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Life is tough, but so are cowgirls. This is the true story of Flores LaDue (1883-1951), ideal for ages 7-9. A world champion trick roper and First Lady of the Calgary Stampede, Flores helped put Western Canada on the world map. A rider, roper and rodeo queen, her story will inspire kids to work hard, blaze their own trails, and rope the life of their dreams. Part of the award-winning Howdy Books series. Features a special collaboration with First Nations artist Keegan Starlight on pages with Indigenous art. This 44-page full-colour illustrated biography also includes a timeline, archive photos, author notes and cookie recipe. It fits perfectly with the Grade Four curriculum but is suitable for Grades Two to Five. An excellent choice for International Women's Day on March 8, Stampede Week, and Women's History Month in October. To book a Virtual or In-Person school visit by author Ayesha Clough, and/or a draw-along with illustrator Hugh Rookwood, please email [email protected]. BIPOC author and illustrators.
A New York Times Bestseller Winner of the Chicago Tribune Heartland Prize Winner of the Hillman Prize for Book Journalism Named a best book of the year by: the Los Angeles Times the San Francisco Chronicle the Saint Louis Post-Dispatch the Chicago Tribune the Seattle Times "A stunning look at a problem that has dire consequences for our country.”-New York Post The dramatic story of Methamphetamine as it comes to the American Heartland-a timely, moving, account of one community's attempt to confront the epidemic and see their way to a brighter future. Crystal methamphetamine is widely considered to be the most dangerous drug in the world, and nowhere is that more true than in the small towns of the American heartland. Methland is the story of the drug as it infiltrates the community of Oelwein, Iowa (pop. 6,159), a once-thriving farming and railroad community. Tracing the connections between the lives touched by meth and the global forces that have set the stage for the epidemic, Methland offers a vital and unique perspective on a pressing contemporary tragedy. Oelwein, Iowa is like thousand of other small towns across the county. It has been left in the dust by the consolidation of the agricultural industry, a depressed local economy and an out-migration of people. If this wasn't enough to deal with, an incredibly cheap, long-lasting, and highly addictive drug has come to town, touching virtually everyone's lives. Journalist Nick Reding reported this story over a period of four years, and he brings us into the heart of the town through an ensemble cast of intimately drawn characters, including: Clay Hallburg, the town doctor, who fights meth even as he struggles with his own alcoholism; Nathan Lein, the town prosecutor, whose case load is filled almost exclusively with meth-related crime, and Jeff Rohrick, who is still trying to kick a meth habit after four years. Methland is a portrait of a community under siege, of the lives the drug has devastated, and of the heroes who continue to fight the war. It will appeal to readers of David Sheff's bestselling Beautiful Boy, and serve as inspiration for those who believe in the power of everyday people to change their world for the better.
Saddle up, little partner. You're on patrol with the Rocky Mountain Rangers! It's our job to protect Canada's precious mountain parks. We wrangle grizzly bears, rescue stranded hikers, and ride up and down the trails with our horses - it's all in a day's work for a ranger.
Howdy, I'm Flores LaDue is a children's book about Canada's little-known rodeo queen Flores LaDue (1883-1951). The story, ideal for ages 6-10, brings the real-life legend to a new generation of kids.A world champion trick roper and First Lady of the Calgary Stampede, Flores helped put Western Canada on the world map. A rider, roper and rodeo queen, her story will inspire kids to work hard, blaze their own trails, and rope the life of their dreams.Part of the award-winning Howdy Books series (see also Howdy, I'm John Ware).Features a special collaboration with First Nations artist Keegan Starlight. This 44-page full-colour illustrated biography also includes a timeline, archive photos, author notes and Flores' own cookie recipe.SCHOOLS AND LIBRARIESHowdy, I'm Flores LaDue fits perfectly with the Grade Four curriculum but is suitable for Grades One to Five. An excellent choice for International Women's Day on March 8, Stampede Week, and Women's History Month in October.Books are available UTP Distribution, library wholesalers, or by ordering direct with discount code "Educators".REVIEWS"Ayesha has once again brought to life a notable pioneer from Alberta's ranching heritage. The book teaches life lessons that apply as much today as they did over a hundred years ago." -- Scott Grattidge, Executive Director, Stockmen's Memorial Foundation"Beautifully illustrated and historically factual, Howdy I'm Flores LaDue will no doubt become a collector's book of choice." -- Alison Keene, President, La Due Ladies Lunch Foundation"Young readers and history lovers of all ages will delight in Howdy, I'm Flores LaDue. Clough's magnificent writing, attention to historical detail, and the beautiful artwork combine to inspire readers with the enticing story of LaDue, the cowgirl and community builder who helped found the Calgary Stampede." -- Christine Leppard, PhD, Historical Specialist, Calgary Stampede
In this first substantial study of rodeo women, Mary Lou Lecompte surveys the early rodeo cowgirls' achievements as professional athletes, the near demise of women's rodeo events during World War II, and the phenomenal success of the Women's Professional Rodeo Association in regaining lost ground for rodeo cowgirls. Recalling an extraordinary chapter in women's history as well as the history of American sport, Cowgirls of the Rodeo contributes to a deeper understanding of the challenges facing women in the American West and in American sport.
Emma had the perfect trifecta: a long-term job as an engineer designing sewers; a steady relationship with her reliable boyfriend; and an adoring and creative best friend (about whom she wasn’t quite ready to admit her unrequited feelings). Then early one morning, a phone call changed her world forever. Now she’s having nightmares that threaten to disrupt the space-time continuum –– nightmares of hiding from bombs in basements, of glass shattering from nearby explosions. But these disturbing dreams, in which she inhabits the body of a young girl named Lily, seem all too real, and Emma’s waking life begins to be affected by the events that transpire in this mysterious wartime landscape. Convinced she has been given a chance to save a life, Emma tries to rescue Lily from heartache, but ultimately it is through Lily that Emma finds her way back. The Almond in the Apricot navigates connections formed across space and time and explores love, grief, and the possibility that the universe might be bigger than either Emma or Lily ever imagined.
Lee McLean was born to ride ... and to write. In these pages, you will enter the world of a master horsewoman and ride with her through the seasons of the year, and the ages and stages of life. The stories come from a riding journal kept for over forty-five years, and the best of her Keystone Equine blogs. Distilled into one year, but made up of many, they reflect a life lived in the saddle. As much about human nature as about horses, this book will become a resource you turn to, again and again. It offers sound technical advice, paired with storytelling, humour and the gift of healing. "Destined to become a classic. I wish I'd had a copy when I was a girl." - Adrian 'Buckaroogirl' Brannan, Author and Singer "She inspires us to be more in tune with our horse partners ... and quite possibly, to be better people because of it." - Gary Rempel, 2009 Canadian Cowboy of the Year "Lee McLean is a friend and colleague who I consider to be one of the most knowledgeable women in the horse world today. She is authentic and common sense prevails, as you will come to understand, while reading Horse Woman." - Cub Wright, 2008 Canadian Open Cutting Champion
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.