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This stylishly illustrated guide parses the visual vocabulary to understand, investigate, and interpret seminal fashions and styles. The perfect companion for fashionistas and anyone interested in a better understanding of how fashions and styles evolve, this is the first book of its kind aimed at a general audience. Both dip-in reference and stylish resource, it covers 200 years of fashion history, as well as ancillary subjects such as jewelry, accessories, and hairstyling, showing how different looks and styles are interconnected through time. Fashion is defined by the newest and very latest, yet fashion designers are constantly taking inspiration from the past. Well-known classics of yesteryear as well as more obscure designs and styles from the deeper past are constantly recycled and reinvented by the latest generation of designers and stylists. Identified in this handy volume are all the main fashion trends of the past 200 years, as well as how they relate to contemporary styles. From Neo-Classical to Gothic, Streamline Modernism to Punk, Military, and Designer Branding, this is perfect for anyone who has ever wondered about the origins of the little black dress or why the Chanel bag is known as the 2:55 bag.
Fashion is ever-changing, and while some styles mark a dramatic departure from the past, many exhibit subtle differences from year to year that are not always easily identifiable. With overviews of each key period and detailed illustrations for each new style, How to Read a Dress is an authoritative visual guide to women's fashion across five centuries. Each entry includes annotated color images of historical garments, outlining important features and highlighting how styles have developed over time, whether in shape, fabric choice, trimming, or undergarments. Readers will learn how garments were constructed and where their inspiration stemmed from at key points in history – as well as how dresses have varied in type, cut, detailing and popularity according to the occasion and the class, age and social status of the wearer. This lavishly illustrated book is the ideal tool for anyone who has ever wanted to know their cartridge pleats from their Récamier ruffles. Equipping the reader with all the information they need to 'read' a dress, this is the ultimate guide for students, researchers, and anyone interested in historical fashion.
"How to Read Fashion identifies the main fashion trends of the past 200 years and shows how they relate to contemporary styles. From Neo-Classical to Gothic, Empire to Punk, Military, and Designer Branding, the defining characteristics of each 'look' are explained. Chapters on techniques and materials give additional technical grounding. The book then shows how all of these are applied in the world of men's and women's fashions, including formal, casual and leisure wear, as well as accessories, jewellery, hair styles and make-up." [Publisher's statement].
Introducing your new favorite children’s book stars: The McClure Twins! This adorable and fun story about embracing differences is perfect for fans of Juno Valentine and Fancy Nancy. Ava and Alexis are twins. So when they find out they were born a whole minute apart and that they don’t agree on what to wear for their fashion show, the girls start to wonder… Can twins be “mismatched"?! Just in time, Ava and Alexis remember their twinship pinky promise to “strut together and make it fashion” as they mix and match their unique styles to create one twintastic outfit. Written by and based on everyone’s favorite YouTube kid-fluencers, The McClure Twins, The McClure Twins: Make It Fashion drives home the very important lesson of embracing what makes us similar and different.
Fashion is ever-changing, and while some styles mark a dramatic departure from the past, many exhibit subtle differences from year to year that are not always easily identifiable. With overviews of each key period and detailed illustrations for each new style, How to Read a Dress is an appealing and accessible guide to women's fashion across five centuries. Each entry includes annotated color images of historical garments, outlining important features and highlighting how styles have developed over time, whether in shape, fabric choice, trimming, or undergarments. Readers learn how garments were constructed and where their inspiration stemmed from at key points in history – as well as how dresses have varied in type, cut, detailing and popularity according to the occasion and the class, age and social status of the wearer. This new edition includes additional styles to illustrate and explain the journey between one style and another; larger images to allow closer investigation of details of dress; examples of lower and working-class, as well as middle-class, clothing; and a completely new chapter covering the 1980s to 2020. The latter demonstrates how the late 20th century and early 21st century firmly left the dress behind as a requirement, but retained it as a perennially popular choice and illustrates how far the traditional boundaries of 'the dress' have been pushed (even including reference to a newly non-binary appreciation of the garment), and the intellectual shifts in the way women's fashion is both inspired and inspires. With these new additions, How to Read a Dress, revised edition, presents a complete and up-to-date picture of 'the dress' in all its forms, across the centuries, and taking into account different sartorial and social experiences. It is the ideal tool for anyone who has ever wanted to know their cartridge pleats from their Récamier ruffles. Equipping the reader with all the information they need to 'read' a dress, this is the ultimate guide for students, researchers, and anyone interested in historical fashion.
