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"A resistance novel for our time." - The New York Times "A hopeful story about recovery, empathy, and the bravery of young people." - Booklist "This well-crafted and suspenseful novel touches on the topics of refugees and immigrant integration, terrorism, Islam, Islamophobia, and the Syrian war with sensitivity and grace." - Kirkus, Starred Review Fourteen-year-old Ahmed is stuck in a city that wants nothing to do with him. Newly arrived in Brussels, Belgium, Ahmed fled a life of uncertainty and suffering in Aleppo, Syria, only to lose his father on the perilous journey to the shores of Europe. Now Ahmed’s struggling to get by on his own, but with no one left to trust and nowhere to go, he’s starting to lose hope. Then he meets Max, a thirteen-year-old American boy from Washington, D.C. Lonely and homesick, Max is struggling at his new school and just can’t seem to do anything right. But with one startling discovery, Max and Ahmed’s lives collide and a friendship begins to grow. Together, Max and Ahmed will defy the odds, learning from each other what it means to be brave and how hope can change your destiny. Set against the backdrop of the Syrian refugee crisis, award-winning author of Jepp, Who Defied the Stars Katherine Marsh delivers a gripping, heartwarming story of resilience, friendship and everyday heroes. Barbara O'Connor, author of Wish and Wonderland, says "Move Nowhere Boy to the top of your to-be-read pile immediately."
Concern about the 'decline of community', and the theme of 'community spirit', are internationally widespread in the modern world. The English past has featured many representations of declining community, expressed by those who lamented its loss in quite different periods and in diverse genres. This book analyses how community spirit and the passing of community have been described in the past – whether for good or ill – with an eye to modern issues, such as the so-called 'loneliness epidemic' or the social consequences of alternative structures of community. It does this through examination of authors such as Thomas Hardy, James Wentworth Day, Adrian Bell and H.E. Bates, by appraising detective fiction writers, analysing parish magazines, considering the letter writing of the parish poor in the 18th and 19th centuries, and through the depictions of realist landscape painters such as George Morland. K. D. M. Snell addresses modern social concerns, showing how many current preoccupations had earlier precedents. In presenting past representations of declining communities, and the way these affected individuals of very different political persuasions, the book draws out lessons and examples from the past about what community has meant hitherto, setting into context modern predicaments and judgements about 'spirits of community' today.
The evening Rose Bentley takes a short-cut home across the marsh proves a fateful one. Panicked by the rising tide and struggling on a sprained ankle, it is no wonder she imagines seeing a dead body in a mud-drowned gully. Her rescuer Michael Dowland, the brusque but attractive son of the mill owner, assures her there is nothing there. In the cosy warmth of the kitchen at Dowland's Mill, visions of dead bodies do seem far-fetched, and soon Rose begins to fall in love with both man and house. Once installed in the Mill as Michael's wife, Rose sees a different picture. Despite her gentle manner, Mrs Dowland rules her family with a rod of iron. More worrying to Rose is the change in Michael who is no longer the loving man she married. But Rose is only beginning to discover the truth about the family at Dowland's Mill . . .