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A celebration of a beloved figurine collection features more than one hundred full-color photographs that display the entire series, describes the life of its creator, and discusses the influences of religion, folk art, and tradition on her work.
This full-length biography of the pianist and composer Johann Nepomuk Hummel (1778-1837) places his life, career, and music compositions within the context of the social, political, economic, and cultural transformations that occurred during his lifetime and afterwards.
Twelve shocking paintings. Eleven famous murders. One missing artist . . . and one woman driven to find her—this Reese's Book Club x Hello Sunshine Selection is a “stunning achievement” (Los Angeles Times). Kim Lord is an avant–garde figure, feminist icon, and agent provocateur in the L.A. art scene. Her groundbreaking new exhibition Still Lives is comprised of self–portraits depicting herself as famous, murdered women―the Black Dahlia, Chandra Levy, Nicole Brown Simpson, among many others―and the works are as compelling as they are disturbing, implicating a culture that is too accustomed to violence against women. As the city’s richest art patrons pour into the Rocque Museum’s opening night, all the staff, including editor Maggie Richter, hope the event will be enough to save the historic institution’s flailing finances. Except Kim Lord never shows up to her own gala. Fear mounts as the hours and days drag on and Lord remains missing. Suspicion falls on the up–and–coming gallerist Greg Shaw Ferguson, who happens to be Maggie’s ex. A rogue’s gallery of eccentric art world figures could also have motive for the act, and as Maggie gets drawn into her own investigation of Lord’s disappearance, she’ll come to suspect all of those closest to her. Set against a culture that often fetishizes violence, Still Lives is a page–turning exodus into the art world’s hall of mirrors, and one woman’s journey into the belly of an industry flooded with money and secrets. “It’s a thrilling mystery that will leave you wondering which characters you can and can’t trust . . . There’s a twist at the end that still keeps us up at night, it's THAT good.” —Reese Witherspoon (A Reese’s Book Club x Hello Sunshine Selection)
This “haunting” family saga set in WWII Germany “illuminates the reality of war away from the frontlines . . . with a compassion and depth of understanding that will touch your heart” (People). Inspired by the author’s extended family and their status as Mitläufer—Germans who ‘went along’ with Nazism, reaping its benefits and later paying the consequences Inspired by the stories told by her father about his German childhood and letters between her grandparents that were hidden in an attic wall for fifty years, Motherland is a novel that attempts to reckon with the paradox of the author's father—a product of her grandparents’ fiercely protective love—and their status as passive Nazi–sympathizers known as Mitläufer. At the center of Motherland lies the Kappus family: Frank is a reconstructive surgeon who lost his beloved wife in childbirth. Two months later, just before being drafted into medical military service, Frank marries a young woman charged with looking after the surviving baby and his two grieving sons. Alone in the house, Liesl attempts to keep the children fed with dwindling food supplies, safe from the constant Allied air attacks and the tides of desperate refugees flooding their town. When one child begins to mentally unravel, Liesl must discover the source of the boy’s infirmity or lose him forever to Hadamar, the infamous hospital for “unfit” children. Bearing witness to the shame and courage of Third Reich families during the devastating final days of the war, each family member’s fateful choice leads the reader deeper into questions of complicity and innocence, and to the novel’s heartbreaking and unforgettable conclusion.
This book combines a sweeping narrative of the Civil War with a bold new look at the war’s significance for American society. Professor Hummel sees the Civil War as America’s turning point: simultaneously the culmination and repudiation of the American revolution. While the chapters tell the story of the Civil War and discuss the issues raised in readable prose, each chapter is followed by a detailed bibliographical essay, looking at all the different major works on the subject, with their varying ideological viewpoints and conclusions. In his economic analysis of slavery, Professor Hummel takes a different view than the two major poles which have determined past discussions of the topic. While some writers claim that slavery was unprofitable and harmful to the Southern economy, and others maintain it was profitable and efficient for the South, Hummel uses the economic concept of Deadweight Loss to show that slavery was both highly profitable for slave owners and harmful to Southern economic development. While highly critical of Confederate policy, Hummel argues that the war was fought to prevent secession, not to end slavery, and that preservation of the Union was not necessary to end slavery: the North could have let the South secede peacefully, and slavery would still have been quickly terminated. Part of Hummel’s argument is that the South crucially relied on the Northern states to return runaway slaves to their owners. This new edition has a substantial new introduction by the author, correcting and supplementing the account given in the first edition (the major revision is an increase in the estimate of total casualties) and a foreword by John Majewski, a rising star of Civil War studies.
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