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Catalog of the exhibition Summoning Ghosts: the Art of Hung Liu, organized by Rene de Guzman on behalf of the Oakland Museum of California and presented March 16-June 30, 2013.
Paintings inspired by a 1949 Chinese movie entitled "Daughters of China," which depicts the story of eight female officers of the Chinese Northeastern Resistance Forces who fought against the Japanese invasion and became martyrs in China.
Hung Liu is one of the most important Chinese artists working in America today. Born in Changchun in 1948, a year before the founding of the Peopleâe(tm)s Republic of China, Liu experienced the Cultural Revolution first hand, spending four years of proletarian reeducation in the countryside. When she came to the United States in 1984 to attend the University of California, San Diego, she was among the first Mainland Chinese to study abroad and pursue an art career. For over thirty years, she has borne witness in her paintings to the tribulations of everyday people, past and present, and their hidden stories of social injustice. She grapples with issues of self, society, and politicsâe"as well as the challenge of reconciling disparate cultures. Her works fuse deep Asian history and aesthetics with contemporary methods and perception.This book documents her multimedia exhibition at the San Jose, California Museum of Art: Questions from the Sky: New Work by Hung Liu. In this very personal and poignant installation, she contemplated the cycles of life and death and the span of memory. The central work, Silver River, was a 70 foot long mural, intended to be transient and painted over. This book preserves a complex and moving exhibition by one of the greatest artists of our time.
A major survey of contemporary artist Hung Liu, whose layered portraits explore history and memory through the stories of marginalized figures​ Hung Liu: Portraits of Promised Lands presents the stunning work of this contemporary Chinese American artist. Liu (b. 1948) blends painting and photography to offer new frameworks for understanding portraiture in relation to time, memory, and history. Often working from photographs, she uses portraiture to elevate overlooked subjects, amplifying the stories of those who have historically been invisible or unheard. This richly illustrated book examines six decades of Liu's painting, photography, and drawing. Author Dorothy Moss illuminates the importance of family photographs in Liu's work; Nancy Lim examines the origins of Liu's artistic practice; Lucy R. Lippard explores issues of identity and multiculturalism; and Elizabeth Partridge focuses on Liu's recent series based on Dorothea Lange's Depression-era photographs. Philip Tinari, along with artists Amy Sherald and Carrie Mae Weems, among others, conveys Liu's impact on contemporary art. Having lived through war, political revolution, exile, and displacement, Liu paints a complex picture of an Asian Pacific American experience. Her portraits speak powerfully to those seeking a better life, in the United States and elsewhere.
Winner of the Science Fiction Research Association Book Award​ A groundbreaking, alternate history of information technology and information discourses Although the scale of the information economy and the impact of digital media on social life in China today could pale that of any other country, the story of their emergence in the post-Mao sociopolitical environment remains untold. Information Fantasies offers a revisionist account of the emergence of the “information society,” arguing that it was not determined by the technology of digitization alone but developed out of a set of techno-cultural imaginations and practices that arrived alongside postsocialism. Anticipating discussions on information surveillance, data collection, and precarious labor conditions today, Xiao Liu goes far beyond the current scholarship on internet and digital culture in China, questioning the limits of current new-media theory and history, while also salvaging postsocialism from the persistent Cold War structure of knowledge production. Ranging over forgotten science fiction, unjustly neglected films, corporeal practices such as qigong, scientific journals, advertising, and cybernetic theories, Information Fantasies constructs an alternate genealogy of digital and information imaginaries—one that will change how we look at the development of the postsocialist world and the emergence of digital technologies.
Comprehensive Natural Products III, Third Edition, Seven Volume Set updates and complements the previous two editions, including recent advances in cofactor chemistry, structural diversity of natural products and secondary metabolites, enzymes and enzyme mechanisms and new bioinformatics tools. Natural products research is a dynamic discipline at the intersection of chemistry and biology concerned with isolation, identification, structure elucidation, and chemical characteristics of naturally occurring compounds such as pheromones, carbohydrates, nucleic acids and enzymes. This book reviews the accumulated efforts of chemical and biological research to understand living organisms and their distinctive effects on health and medicine and to stimulate new ideas among the established natural products community. Provides readers with an in-depth review of current natural products research and a critical insight into the future direction of the field Bridges the gap in knowledge by covering developments in the field since the second edition published in 2010 Split into 7 sections on key topics to allow students, researchers and professionals to find relevant information quickly and easily Ensures that the knowledge within is easily understood by and applicable to a large audience
A catalog created in conjunction with a solo-exhibition of Hung Liu's work at the American University Museum September-October 2016.
Li Hung-chang (1823-1901) was a Chinese statesman particularly notable for his promotion of industrialization and advocacy of bureaucratic reform. Most of the papers in this volume were first presented in two panels devoted to Li at the 1987 annual meeting of the Pacific Coast Branch of the American Historical Association. The volume is divided into six parts: introduction ("The Beginnings of China's Modernization"), the rise of Li Hung-chang, Li in the role of a national official, Li as diplomat, Li as modernizer, and conclusion (including a bibliographical essay). Paper edition (unseen), $22.50. Annotation copyright by Book News, Inc., Portland, OR
"Huang Liu-hung was one of some 1,500 local magistrates in seventeenth-century China, and he wrote this book as a manual for other magistrates ... In it readers will find insight into everyday life and legal processes during the early Ch'ing period, as well as into the mentality of the ruling elite and its attitude toward the common people ... Also provides a basis for comparing China's present with its past, particularly in matters concerning the pursuit of ideological conformity and political control"--From publisher description.
Born in Chongqing, China, in 1955, Xu Bing is considered one of the most important artists of his generation. Between 1977 and 1987, he studied and taught at the Central Academy of Fine Arts, Beijing. He moved to the United States in 1990 and in 1999 received a MacArthur Fellowship, the celebrated "genius grant," in recognition of his "capacity to contribute importantly to society, particularly in printmaking and calligraphy." In 2008 Xu Bing was appointed vice president of the Central Academy of Fine Arts, and he now lives mostly in Beijing. Many of Xu Bing's print and calligraphic works have appeared on an unlikely but surprisingly receptive medium--the tobacco leaf. A comprehensive overview of Xu Bing's tobacco projects, this volume includes reproductions of all the tobacco works, as well as several essays. Curator John Ravenal discusses the new Virginia work, its relation to the other tobacco pieces, and its place in the context of global contemporary art. Guest authors Wu Hung, Lydia Liu, and Edward Melillo address Xu Bing's work in the context of contemporary Chinese art and the history and culture of tobacco in Virginia. Distributed for the Virginia Museum of Fine Arts