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Winner of the H.R.F. Keating Award for best biographical/critical book related to crime fiction, and nominated for the Edgar Allen Poe and Macavity Awards for Best Critical/Biographical book.
Winner of four major prizes for the best critical/biographical book related to crime fiction: the Edgar, Anthony, Macavity and H.R.F. Keating Awards; and shortlisted for both the Agatha and Gold Dagger Awards. ‘Martin Edwards is the closest thing there has been to a philosopher of crime writing.’ The Times
LEARN HOW TO WRITE GRIPPING CRIME FICTION. Do you have an idea for a gripping crime novel? Would you like to know how to plot your book flawlessly? Do you want to create beautifully crafted characters and nail biting twists? This book is designed for anyone who wants to write an unputdownable crime novel. Whatever your subgenre, whether Scandi-crime or detective 'cosies', this book is full of inspirational advice, acute insights and practical exercises. The first part of the book establishes the rules of writing crime fiction - from convincing characters to the role of research. The book then covers the practical craft of writing and editing, before explaining in detail how to secure a contract and/or self-publish your work. A comprehensive guide for anyone who wants to be the next Val McDermid or Ian Rankin. ABOUT THE SERIES The Teach Yourself Creative Writing series helps aspiring authors tell their story. Covering a range of genres from science fiction and romantic novels, to illustrated children's books and comedy, this series is packed with advice, exercises and tips for unlocking creativity and improving your writing. And because we know how daunting the blank page can be, we set up the Just Write online community at tyjustwrite, for budding authors and successful writers to connect and share.
Whether they're writing a short detective story, crime novel, or something else, writers at every level--and in every genre--can find the information they need to make their work more accurate and gripping in this reference that cuts through the medical jargon to address everything from a poison's symptoms and reactions to how it can be administered.
Noir Affect proposes a new understanding of noir as defined by negative affect. This new understanding emphasizes that noir is, first and foremost, an affective disposition rather than a specific cycle of films or novels associated with a given time period or national tradition. Instead, the essays in Noir Affect trace noir’s negativity as it manifests in different national contexts from the United States to Mexico, France, and Japan and in a range of different media, including films, novels, video games, and manga. The forms of affect associated with noir are resolutely negative: These are narratives centered on loss, sadness, rage, shame, guilt, regret, anxiety, humiliation, resentment, resistance, and refusal. Moreover, noir often asks us to identify with those on the losing end of cultural narratives, especially the criminal, the lost, the compromised, the haunted, the unlucky, the cast-aside, and the erotically “perverse,” including those whose greatest erotic attachment is to death. Drawing on contemporary work in affect theory, while also re-orienting some of its core assumptions to address the resolutely negative affects narrated by noir, Noir Affect is invested in thinking through the material, bodily, social, and political–economic impact of the various forms noir affect takes. If much affect theory asks us to consider affect as a space of possibility and becoming, Noir Affect asks us to consider affect as also a site of repetition, dissolution, redundancy, unmaking, and decay. It also asks us to consider the way in which the affective dimensions of noir enable the staging of various forms of social antagonism, including those associated with racial, gendered, sexual, and economic inequality. Featuring an Afterword by the celebrated noir scholar Paula Rabinowitz and essays by an array of leading scholars, Noir Affect aims to fundamentally re-orient our understanding of noir. Contributors: Alexander Dunst, Sean Grattan, Peter Hitchcock, Justus Nieland, Andrew Pepper, Ignacio Sánchez Prado, Brian Rejack, Pamela Thoma, Kirin Wachter-Grene
Invited by bestselling authors Lee Child and Laurie R. King, seventy of the most successful mystery writers in the business contribute essays and tips on the craft of writing, How to Write a Mystery is an invaluable guide and a must-have for every level of mystery writers Topics Include: Before Writing (rules, genres, setting, character, research, etc.), While Writing (outlining, the plot, dialogue, mood, etc.), Other than Novels (short stories, true crime, etc.), Other Considerations (divers character, copyright, criticism, online platforms, etc.) Book jacket.
Let Amateur Detectives help you write an exciting chase. Here you'll find the information you need to keep your amateur-crime-solver novels and stories factually accurate, completely convincing. Open this book and investigate why high-tech policing hasn't run off the low-tech amateur; jobs that fit neatly with amateur sleuthing; intuition, gossip and other information-gathering methods; how to find out all about anyone; how the Internet can speed your sleuth to answers; how today's technological wonders can help your detective; the law as it applies to amateur detectives; gun laws, state by state; citizens' arrest powers, state by state; the Freedom of Information Act; and how real amateurs solved real crimes.
"Edwards skillfully weaves the strands together [in] this twisty whodunit." —Publishers Weekly This atmospheric, fast-moving and intricate thriller features Harry Devlin, one of modern crime fiction's most memorable amateur detectives, in the deadliest case of his life. A notice announcing that Harry Devlin died suddenly on Midsummer's Eve arrives at the office of his law firm one June day. Harry isn't happy to read it: Midsummer's Eve is less than a week away. His partner Jim Crusoe treats the message as a joke, but Harry isn't so sure. Meanwhile, young women are being murdered in Harry's home city of Liverpool. When a friend who has asked to meet him becomes the latest victim, Harry becomes a suspect. He's soon fighting for survival on two fronts. Even as he unravels the shocking secret behind the murders, Harry must discover and confront the enemy who wants him dead if he is to live to see Midsummer's Day.
Truly Criminal showcases a group of highly regarded writers who all share a special passion for crime, reflected in this superb collection of essays re-examining some of the most notorious cases from British criminal history. Contributors are all members of the Crime Writers' Association (CWA), including leading novelists Peter Lovesey, Andrew Taylor and Catherine Aird (winner of 2015 CWA Diamond Dagger). There is also a bonus essay by the late great Margery Allingham about the controversial William Herbert Wallace case, which has only recently been rediscovered. Among the real-life crimes explored in the book are the cases of Samuel Herbert Dougal, the Moat Farm murderer, George Joseph Smith, the 'brides in the bath' killer and Catherine Foster, who murdered her husband with poisoned dumplings – some of the most infamous killers in British history. With a foreword by international best-selling author Peter James, this collection demonstrates the art of 'true crime' writing at its very best.
Winner of the 2016 EDGAR, AGATHA, MACAVITY and H.R.F.KEATING crime writing awards, this real-life detective story investigates how Agatha Christie and colleagues in a mysterious literary club transformed crime fiction.