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The slow growth of redwood forests . . . the annual migration of Canada geese . . . winter's first snowfall . . . things such as these persuade us that nature carries on its cycles regardless of human activities--and always will. Yet, a closer look reveals that all around us nature is becoming an illusion created by human ingenuity. As we control our rivers and shores, manage the forests, and develop habitats for endangered species, it becomes increasingly hard to think of nature as something out there that exists independently of us. Humanature asks us to intelligently consider the far-reaching ways in which we are reshaping nature on a planet-wide scale. In his eloquent essay, Peter Goin writes about land usage, pesticides and pollution, genetic engineering, resource consumption, and other indicators to show the dramatic range of human impact in the natural world. His photographs, the vital core of the book, provide convincing confirmation of the extent to which people and nature have become a continuum--humanature. Having influenced, altered, and designed nature, it behooves us to try to understand the cultural construction of wildness and of the role of nature as a cultural paradigm. Humanature will be an important and challenging contribution to this process of learning about our relationship to the environment in which we live.
SUMMARY: This book is If you’ve ever wondered about human behavior, wonder no more. In The Laws of Human Nature, Greene takes a look at 18 laws that reveal who we are and why we do the things we do. Humans are complex beings, but Greene uses these laws to strip human nature down to its bare bones. Every law that he presents is supported by a real-life historical account, with an insightful twist to drive the point home. As you read the book, don’t be surprised if you get the feeling that everyone you know, including yourself, is described in the book! DISCLAIMER: This is an UNOFFICIAL summary and not the original book. It is designed to record all the key points of the original book.
Provocative essays explore how ideas about human nature inform or shape human understanding of nature and the environment.
The Anthropocene is a volatile and potentially catastrophic age demanding new ways of thinking about relations between humans and the nonhuman world. This book explores how responses to environmental challenges are hampered by a grief for a pristine and certain past, rather than considering the scale of the necessary socioeconomic change for a 'future' world. Conceptualisations of human-nature relations must recognise both human power and its embeddedness within material relations. Hope is a risky and complex process of possibility that carries painful emotions; it is something to be practised rather than felt. As centralised governmental solutions regarding climate change appear insufficient, intellectual and practical resources can be derived from everyday understandings and practices. Empirical examples from rural and urban contexts and with diverse research participants - indigenous communities, climate scientists, weed managers, suburban householders - help us to consider capacity, vulnerability and hope in new ways.
A brief, radical defense of human uniqueness from acclaimed philosopher Roger Scruton In this short book, acclaimed writer and philosopher Roger Scruton presents an original and radical defense of human uniqueness. Confronting the views of evolutionary psychologists, utilitarian moralists, and philosophical materialists such as Richard Dawkins and Daniel Dennett, Scruton argues that human beings cannot be understood simply as biological objects. We are not only human animals; we are also persons, in essential relation with other persons, and bound to them by obligations and rights. Scruton develops and defends his account of human nature by ranging widely across intellectual history, from Plato and Averroës to Darwin and Wittgenstein. The book begins with Kant’s suggestion that we are distinguished by our ability to say “I”—by our sense of ourselves as the centers of self-conscious reflection. This fact is manifested in our emotions, interests, and relations. It is the foundation of the moral sense, as well as of the aesthetic and religious conceptions through which we shape the human world and endow it with meaning. And it lies outside the scope of modern materialist philosophy, even though it is a natural and not a supernatural fact. Ultimately, Scruton offers a new way of understanding how self-consciousness affects the question of how we should live. The result is a rich view of human nature that challenges some of today’s most fashionable ideas about our species.
Will understanding our brains help us to know our minds? Or is there an unbridgeable distance between the work of neuroscience and the workings of human consciousness? In a remarkable exchange between neuroscientist Jean-Pierre Changeux and philosopher Paul Ricoeur, this book explores the vexed territory between these divergent approaches--and comes to a deeper, more complex perspective on human nature. Ranging across diverse traditions, from phrenology to PET scans and from Spinoza to Charles Taylor, What Makes Us Think? revolves around a central issue: the relation between the facts (or "what is") of science and the prescriptions (or "what ought to be") of ethics. Changeux and Ricoeur ask: Will neuroscientific knowledge influence our moral conduct? Is a naturally based ethics possible? Pursuing these questions, they attack key topics at the intersection of philosophy and neuroscience: What are the relations between brain states and psychological experience? Between language and truth? Memory and culture? Behavior and action? What is a mental representation? How does a sign relate to what it signifies? How might subjective experience be constructed rather than discovered? And can biological or cultural evolution be considered progressive? Throughout, Changeux and Ricoeur provide unprecedented insight into what neuroscience can--and cannot--tell us about the nature of human experience. Changeux and Ricoeur bring an unusual depth of engagement and breadth of knowledge to each other's subject. In doing so, they make two often hostile disciplines speak to one another in surprising and instructive ways--and speak with all the subtlety and passion of conversation at its very best.
"Reaching back to nature primordial and coming to life through existential transformation, Michele Oka Doner's sculpted figures act as human archetypes. They share the inevitability and undeniability of a natural order. The artist pares back the skin, focusing on the components that convey life. The structure of the veins and inner anatomy of the body are re-formed into rich textures of coral, roots, rock and bark that express the essential geology of the structure of the earth. HumanNature begins with her tattooed porcelain torsos, created in the mid-1960s, and culminates with the visceral power of her more recent life-size cast bronze figures. Designed by award-winning graphic designer Massimo Vignelli, this survey includes an essay by distinguished contemporary art historian Donald Kuspit."--BOOK JACKET.
New in the acclaimed series—the clever, colorful new comedy from the Academy Award®-nominated screenwriter of Being John Malkovich, the director of the award-winning BjÖrk music videos, and the producers at Good Machine—coming from Fine Line Features in April 2002. Charlie Kaufman's unconventional worldview is once again in evidence in this powerful satirical exploration of a civilization that idealizes both nature and culture. A philosophical burlesque about an obsessive scientist, a female naturalist, and their discovery—a man raised in the wild. The cast includes Patricia Arquette, Rhys Ifans, Miranda Otto, Tim Robbins, Robert Forster, Rosie Perez, and Mary Kay Place. Approx. 40 photos, color and b/w.