Download Free Humana Festival 93 Book in PDF and EPUB Free Download. You can read online Humana Festival 93 and write the review.

A Smith and Kraus Book.
Far from the glittering lights of Broadway, in a city known more for its horse racing than its artistic endeavors, an annual festival in Louisville, Kentucky, has transformed the landscape of the American theater. The Actors Theatre of Louisville—the Tony Award–winning state theater of Kentucky—in 1976 successfully created what became the nation's most respected new-play festival, the Humana Festival of New American Plays. The Humana Festival: The History of New Plays at Actors Theatre of Louisville examines the success of the festival and theater’s Pulitzer Prize–winning productions that for decades have reflected new-play trends in regional theaters and on Broadway—the result of the calculated decisions, dogged determination, and good luck of its producing director, Jon Jory. The volume details how Actors Theatre of Louisville was established, why the Humana Festival became successful in a short time, and how the event’s success has been maintained by the Louisville venue that has drawn theater critics from around the world for more than thirty years. Author Jeffrey Ullom charts the theater’s early struggles to survive, the battles between troupe leaders, and the desperate measures to secure financial support from the Louisville community. He examines how Jory established and expanded the festival to garner extraordinary local support, attract international attention, and entice preeminent American playwrights to premier their works in the Kentucky city. In The Humana Festival, Ullom provides a broad view of new-play development within artistic, administrative, and financial contexts. He analyzes the relationship between Broadway and regional theaters, outlining how the Humana Festival has changed the process of new-play development and even Broadway’s approach to discovering new work, and also highlights the struggles facing regional theaters across the country as they strive to balance artistic ingenuity and economic viability. Offering a rare look at the annual event, The Humana Festival provides the first insider’s view of the extraordinary efforts that produced the nation’s most successful new-play festival.
Theater has always been the site of visionary hopes for a reformed national future and a space for propagating ideas, both cultural and political, and such a conceptualization of the histrionic art is all the more valuable in the post-9/11 era. The essays in this volume address the concept of «Americanness» and the perceptions of the «alien» - as ethnic, class or gendered minorities - as dealt with in the work of American playwrights from Anna Cora Mowatt, through Rachel Crothers or Susan Glaspell, and on to Sam Shepard, David Mamet, Nilo Cruz or Wallace Shawn. The authors of the essays come from a multi-national university background that includes the United States, the United Arab Emirates and various countries of the European Community. In recognition of the multiple components of drama, the essays for the volume were selected in order to exemplify different aspects and theories of theater studies: the playwright, the play, the audience and the actor are all examined as part of the theatrical experience that serves to formulate American national identity.
“Fresh, funny, sad, and sexy . . . [A] diverse collection of good, honest, and soundly structured monologue writing” (David Drake, Obie Award–winning actor and playwright). O Solo Homo is a diverse, definitive, and hugely entertaining collection representing the cutting edge of queer solo performance. The pieces in O Solo Homo touch nerves that run deep—from sex, politics, community, and health to the struggles and joys of family, friends, and lovers. Peggy Shaw, of Split Britches, revisits how she learned to be butch. The late Ron Vawter, of the Wooster Group, juxtaposes the lives of two very different men who died of AIDS: diva filmmaker Jack Smith and Nixon crony Roy Cohn. Tim Miller, one of the NEA 4, surveys the landscape of gay desire before and after the advent of AIDS. And Carmelita Tropicana, the “national songbird of Cuba,” makes an unforgettable, hilarious return to Havana. “A funny, personal, powerful primer of identity, performance and politics. O Solo Homo is a must read.” —Paula Vogel, Pulitzer Prize–winning author of How I Learned to Drive “Naked passion, fiery intellect and dissatisfaction with the status quo mark all good performance art. This collection embodies those elements at their best. Each piece makes you sit up and listen.” —Jewelle Gomez, author of The Gilda Stories “O Solo Homo represents the most significant and vibrant cross-section of queer solo performance since the gospels. A must-have field guide for the amateur and professional alike. Ten thumbs up!” —The Five Lesbian Brothers
"The plays in this book, written by Pulitzer Prize-winner Horton Foote, include: The Trip to Bountiful, The Chase, The Traveling Lady, and The Roads to Home."-- Amazon.