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Brilliant and tense, Dany Laferrière's first novel, How to Make Love to a Negro Without Getting Tired, is as fresh and relevant today as when it was first published in Canada in 1985. With ribald humor and a working-class intellectualism on par with Charles Bukowski's or Henry Miller's, Laferrière's narrator wanders the streets and slums of Montreal, has sex with white women, and writes a book to save his life. With this novel, Laferrière began a series of internationally acclaimed social and political novels about the love of the world, and the world of sex, including Heading South and I Am a Japanese Writer. It launched Laferrière as one of the literary world's finest provocateurs and continues to draw strong comparisons to the writings of James Baldwin, Henry Miller, Charles Bukowski, and Jack Kerouac. The book was made into a feature film and translated into several languages — this is the first U.S. edition.
A devilishly intelligent new novel by the internationally bestselling author and Prix Mï??dicis winner. A black writer from Montreal has found the perfect title for his next book: I Am a Japanese Writer. His publisher gives him an advance on the strength of the title alone. The problem is, he can't seem to write a word of it. He can scarcely summon the energy to put pen to paper, and so he nurses his writer's block by taking long baths, re-reading the works of Japanese poet Basho and engaging in amorous intrigues with rising pop star Midori and her entourage of vampire girls. For the writer, though, the title isn't just a title: he really does believe he is a Japanese writer. He makes this declaration in a mall, and, the next thing he knows, he's an international celebrity. The book becomes a cult phenomenon, even though he still hasn't written a word of it. In Japan, it sets off a cultural revolution. A Japanese writer even publishes a book called I Am a Malagasy Writer. On the nightly news, a Japanese officer declares, "I Am a Korean Soldier." No wonder a pair of attachï??s from the Japanese embassy has been following our hero around. At first, he is delighted to discover his celebrity. But things quickly go wrong. Part postmodern fantasy, part Kafkaesque nightmare and part travelogue to the inner reaches of the self, I Am a Japanese Writer calls into question everything we think we know about what-and who-makes a work of art.
"It is the early 1970s in Haiti. A shy adolescent boy, raised in a devout family of women, gets mixed up in a misunderstanding at the Macaya Bar in Port-au-Prince's Zone Rouge. Terrified that he has become a target for the Tontons Macoutes - Duvalier's feared and hated secret police - he searches desperately for somewhere to hide. There's really only one place where no one will think to look for him: right across the street at Miki's house, an environment totally at odds with the hushed, careful atmosphere of his own home. Miki and her girlfriends are the most irrepressible, beautiful and daring young women in Port-au-Prince. Now he finds himself spending a fateful few days among them, listening in on their conversations and observing their escapades and affairs. It is a weekend filled with self-discovery, and he returns home a changed person, one for whom life holds no more secrets."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
On the sun-drenched island of Haiti in the 1970s, under the shadow of “Baby Doc” Duvalier’s notorious regime, locals eke out an existence as servants, bartenders and panderers to the white elite. Fanfan, Charlie, and Legba, aware of the draw of their adolescent, black bodies, seduce rich, middle-aged white tourists looking for respite from their colourless jobs and marriages. These “relationships” mirror the power struggle inherent in all transactions in Port-au-Prince’s seedy back streets. Heading South takes us into the world of artists, rappers, Voodoo priests, hotel owners, uptight Parisian journalists and partner-swapping Haitian lovers, all desperately trying to balance happiness with survival. Made into an award-winning film starring Charlotte Rampling, this provocative novel, translated for the first time into English, explores the lines between sexual liberation and exploitation, artistic freedom and appropriation, independence and colonialism.
'I Had a Black Dog says with wit, insight, economy and complete understanding what other books take 300 pages to say. Brilliant and indispensable.' - Stephen Fry 'Finally, a book about depression that isn't a prescriptive self-help manual. Johnston's deftly expresses how lonely and isolating depression can be for sufferers. Poignant and humorous in equal measure.' Sunday Times There are many different breeds of Black Dog affecting millions of people from all walks of life. The Black Dog is an equal opportunity mongrel. It was Winston Churchill who popularized the phrase Black Dog to describe the bouts of depression he experienced for much of his life. Matthew Johnstone, a sufferer himself, has written and illustrated this moving and uplifting insight into what it is like to have a Black Dog as a companion and how he learned to tame it and bring it to heel.
His grandmother Da, the grand matriarch of the town, is part priestess, part philosopher, dispensing wisdom and cups of black burning coffee as the world revolves around her.
Winner of the Quebec Writers' Federation Paragraphe Hugh MacLennan Prize for Fiction Beena and Sadhana are sisters who share a bond that could only have been shaped by the most unusual of childhoods — and by shared tragedy. Orphaned as teenagers, they have grown up under the exasperated watch of their Sikh uncle, who runs a bagel shop in Montreal's Hasidic community of Mile End. Together, they try to make sense of the rich, confusing brew of values, rituals, and beliefs that form their inheritance. Yet as they grow towards adulthood, their paths begin to diverge. Beena catches the attention of one of the "bagel boys" and finds herself pregnant at sixteen, while Sadhana drives herself to perfectionism and anorexia. When we first meet the adult Beena, she is grappling with a fresh grief: Sadhana has died suddenly and strangely, her body lying undiscovered for a week before anyone realizes what has happened. Beena is left with a burden of guilt and an unsettled feeling about the circumstances of her sister's death, which she sets about to uncover. Her search stirs memories and opens wounds, threatening to undo the safe, orderly existence she has painstakingly created for herself and her son. Saleema Nawaz's characters compel us, intrigue us, and delight us with their raw, complicated humanity, and her sentences sing in the gorgeous cadences of a writer who chooses every word with the utmost care. Heralded across Canada for the power and promise of her debut collection, Mother Superior, Nawaz proves with Bone and Bread that she is one of our most talented and unique storytellers.
Montreal writer Dany Laferrière became ?Immortal? in 2015, when he was inducted into the Académie française, the highest honour in all French literature. In these wide-ranging interviews, Laferrière reveals how his life and his writing are inseparable, discussing everything from his breakout debut, How To Make Love To a Negro Without Getting Tired, to the extraordinary success of more recent novels such as The Return and I Am a Japanese Writer.
A new collection of thought-provoking essays by the best-selling author of Losing the Race examines what it means to be black in modern-day America, addressing such issues as racial profiling, the reparations movement, film and TV stereotypes, diversity, affirmative action, and hip-hop, while calling for the advancement of true racial equality. Reprint.
A beautiful commemorative edition of Dr. Martin Luther King's essay "Letter from Birmingham Jail," part of Dr. King's archives published exclusively by HarperCollins. With an afterword by Reginald Dwayne Betts On April 16, 1923, Dr. Martin Luther King Jr., responded to an open letter written and published by eight white clergyman admonishing the civil rights demonstrations happening in Birmingham, Alabama. Dr. King drafted his seminal response on scraps of paper smuggled into jail. King criticizes his detractors for caring more about order than justice, defends nonviolent protests, and argues for the moral responsibility to obey just laws while disobeying unjust ones. "Letter from Birmingham Jail" proclaims a message - confronting any injustice is an acceptable and righteous reason for civil disobedience. This beautifully designed edition presents Dr. King's speech in its entirety, paying tribute to this extraordinary leader and his immeasurable contribution, and inspiring a new generation of activists dedicated to carrying on the fight for justice and equality.