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THE NATIONAL BESTSELLER "Transformative ... If Tobia aspires to the ranks of comic memoirists like David Sedaris and Mindy Kaling, Sissy succeeds." --The New York Times Book Review A heart-wrenching, eye-opening, and giggle-inducing memoir about what it's like to grow up not sure if you're (a) a boy, (b) a girl, (c) something in between, or (d) all of the above. "A beautiful book . . . honest and funny."--Trevor Noah, The Daily Show "Sensational."--Tyler Oakley "Jacob Tobia is a force." --Good Morning America "A trans Nora Ephron . . . both honest and didactic." --OUT Magazine "A rallying cry for anyone who's ever felt like they don't belong." --Woman's Day As a young child in North Carolina, Jacob Tobia wasn't the wrong gender, they just had too much of the stuff. Barbies? Yes. Playing with bugs? Absolutely. Getting muddy? Please. Princess dresses? You betcha. Jacob wanted it all, but because they were "a boy," they were told they could only have the masculine half. Acting feminine labelled them "a sissy" and brought social isolation. It took Jacob years to discover that being "a sissy" isn't something to be ashamed of. It's a source of pride. Following Jacob through bullying and beauty contests, from Duke University to the United Nations to the podiums of the Methodist church--not to mention the parlors of the White House--this unforgettable memoir contains multitudes. A deeply personal story of trauma and healing, a powerful reflection on gender and self-acceptance, and a hilarious guidebook for wearing tacky clip-on earrings in today's world, Sissy guarantees you'll never think about gender--both other people's and your own--the same way again.
Embrace your femininity and discover your true Sissy self with this crash course on Sissyhood.
This beautiful edition of Tomie dePaola’s progressive 1979 classic stars a special little boy who won’t give up on the dreams that make him unique. Oliver Button is a sissy. At least that’s what the other boys call him. But here’s what Oliver Button really is: a reader, and an artist, and a singer, and a dancer, and more. What will his classmates say when he steps into the spotlight?
The femdom activity of Sissy Maids is an exciting fantasy that brings a whole new world of passion and interest to the lives of the people taking part, the mistress and her maid. This particular fantasy had been enacted and re-enacted with varying degrees of enthusiasm over many decades, some would day centuries. But what does it take to be a sissy maid, to cross-dress in the frilly uniform of a French maid or Victorian lady's maid? What does the 'maid' need to commit to, indeed, what kind of role is the 'mistress' undertaking? The answers are all here, showing how all parties can enhance their private lives, how the 'maid' dress up and thoroughly enjoy this previously forbidden world. How the 'mistress' can have a willing, passionate servant to attend to her every domestic and personal whim.
Fifth wall narrative about what it is like to be a sissy, including advice and a number of stories and scenarios on the subject matter. It is both erotic and informative at the same time.
The idea of a submissive, sissy husband (boyfriend, fiancé, or other male half of a relationship) may sound absolutely amazing to some women. You may even be thinking that you would like to have it in your own relationship, but you have no idea where to start. Have no fear, ladies, all is not lost. Your male submissive is easier to train than you thought it ever would be. These pages will inspire, educate, and teach you how to turn your macho man into a sissy husband. Feel free to expand on these in any way you see fit. Even though this guide isn't a tell all, end all, be all guide, it is the basics that you really need to start your domination in the relationship and the beginning to teaching your man how to be your sissy submissive.
In Sissy Insurgencies Marlon B. Ross focuses on the figure of the sissy in order to rethink how Americans have imagined, articulated, and negotiated manhood and boyhood from the 1880s to the present. Rather than collapsing sissiness into homosexuality, Ross shows how sissiness constitutes a historically fluid range of gender practices that are expressed as a physical manifestation, discursive epithet, social identity, and political phenomenon. He reconsiders several black leaders, intellectuals, musicians, and athletes within the context of sissiness, from Booker T. Washington, George Washington Carver, and James Baldwin to Little Richard, Amiri Baraka, and Wilt Chamberlain. Whether examining Washington’s practice of cleaning as an iteration of sissiness, Baldwin’s self-fashioned sissy deportment, or sissiphobia in professional sports and black nationalism, Ross demonstrates that sissiness can be embraced and exploited to conform to American gender norms or disrupt racialized patriarchy. In this way, sissiness constitutes a central element in modern understandings of race and gender.
