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For much of the twentieth century, the A. E. Hull Pottery Company produced imaginative ceramics. Hundreds of color photographs display the scope of Hull pottery. Values are provided in the captions. Every collector of twentieth century ceramics and fans of Ohio pottery will want this book.
This hardbound volume showcases over 3,000 items, both common and rare, and also assists in the identification of hundreds of Hull items that are rarely found trademarked. Full-color photos, pattern names, item descriptions, dimensions, illustrated trademarks, dates of manufacture, current values, an in-depth history of the company, and many original company catalog pages offer a full account of the Hull Company's 80 years of pottery production. This indispensable resource, sure to become the standard for Hull collectors and dealers alike, is arranged alphabetically for quick referencing and easy use. It clearly and easily identifies and prices items for both the beginning as well as the advanced collector.
This indispensable resource aids beginning and advanced collectors in pricing and identifying more than 80 years of Hull Pottery. Whether it's the Little Red Riding Hood line of kitchenware or the ultra-popular Hull planters of the 1970s that inspire collectors, this dynamic guide is a must have. This book: &break;&break;Features detailed descriptions with dimensions, dates of manufacture and up-to-date values to help collectors stay current&break; &break;Includes more than 1,000 color photos, making this extremely visible guide a beautiful and informative resource &break;&break;Provides reliable information to help collectors avoid losing money on fakes and forgeries &break;&break;More than just another price guide, this portable reference helps collectors expand their knowledge of Hull Pottery.
One of the early twentieth centurys most prolific potteries, the S.A. Weller Pottery Company, of Zanesville, Ohio, produced art pottery and artwares reflecting the major art movements of the day, including Arts and Crafts, Art Nouveau, and Art Deco. Here, over 520 striking color images display the broad array of wares produced by Weller from 1895 to 1948, including such well-known lines as Art Nouveau, Aurelian, Coppertone, Dickens Ware, Eocean, Forest, Hudson, Louwelsa, Sicard, and Woodcraft. This sweeping survey includes a sampling of hand decorations by many of the companys respected artists and also illustrates the highly varied, innovative glaze treatments employed over the years on a wide range of decorative items.\nThe carefully researched text includes a history of the firm, a fascinating review of how changing art movements and public demands influenced the pottery, a detailed bibliography, helpful listing of all known Weller line names, and complete index. Values for the wares displayed are found in the captions. An essential reference for Weller enthusiasts and all who are passionate about ceramics
1300 color photos of the pottery and dinnerware made by this twentieth century company along with marks, labels, catalogs, and even new items and reproductions, plus black and white historical photos of the personnel, plant, and manufacturing process make this book the most comprehensive study of Shawnee pottery.
Ash Glazes has been designed as an introduction and practical handbook to this glazing technique, covering the history of ash glazes and the practicalities of collecting and testing wood ashes and transforming them into glazes. It will provide inspiration for working potters and delight all those interested in contemporary ceramics.
An authoritative guide to the history and craft of this rare and much sought-after ceramic ware.
In Eleanor Smith’s Hull House Songs: The Music of Protest and Hope in Jane Addams’s Chicago, the authors republish Hull House Songs (1916), together with critical commentary. Hull-House Songs contains five politically engaged compositions written by the Hull-House music educator, Eleanor Smith. The commentary that accompanies the folio includes an examination of Smith’s poetic sources and musical influences; a study of Jane Addams’s aesthetic theories; and a complete history of the arts at Hull-House. Through this focus upon aesthetic and cultural programs at Hull-House, the authors identify the external, and internalized, forces of domination (class position, racial identity, patriarchal disenfranchisement) that limited the work of the Hull-House women, while also recovering the sometimes hidden emancipatory possibilities of their legacy. With an afterword by Jocelyn Zelasko.