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Jacob Riis's famed 1890 photo-text addressed the problems of tenement housing, immigration, and urban life and work at the beginning of the Progressive era. David Leviatin edited this complete edition of How the Other Half Lives to be as faithful to Riis's original text and photography as possible. Uncropped prints of Riis's original photographs replace the faded halftones and drawings from photographs that were included in the 1890 edition. Related documents added to the second edition include a stenographic report of one of Riis's lantern-slide lectures that demonstrates Riis's melodramatic techniques and the reaction of his audience, and five drawings that reveal the subtle but important ways Riis's photographs were edited when they were reinterpreted as illustrations in the 1890 edition. The book's provocative introduction now addresses Riis's ethnic and racial stereotyping and includes a map of New York's Lower East Side in the 1890s. A new list of illustrations and expanded chronology, questions for consideration, and selected bibliography provide additional support.
A portrait of the late-nineteenth-century social reformer draws on previously unexamined diaries and letters to trace his immigration to America, work as a police reporter for the "New York Tribune," and pivotal contributions as a muckraker and progressive.
Jacob Riis (1849-1914) was the author of How the Other Half Lives (1890). This study of his life and work includes excerpts from Riis s diary, chronicling romance, poverty, temptation, and, after many false starts, employment as a writer and reformer. In the second half, Yochelson describes how Riis used photography to shock and influence his readers. The authors describe Riis s intellectual education and discuss the influence of How the Other Half Lives on urban history. It shows that Riis argued for charity rather than social justice; but the fact that he understood what it was to be homeless did humanize Riis s work, and that work has continued to inspire reformers. Yochelson focuses on how Riis came to obtain his now famous images, how they were manipulated for publication, and their influence on the young field of photography."
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Abramsky shows how poverty - a massive political scandal - is dramatically changing in the wake of the Great Recession.
"Danish-born Jacob A. Riis (1849-1914) found success in America as a reporter for the New York Tribune, first documenting crime and later turning his eye to housing reform. As tenement living conditions became unbearable in the wake of massive immigration, Riis and his camera captured some of the earliest, most powerful images of American urban poverty"--Jacket.
The United States has two separate banking systems today—one serving the well-to-do and another exploiting everyone else. How the Other Half Banks contributes to the growing conversation on American inequality by highlighting one of its prime causes: unequal credit. Mehrsa Baradaran examines how a significant portion of the population, deserted by banks, is forced to wander through a Wild West of payday lenders and check-cashing services to cover emergency expenses and pay for necessities—all thanks to deregulation that began in the 1970s and continues decades later. “Baradaran argues persuasively that the banking industry, fattened on public subsidies (including too-big-to-fail bailouts), owes low-income families a better deal...How the Other Half Banks is well researched and clearly written...The bankers who fully understand the system are heavily invested in it. Books like this are written for the rest of us.” —Nancy Folbre, New York Times Book Review “How the Other Half Banks tells an important story, one in which we have allowed the profit motives of banks to trump the public interest.” —Lisa J. Servon, American Prospect
Jacob Riis was a Danish-born photojournalist who used his camera to draw attention to the plight of the poor.
Classic work of reportage documents life of the urban poor at the turn of the century. Real-life tales and rare photographs celebrate efforts to demolish breeding grounds of crime and improve conditions in schools and tenements.