The ultimate sartorial and etiquette guide, from the ultimate life and style guru. By turns witty, sardonic, and always insightful, Glenn O’Brien’s advice column has been a must-read for several generations of men (and their spouses and girlfriends). Having cut his teeth as a contributor at Andy Warhol’s Interview in its heyday, O’Brien sharpened them as the creative director of advertising at the hip department store Barneys New York for ten years before starting his advice column at Details magazine in 1996. Eventually his column, "The Style Guy," migrated to its permanent home at GQ magazine, where O’Brien dispenses well-honed knowledge on matters ranging from how to throw a cocktail party (a diverse guest list is a must), putting together a wardrobe for a trip to Bermuda (pack more clothes for less dressing), or when it is appropriate to wear flip-flops in public (never). How To Be a Man is the culmination of O’Brien’s thirty years of accumulated style and etiquette wisdom, distilled through his gimlet eye and droll prose. With over forty chapters on style and fashion (and the difference), on dandies and dudes, grooming and decorating, on how to dress age-appropriately and how to age gracefully, this guide is the new essential read for men of all ages.
When LSU head football coach Paul Dietzel saw Billy Cannon field an Ole Miss punt on LSU's own eleven yard line on a stifling Halloween night in 1959, his shouts of "No, no, no!" turned to "Go, go, go!" as Cannon eluded tackler after tackler, sending fans in Tiger Stadium into a frenzy and earning himself that year's Heisman Trophy. Dietzel is probably best known for leading LSU to its first national championship the year before Cannon's legendary run, but his career in athletics also carried him to numerous posts across the country and put him in the company of some of the best coaching minds of all time. In Call Me Coach, Dietzel affectionately recalls his rich and varied life in college football. In 1948, Dietzel decided to forgo medical school at Columbia University to become the plebe football coach at West Point. As an assistant over the next few years, he worked with Bear Bryant at the University of Kentucky, Colonel Red Blaik and Vince Lombardi at West Point, and Sid Gillman at the University of Cincinnati. Taking the job of head coach at LSU in 1955, he reversed the Tigers' losing skid and -- using the wing-T formation and a revolutionary three-team substitution system incorporating the White Team, the Go Team, and the renowned Chinese Bandits -- crafted 1958's unbeaten championship season. The thirty-three-year-old Dietzel was voted National Coach of the Year by the widest margin ever. Back at West Point from 1961 to 1965, Dietzel rallied the Cadets to finally "beat Navy" and, as South Carolina's football coach and athletics director from 1966 to 1974, he took the Gamecocks to their first bowl game in twenty-five years and mandated the recruitment of black athletes in all sports programs. After twenty years as a head coach, with 109 wins and 95 losses at three schools and a postseason record of 11 victories and 3 defeats, Dietzel retired from coaching in 1974, later serving as athletics director at Indiana and LSU. Through Dietzel's eyes, readers glimpse college football during a simpler time but also see that many facets of the game -- including recruitment challenges, job insecurity, press relations, and fickle fans -- remain constant. Highlights among the book's many unforgettable anecdotes are a 1962 interview with Howard Cosell, discussion about West Point's football team with General Douglas MacArthur, and a rare disagreement with Bear Bryant during a staff meeting. Dietzel's recollections of his early and later years help complete the story of the man. In a warm raconteur's voice, he describes his impoverished childhood in Ohio, his own participation in high school and college sports, and his stint flying B-29 missions over Japan during World War II. His postretirement endeavors have included providing color commentary for TV, selling fudge, teaching skiing, and watercolor painting. Always at the top of Dietzel's priorities have been friends, family, and faith. Gratitude rings as a constant refrain in Call Me Coach, and sports enthusiasts everywhere will be grateful that Dietzel has shared these recollections of his remarkable life.
As Mahmood approached them, Jimmy saw what was in Mahmood's good hand. He knew what it was. Mahmood used such devices frequently on his captives and had used such a device on Jimmy before. Jimmy screamed louder in rage and frustration. "I do not want that on my head." He tried to move away from Mahmood but made little progress because of the handcuffs. Mahmood reached over to try to put the device on. Jimmy bent his head away from Mahmood in order to avoid the device. Jimmy was unsuccessful and the device went on. When the sphere touched the top of his head, it flowed out in all directions, assuming a more flattened shape. It stuck to his head despite the fact that he used his free hand to try to pull it off. He started sobbing. All his movements gradually started getting slower and slower. He appeared to get weaker and weaker, which he was. The violent emotions shown on his face became more subdued. He began to get lethargic. He slowly sank to the floor.