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In contrast to other traditions, cultic laments in Mesopotamia were not performed in response to a tragic event, such as a death or a disaster, but instead as a preemptive ritual to avert possible catastrophes. Mesopotamian laments provide a unique insight into the relationship between humankind and the gods, and their study sheds light on the nature of collective rituals within a crosscultural context. Cultic laments were performed in Mesopotamia for nearly 3000 years. This book provides a comprehensive overview of this important ritual practice in the early 2nd millennium BCE, the period during which Sumerian laments were first put in writing. It also includes a new translation and critical edition of Uruamairabi (‘That city, which has been plundered’), one of the most widely performed compositions of its genre.
Collection of poetry.
This bestselling "lyrical, moving book: part essay, part memoir, part surprising cultural study" is an examination of why we cry, how we cry, and what it means to cry from a woman on the cusp of motherhood confronting her own depression (The New York Times Book Review). Heather Christle has just lost a dear friend to suicide and now must reckon with her own depression and the birth of her first child. As she faces her grief and impending parenthood, she decides to research the act of crying: what it is and why people do it, even if they rarely talk about it. Along the way, she discovers an artist who designed a frozen–tear–shooting gun and a moth that feeds on the tears of other animals. She researches tear–collecting devices (lachrymatories) and explores the role white women’s tears play in racist violence. Honest, intelligent, rapturous, and surprising, Christle’s investigations look through a mosaic of science, history, and her own lived experience to find new ways of understanding life, loss, and mental illness. The Crying Book is a deeply personal tribute to the fascinating strangeness of tears and the unexpected resilience of joy.
As The Giving Tree turns fifty, this timeless classic is available for the first time ever in ebook format. This digital edition allows young readers and lifelong fans to continue the legacy and love of a classic that will now reach an even wider audience. "Once there was a tree...and she loved a little boy." So begins a story of unforgettable perception, beautifully written and illustrated by the gifted and versatile Shel Silverstein. This moving parable for all ages offers a touching interpretation of the gift of giving and a serene acceptance of another's capacity to love in return. Every day the boy would come to the tree to eat her apples, swing from her branches, or slide down her trunk...and the tree was happy. But as the boy grew older he began to want more from the tree, and the tree gave and gave and gave. This is a tender story, touched with sadness, aglow with consolation. Shel Silverstein's incomparable career as a bestselling children's book author and illustrator began with Lafcadio, the Lion Who Shot Back. He is also the creator of picture books including A Giraffe and a Half, Who Wants a Cheap Rhinoceros?, The Missing Piece, The Missing Piece Meets the Big O, and the perennial favorite The Giving Tree, and of classic poetry collections such as Where the Sidewalk Ends, A Light in the Attic, Falling Up, Every Thing On It, Don't Bump the Glump!, and Runny Babbit. And don't miss the other Shel Silverstein ebooks, Where the Sidewalk Ends and A Light in the Attic!
Feminist philosophers have made important strides in altering the overwhelmingly male-centric discipline of philosophy. Yet, in Nancy Bauer’s view, most are still content to work within theoretical frameworks that are fundamentally false to human beings’ everyday experiences. This is particularly intolerable for a species of philosophy whose central aspiration is to make the world a less sexist place. How to Do Things with Pornography models a new way to write philosophically about pornography, women’s self-objectification, hook-up culture, and other contemporary phenomena. Unafraid to ask what philosophy contributes to our lives, Bauer argues that the profession’s lack of interest in this question threatens to make its enterprise irrelevant. Bauer criticizes two paradigmatic models of Western philosophizing: the Great Man model, according to which philosophy is the product of rare genius; and the scientistic model, according to which a community of researchers works together to discover once-and-for-all truths. The philosopher’s job is neither to perpetuate the inevitably sexist trope of the philosopher-genius nor to “get things right.” Rather, it is to compete with the Zeitgeist and attract people to the endeavor of reflecting on their settled ways of perceiving and understanding the world. How to Do Things with Pornography boldly enlists J. L. Austin’s How to Do Things with Words, showing that it should be read not as a theory of speech acts but as a revolutionary conception of what philosophers can do in the world with their words.
This book is the story of the reality of New York street gang in the late 90s to present. It is about the violence, the passion, the despair, the pain, the loyalty, and the disloyalty. It is the true story of the destruction of families caused by violence, incarceration and racism. It is about murder, rape, betrayal, and the injustice of the justice system. This is a society that fails to protect, defend, educate, rehabilitate, and inspire young people to succeed and families to grow and flourish. It’s the Bronx and rawness of the ghetto. It’s the true life story of actual individuals with their identities masked to protect them from further harm. Blacks, Dominicans, Puerto Ricans, Latin Americans, Muslims, Israelites, and the police are all engaged in a battle to dominate and to survive. The backdrop is the Bronx, the inner city and one of poorest congressional districts in the United States. It is about a failing school system, the question of race, the history of conflict, and the brainwashing of a society to ignore the truth and keep living a lie. The games they play out in the street pit females against females, and the cost is not being able to trust anyone or anything. Ask yourself the question, Could you survive this world? Can anyone survive this world? This is the world that some people live in, some people fear, and some people have never heard of. It is also the world that those in power don’t want you to know about so that they can continue to profit off the misery and suffering of people fighting, trying, and doing their best to keep each other down. They’re down lower than you can ever imagine or believe someone can go.
Art Does art leave you cold? And is that what it's supposed to do? Or is a painting meant to move you to tears? Hemingway was reduced to tears in the midst of a drinking bout when a painting by James Thurber caught his eye. And what's bad about that? In Pictures and Tears, art historian James Elkins tells the story of paintings that have made people cry. Drawing upon anecdotes related to individual works of art, he provides a chronicle of how people have shown emotion before works of art in the past, and a meditation on the curious tearlessness with which most people approach art in the present. Deeply personal, Pictures and Tears is a history of emotion and vulnerability, and an inquiry into the nature of art. This book is a rare and invaluable treasure for people who love art. Also includes an 8-page color insert.
A tale of blood and elder magic, where the air flays the mind of its memories, and the trees bleed psychotropic venom. A wanderer scours a sentient forest of flesh and delirium for the only thing that he can still remember: his daughter, exiled from time when a devastating cataclysm doomed the world to an eternity of suffering. The Astral Wanderer and the Forest of Tears is the first book in a series of three, fusing the genres of cosmic horror, dark fantasy, and apocalyptic science fiction with the surreal dread of a twisted fever dream. This book contains scenes of violence that may be unsuitable for some readers.
About the Book When Tears Are Not Enough is about a young girl’s journey from being sexually abused at the age of six, to having her first child at age twelve, and being a mother of five by age twenty-four. After years of manipulation, Diane realizes that she can finally speak up and speak out. An urgent message to anyone out there who feels their voice has been taken from them, Diane finds the ability to not only love herself but forgive those that tried to destroy her sense of self-worth. About the Author Liliana R. Christophe was born in Seattle, Washington and raised in Oakland, California. She enjoyed a career with the federal government for thirty-five years. Additionally, she has a passion for community service, feeding the homeless, and volunteering at shelters. Liliana has had her share of trials and great triumphs. She is a cancer survivor and thanks God for His grace and mercy. She also credits her daughter from her first marriage, for giving her the will to press on when life seemed hopeless. In 2021, Liliana was blessed to marry her high school sweetheart, her true soulmate. Together, Liliana and her husband love to travel the world, attend church, and share the joys and pains of parenting four adult children and the pleasure of five grandchildren. Liliana has a deep faith in God, and it is that faith that has guided her through this journey to write this book for her birth mother, Diane.