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They might be boring but reports can make or break cases and even careers! How solid are yours? In this easy-to-read and (believe it or not!) enjoyable report-writing guide, expert Tampa PD Academy writing instructor Kimberly Clark teaches you to get reports flowing easily and in the right direction - avoid jumbled and confusing narratives - quickly spot key report contributors at the scene - focus on three basic but essential elements every report needs - use street slang wisely to get your point across and more. This book will have you writing air-tight, liability reducing reports in no time...and maybe even enjoying the process!
The manner in which criminal investigators are trained is neither uniform nor consistent, ranging from sophisticated training protocols in some departments to on-the-job experience alongside senior investigators in others. Ideal for students taking a first course in the subject as well as professionals in need of a refresher, Introduction to Criminal Investigation uses an accessible format to convey concepts in practical, concrete terms. Topics discussed include: The history of criminal investigation in Western society Qualifications for becoming an investigator, the selection process, and ideal training requirements Crime scene search techniques, including planning and post-search debriefing Preparing effective field notes and investigative reports Interviewing and interrogating Types of evidence found at the crime scene and how to collect, package, and preserve it The contributions of forensic science to criminal investigations and the equipment used in crime labs Investigative protocol for a range of crimes, including property crimes, auto theft, arson, financial crimes, homicide, assault, sex crimes, and robbery Specialized investigations, including drug trafficking, cybercrime, and gang-related crime Legal issues involved in criminal investigations and preparing a case for trial Bringing together contributions from law enforcement personnel, academics, and attorneys, the book combines practical and theoretical elements to provide a comprehensive examination of today‘s criminal investigative process. The accessible manner in which the information is conveyed makes this an ideal text for a wide-ranging audience.
A concise, practical guide to report writing for law enforcement officers.
The criminal justice process is dependent on accurate documentation. Criminal justice professionals can spend 50-75% of their time writing administrative and research reports. Report Writing for Criminal Justice Professionals, Fifth Edition provides practical guidance--with specific writing samples and guidelines--for providing strong reports. Much of the legal process depends on careful documentation and the crucial information that lies within, but most law enforcement, security, corrections, and probation and parole officers have not had adequate training in how to provide well-written, accurate, brief, and complete reports. Report Writing for Criminal Justice Professionals covers everything officers need to learn--from basic English grammar to the difficult but often-ignored problem of creating documentation that will hold up in court. This new edition is updated to include timely information, including extensive coverage of digital reporting, updates on legal issues and privacy rights, and expanded coverage of forensics and scientific reporting.
Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.
From the creator of HBO's The Wire, the classic book about homicide investigation that became the basis for the hit television show The scene is Baltimore. Twice every three days another citizen is shot, stabbed, or bludgeoned to death. At the center of this hurricane of crime is the city's homicide unit, a small brotherhood of hard men who fight for whatever justice is possible in a deadly world. David Simon was the first reporter ever to gain unlimited access to a homicide unit, and this electrifying book tells the true story of a year on the violent streets of an American city. The narrative follows Donald Worden, a veteran investigator; Harry Edgerton, a black detective in a mostly white unit; and Tom Pellegrini, an earnest rookie who takes on the year's most difficult case, the brutal rape and murder of an eleven-year-old girl. Originally published fifteen years ago, Homicide became the basis for the acclaimed television show of the same name. This new edition—which includes a new introduction, an afterword, and photographs—revives this classic, riveting tale about the men who work on the dark side of the American experience.
Most cops hate to write reports. What cops hate even more is instruction on how to write reports. Why? Because instruction in report writing tends to focus on the traditional forms of grammar which cops find irrelevant and boring. We agree. So this book is not written like a traditional report text. You won't find discussions of past perfect and future perfect verbs, modal auxiliaries or correlative conjunctions. You will find Plain English for Cops organized around the common mistakes that most cops actually make in their reports and how to avoid them. We've approached report writing in a non-traditional and humorous way. Plain English for Cops can be used in basic training academies, field officer training programs, and remediation programs for veteran officers. It can also be used in other areas such as private security, corrections or any other occupation where narrative reports are important. Plain English for Cops is a "non-textbook." It uses a non-technical approach to police report writing that is easy to read, easy to understand, and easy to apply. Authors Nicholas Meier and R.J. Adams are available to conduct a "Train the Trainer" workshop at your agency. The workshop is designed for command staff, supervisors, academy instructors, and FTOs. For more information, contact the authors at [email protected].
In recent years, a new wave of investigative journalists have become prominent. Some relish being "politically incorrect" (David Brock, author of The Real Anita Hill); others methodically shatter cultural icons (Douglas Frantz's expose of Washington insider Clark Clifford); and still others have revealed such horror as Cold War experimentation on unsuspecting citizens (Eileen Welsome's Pulitzer Prize-winning stories). In their own words, these journalists and nine others (Tim Weiner, John Camp, Marjie Lundstrom, Gerald Posner, Sydney Schanberg, David Burnham, Bryon Acohido, Dan Moldea and Brian Ross) provide insight to their jobs and the role of investigative journalism in American society.