Amy Astley, former Teen Vogue Editor-in-Chief, says: “The Teen Vogue Handbook is a dream book, a truly creative book filled with tips on the stylish life from the top people in the industry.” The key to this book is the mix of beautiful pictures, career advice and profiles of everyone and every aspect of the fashion industry. There are hugely famous people interviewed (Marc Jacobs, Bruce Weber, Patrick DeMarchelier) alongside assistants and others who are just getting started. The book includes 6 sections: Designers, Editors, Stylists, Beauty, Photographers and Models. And in every section, the people in the profile share simple tips on how to live the Teen Vogue lifestyle, now.
Now in its second edition, How to Read Texts introduces students to key critical approaches to literary texts and offers a practical introduction for students developing their own critical and close-reading skills. Written in a lively, jargon-free style, it explains critical concepts, approaches and ideas including: - Debates around critical theory - The role of history and context - The links between creativity and criticism - The relationship between author, reader and text. The new edition now includes guidance on analysing a range of multi-media texts, including film and online media as well as the purely literary. In addition to new practical examples, readings, exercises and 'checkpoints' that help students to build confidence in their own critical readings of both primary and secondary texts, the book now also offers guidance on writing fully-formed critical essays and tips for independent research. Comprehensively updated and revised throughout, How to Read Texts is an indispensible guide for students making the transition to university study.
This vintage book contains an exhaustive dictionary of fashion terms, with instructions for pronunciation, brief explanations, and lists of synonyms. Timeless and comprehensive, “The Language Of Fashion Dictionary And Digest Of Fabric, Sewing And Dress” will be of utility to those involved in the fashion industry, and is not to be missed by the discerning collector. Contents include: “Belts”, “Bindings”, “Blouses”, “Bobs”, “Bodices”, “Bonnets”, “Boots”, “Bows”, “Bracelets”, “Braids”, “Buckles”, “Bustles”, “Buttons”, “Buttonholes”, “Canvas”, “Caps”, “Capes”, “Checks”, “Coats”, “Collars”, “Color”, “Combs”, “Cottons”, “Crepes”, “Cuffs”, “Dots”, “Dress and Dresses”, “Dyeing”, “Embroideries”, “Eyelets”, “Fabric”, “Fancy Dress”, etc. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, high-quality edition complete with a specially commissioned new introduction on the history of textiles and weaving. This book was first published in 1939.
Seminar paper from the year 2020 in the subject American Studies - Literature, grade: 1,7, University of Augsburg (American Studies), course: First Ladies, language: English, abstract: This work will focus on the two latest First Ladies, Michelle Obama and Melania Trump. Not only do they give an overview of how republican and democrat First Ladies eventually are depicted differently, but both first Ladies have a special connection to fashion. The First Lady of the United States, or FLOTUS, is the President's wife's official title. Her position is a job with no rules or descriptions, but she must fulfill duties, including attending events, giving speeches, supporting her husband, and being the mother of a nation. Unlike the President, her job is not a paid one. At first glance, the First Lady paints an outdated picture of wives. As the mother of a nation, the First Lady is supposed to be a role model. Therefore, magazines and news do frequently discuss the image of the President and the First Lady. Those articles often focus on the FLOTUS’ wardrobe, which might signify the wife's perception as an ornament of her husband. They discuss the wardrobe, considering appropriateness and message. FLOTUS studies study what kind of position the First Lady has, but it also studies her position as a role model. To what extent is the First Lady a celebrity, a politician, and a US-citizen, involving information about American culture, politics, and feminism? Gossip magazines might, at first glance, appear to focus on unnecessary details. However, fashion studies show that clothes have more meaning to them than just protecting the body from the weather. Already in 1950, John Carl Flugel studied the psychology of clothes and discussed the purpose of clothes. Roland Barthes followed Ferdinand de Saussure’s theory on semiology to study fashion magazines and their clothes' portrayal. Alison Lurie extended fashion theory with an actual fashion vocabulary. Theorists like Barthes have described fashion as a sign system, but Lurie specified how clothes talk. Fashion studies explain how clothes create and convey meaning. Furthermore, they ask who the creator of this meaning is and how culture and politics participate in creating meaning through clothes. Fashion and political studies have been done before and play an essential role in studying the country that wears it. After all, fashion also participates in social change and is even change itself, as Malcolm Barnard analyses. Therefore, the question about the colors and shape of a clothing item is not petty, but essential to understand a country.
This lively survey of 150 years of fashion covers everything from Haute Couture to the High Street, and developing fabric technology from silk to fleece. From Coco Chanel to Armani and Alexander McQueen, Breward explores fashion as a cultural phenomenon. Breward examines the glamorous world of Vogue and advertising, the relationship between fashion and film, and fashion as a business, and goes beyond the surface to consider our interaction with fashion. How have our ideas about hygiene and comfort influenced the direction of style? How does our dress create our identity and status? Details of dandies, flappers, and punks are contained within a clear overview of the period which will make you look at your clothes in a different light.