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This finely detailed and amply illustrated biography recreates the life and times of one of Ireland's earliest environmentalists. A loveable Galwayman, Volunteer colonel, landlord-eccentric, lawyer-duellist, parliamentarian and champion of Catholic emancipation, his colourful, humorous personality is caught in this poised and readable work.
As the most populous province in Canada, Ontario is a microcosm of the animal welfare issues which beset Western civilization. The authors of this book, chairman and vice-chairman, respectively, of the Ontario Society for the Prevention of Cruelty to Animals, find themselves constantly being made aware of the atrocities committed in the Society’s jurisdiction. They have been, in turn, puzzled, exasperated and horrified at humanity’s cruelty to our fellow sentient beings. The issues discussed in this book are the most contentious in animal welfare disputes — animal experimentation, fur-farming and trapping, the use of animals for human entertainment and the conditions under which animals are raised for human consumption. They are complex issues and should be thought about fairly and seriously. The authors, standing squarely on the side of the animals, suggest “community” and “belonging” as concepts through which to understand our relationships to other species. They ground their ideas in Wordsworth’s “primal sympathy” and Jung’s “unconscious identity” with the animal realm. The philosophy developed in this book embraces common sense and compromise as the surest paths to the goal of animal welfare. It requires respect and consideration for other species while acknowledging our primary obligations to our fellow humans.
This collection brings together the text of the monograph Art and Morality by the philosopher Richard Beardsmore along with fourteen other essays (both published and previously unpublished) in which he explores further some of the themes of his seminal book. With the revival of interest among philosophers and others in the relationships between art and morality the publication of this material is especially timely. Beardsmore's original contribution first introduced the principal terminology in which discussions have been expressed and many of the later essays showed the influence of Wittgenstein. The publication of this anthology of his writings on these themes has been welcomed by others writing on the same or related themes.
Frankenstein's Science contextualizes this widely taught novel in contemporary scientific and literary debates, providing new historical scholarship into areas of science and pseudo-science that generated fierce controversy in Mary Shelley's time: anatomy
The Routledge Companion to Literature and Class offers a comprehensive and fresh assessment of the cultural impact of class in literature, analyzing various innovative, interdisciplinary approaches of textual analysis and intersections of literature, including class subjectivities, mental health, gender and queer studies, critical race theory, quantitative and scientific methods, and transnational perspectives in literary analysis. Utilizing these new methods and interdisciplinary maps from field-defining essayists, students will become aware of ways to bring these elusive texts into their own writing as one of the parallel perspectives through which to view literature. This volume will provide students with an insight into the history of the intersections of class, theory of class and invisibility in literature, and new trends in exploring class in literature. These multidimensional approaches to literature will be a crucial resource for undergraduate and graduate students becoming familiar with class analysis, and will offer seasoned scholars the most significant critical approaches in class studies.
The Little Book of Galway is a compendium of fascinating, obscure, strange and entertaining facts about County Galway. Here you will find out about Galway’s history, its literary heritage, its cathedrals and castles, its festivals and fairs, and its famous (and occasionally infamous) men and women. Through quaint villages and bustling towns, this book takes the reader on a journey through County Galway and its vibrant past.A reliable reference book and a quirky guide, this can be dipped into time and time again to reveal something new about the people, the heritage and the secrets of this fascinating county.
This book examines the works of major artists between the seventeenth and nineteenth centuries, as important barometers of individual and collective values toward non-human life. Once viewed as merely representational, these works can also be read as tangential or morally instrumental by way of formal analysis and critical theories. Chapter Two demonstrates the discrimination toward large and small felines in Genesis and The Book of Revelation. Chapter Three explores the cruel capture of free roaming animals and how artists depicted their furs, feathers and shells in costume as symbols of virtue and vice. Chapter Four identifies speciest beliefs between donkeys and horses. Chapter Five explores the altered Dutch kitchen spaces and disguised food animals in various culinary constructs in still life painting. Chapter Six explores the animal substances embedded in pigments. Chapter Seven examines animals in absentia-in the crafting of brushes. The book concludes with the fish paintings of William Merritt Chase whose glazing techniques demonstrate an artistic approach that honors fishes as sentient beings.
The story of a remarkable woman who wrote a novel that not only became a classic, but also changed the way human society views and treats animals. Born in 1829 to a young Quaker couple, Anna Sewell grew up in poverty in London. She was fourteen when she fell and injured her ankle, which left her permanently disabled. Rejecting the life of a Victorian invalid, she developed an extraordinary empathy with horses, learning to ride side-saddle and to drive a small carriage. Rebellious and independent-minded, Anna suffered periods of severe depression as a young woman. She left the Quaker movement, but remained close friends with the women writers and abolitionists who had been empowered by its liberal principles. It was not until she became terminally ill, aged 51, that she found the courage to write her own book. Tragically, she died just five months after the book was published in 1877. Black Beauty is now recognised as the first anthropomorphic novel, and it had an extraordinary emotional impact on readers of all ages. After modest success in Britain, it was taken up by a charismatic American, George Thorndike Angell, a campaigner against animal cruelty who made it one of the bestselling novels of all time. Using newly discovered archive material, Celia Brayfield shows Anna Sewell developing the extraordinary resilience to overcome her disability, rouse the conscience of Victorian Britain and make her mark upon the world.