sheriff’s Department bombshell decision to reconfirm its original findings. As compelling as it is troubling, this controversial real-life mystery is a classic American tragedy that evokes the same haunting fascination as the JonBenet Ramsey and O.J. Simpson cases. “Rother’s meticulous journalism shines through in this authoritative account of the Rebecca Zahau death incident. If you think you know this case, think again. And read this book.” —Katherine Ramsland, professor of forensic psychology and author of The Psychology of Death Investigations
This open access book is the culmination of many years of research on what happened to the bodies of executed criminals in the past. Focusing on the eighteenth and nineteenth centuries, it looks at the consequences of the 1752 Murder Act. These criminal bodies had a crucial role in the history of medicine, and the history of crime, and great symbolic resonance in literature and popular culture. Starting with a consideration of the criminal corpse in the medieval and early modern periods, chapters go on to review the histories of criminal justice, of medical history and of gibbeting under the Murder Act, and ends with some discussion of the afterlives of the corpse, in literature, folklore and in contemporary medical ethics. Using sophisticated insights from cultural history, archaeology, literature, philosophy and ethics as well as medical and crime history, this book is a uniquely interdisciplinary take on a fascinating historical phenomenon.
This book provides an overview of capital punishment in Japan in a legal, historical, social, cultural and political context. It provides new insights into the system, challenges traditional views and arguments and seeks the real reasons behind the retention of capital punishment in Japan.
From Chicago historian Adam Selzer, expert on all of the Windy City’s quirks and oddities, comes a compelling heavily researched anthology of the stories behind its most fascinating unsolved mysteries. To create this unique volume, Selzer has collected forty unsolved mysteries from the 1800s to modern day. He has poured through all newspaper, magazine, and book references to them, and consulted expert historians. Topics covered include who really started the great Chicago fire, who was the first “automobile murderer,” and even if there was actually a vampire slaying at Rose Hill cemetery. The result is both a colorful read to get lost in, a window to a world of curiosity and wonder, as well as a volume that separates fact from fiction—true crime from urban legend. Complementing the gripping stories Selzer presents are original images of the crime and its suspects as developed by its original investigators. Readers will marvel at how each character and crime were presented, and happily journey with Selzer as he presents all facts and theories presented at the time of the “crime” and uses modern hindsight to assemble the pieces.
In his third published book, Enigma Beyond Illusion , Richard D. Kydd Jr. again demonstrates his compassion and concern for his fellow man, his anger at life's injustices, his deep sense of family and community, and his spirituality. With his skillful and often musical touch he operates on many levels at once, frequently blending seemingly opposed emotions. In "The Shopper's Song," for example, he evokes both humor and identification in his description of a compulsive spender, yet the reader can hear Kydd's tone of frustration at the debt that is consuming the poor. "A Quiet Dissertation" is simultaneously hilarious and disturbing, and the chuckle that "Binary Code" evokes is an uneasy one. Kydd's range is wide, swinging from the caustic social comment of "Yo Romeo" through the philosophical introspection of "Solitary Man," and expanding into the spiritual vision of "Life Calling Forth." Although he calls life as he sees it and is sometimes grittily realistic, even cynical and full of apparent despair, it's notable that a number of his works are love poems. Although capable of painting a harsh reality, Kydd is essentially an optimistic poet, and he amply demonstrates his belief that in the end the spirit will triumph, as in "Oh Victorious." This collection of poems will give the reader a full taste of Kydd's broad human vision.
Ugly Prey tells the riveting story of poor Italian immigrant Sabella Nitti, the first woman ever sentenced to hang in Chicago, in 1923, for the alleged murder of her husband. Journalist Emilie Le Beau Lucchesi leads readers through the case, showing how, with no evidence and no witnesses, Nitti was the target of an obsessed deputy sheriff and the victim of a faulty legal system. She was also—to the men who convicted her and reporters fixated on her—ugly. For that unforgiveable crime, the media painted her as a hideous, dirty, and unpredictable immigrant, almost an animal. Featuring two other fascinating women—the ambitious and ruthless journalist who helped demonize Sabella through her reports and the brilliant, beautiful, 23-year-old lawyer who helped humanize her with a jailhouse makeover—Ugly Prey is not just a page-turning courtroom drama but also a thought-provoking look at the intersection of gender, ethnicity, and class within the American justice system.
The story of a rope, a symbol, and rough justice in America. The hangman's knot is a simple thing to tie, just a rope carefully coiled around itself up to thirteen times. But in those thirteen turns lie a powerful symbol, one that is all too deeply connected to America's past -- and present. The last man to be hanged in the United States was Billy Bailey, who was executed in Delaware in 1996 for committing a double murder. Even today, hanging is still legal, in certain situations, in New Hampshire and Washington. And the noose remains a potent cultural symbol. An incident in Jena, Louisiana, in 2006, in which nooses were used to menace black students, made national news. Yet little has changed: according to author Jack Shuler, there have been nearly 100 "noose incidents" just in the last two years. The Thirteenth Turn unravels these stories, from Judas Iscariot, perhaps the most infamous hanged man, to the killing of Perry Smith and Richard Hickock, the murderers at the heart of Truman Capote's In Cold Blood, and beyond. In his travels across America, Shuler traces the evolution of this dark practice. As he investigates the death of John Brown, or the 1930 lynching that inspired the song "Strange Fruit," he finds that the very places that perpetrated these acts now seek to forget them. Shuler's account is a kind of shadow history of America: a reminder that vigilantes and hangmen play a crucial role in our national story. The Thirteenth Turn is a courageous and searching book that reminds us where we come from, and what is lost if we forget.
Two husbands, four trials and one bloody execution: Winner of the 2015 Davitt Award for Best Crime Book (Non-fiction) -- the terrible true story of Louisa Collins. In January 1889, Louisa Collins, a 41-year-old mother of ten children, became the first woman hanged at Darlinghurst Gaol and the last woman hanged in New South Wales. Both of Louisa's husbands had died suddenly and the Crown, convinced that Louisa poisoned them with arsenic, put her on trial an extraordinary four times in order to get a conviction, to the horror of many in the legal community. Louisa protested her innocence until the end. Much of the evidence against Louisa was circumstantial. Some of the most important testimony was given by her only daughter, May, who was just 10-years-old when asked to take the stand. Louisa Collins was hanged at a time when women were in no sense equal under the law -- except when it came to the gallows. They could not vote or stand for parliament -- or sit on juries. Against this background, a small group of women rose up to try to save Louisa's life, arguing that a legal system comprised only of men -- male judges, all-male jury, male prosecutor, governor and Premier -- could not with any integrity hang a woman. The tenacity of these women would not save Louisa but it would ultimately carry women from their homes all the way to Parliament House. Caroline Overington is the author of eleven books of fiction and non-fiction, including the top-selling THE ONE WHO GOT AWAY psychological crime novel. She has said: 'My hope is that LAST WOMAN HANGED will be read not only as a true crime story but as a letter of profound thanks to that generation of women who fought so hard for the rights we still enjoy today.' Praise for LAST WOMAN HANGED 'The story she tells ... is a useful challenge to any tendency to simple moral indignation' -- Beverley Kingston, Sydney Morning Herald 'This is a fascinating book, a terrific read, and an excellent reminder of who tells the stories, and whose stories are forgotten' -- Frances Rand, South Coast Register '... what's ... interesting is Caroline Overington's even-handed appraisal of Collins's alleged crime(s) that led her to become the last woman hanged in New South Wales in 1889' -- Launceston Sunday Examiner