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Poetry. Young Adult. HUMBERT SUMMER is a book about the febrile matter of fantasy in its rawest form alternately subversive, awkward, romantic, and unsettling. Written between the ages of sixteen and twenty-three, the poems in A.K. Blakemore's debut full-length collection navigate the challenging space between adolescence and adulthood in a culture quick to dismiss, commodify, or fetishise the female body and imagination."
The book is organized in Folklore Units. Each Folklore Unit has Context and may have one or more Metacontexts with citations of works of great philosophers or writers; hence, the title of the book is Metafolklore. The book covers the life of immigrants from the USSR in the U.S., remembers life in Russia, and gradually concentrates on the modus operandi of the KGB, FBI, CIA, NYPD, NSA, ECHELON, Foreign Intelligence Surveillance Court, Al, and ISI. It covers frontiers of legal theory of surveillance. What distinguishes this book is the intensely personal account of the events and issues.
In That Summer's Trance his subject is betrayal, both of oneself and of others, in a culture of material rewards. It is an unforgettable story of one actor outdone by another, and it tells us more about role-playing, and the theater of everyday life, than I would have thought possible.
No one has better covered the momentous events of 2001--2005 more intently than syndicated columnist Llewellyn King. As White House correspondent, broadcaster, and leading journalist for more than three decades, King has delighted and informed millions in America and world-wide. This enlightening and entertaining collection of his columns and commentaries is a detailed, shrewd, and informed account of the times we have so recently lived through. With King's distinctive voice and delightful eye for the absurd, Washington and the World is a fascinating, insightful, and informative read.
In the summer of 1958, a 12-year-old girl took the world by storm--"Lolita" was published in the United States--and since then, her name has been taken in vain to serve a wide range of dubious ventures, both artistic and commercial. Offering a full consideration of not only "the Lolita effect" but shifting attitudes toward the mix of sex, children, and popular entertainment from Victorian times to the present, this study explores the movies, theatrical shows, literary spin-offs, artifacts, fashion, art, photography, and tabloid excesses that have distorted Lolita's identity with an eye toward some real-life cases of young girls who became the innocent victims of someone else's obsession--unhappy sisters to one of the most affecting heroines in fiction. New insight is provided into the brief life of Lolita and into her longer afterlives as well.
This is a collection of poetry and sermons throughout the Anglican year.
A startling and revelatory examination of Nabokov’s life and works—notably Pale Fire and Lolita—bringing new insight into one of the twentieth century’s most enigmatic authors. Vladimir Nabokov witnessed the horrors of his century, escaping Revolutionary Russia then Germany under Hitler, and fled France with his Jewish wife and son just weeks before Paris fell to the Nazis. He repeatedly faced accusations of turning a blind eye to human suffering to write artful tales of depravity. But does one of the greatest writers in the English language really deserve the label of amoral aesthete bestowed on him by so many critics? Using information from newly-declassified intelligence files and recovered military history, Pitzer argues that far from being a proponent of art for art’s sake, Nabokov managed to hide disturbing history in his fiction—history that has gone unnoticed for decades. Nabokov emerges as a kind of documentary conjurer, spending decades of his career recording a saga of forgotten concentration camps and searing bigotry, from WWI to the Gulag and the Holocaust. Lolita surrenders Humbert Humbert’s secret identity, and reveals a Nabokov appalled by American anti-Semitism. The lunatic narrator of Pale Fire recalls Russian tragedies that once haunted the world. From Tsarist courts to Nazi film sets, from the CIA to wartime Casablanca, the story of Nabokov’s family is the story of his century—and both are woven inextricably into his fiction.
Delving into the folk history found in Ireland's oral traditions, this work reveals alternate visions of the Irish past and brings into focus the vernacular histories, folk commemorative practices, and negotiations of memory that have gone unnoticed by historians.