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The poetry of Edgar Allan Poe has had a rough ride in America, as Emerson’s sneering quip about “The Jingle Man” testifies. That these poems have never lacked a popular audience has been a persistent annoyance in academic and literary circles; that they attracted the admiration of innovative poetic masters in Europe and especially France—notably Baudelaire, Mallarmé, and Valéry—has been further cause for embarrassment. Jerome McGann offers a bold reassessment of Poe’s achievement, arguing that he belongs with Whitman and Dickinson as a foundational American poet and cultural presence. Not all American commentators have agreed with Emerson’s dim view of Poe’s verse. For McGann, a notable exception is William Carlos Williams, who said that the American poetic imagination made its first appearance in Poe’s work. The Poet Edgar Allan Poe explains what Williams and European admirers saw in Poe, how they understood his poetics, and why his poetry had such a decisive influence on Modern and Post-Modern art and writing. McGann contends that Poe was the first poet to demonstrate how the creative imagination could escape its inheritance of Romantic attitudes and conventions, and why an escape was desirable. The ethical and political significance of Poe’s work follows from what the poet takes as his great subject: the reader. The Poet Edgar Allan Poe takes its own readers on a spirited tour through a wide range of Poe’s verse as well as the critical and theoretical writings in which he laid out his arresting ideas about poetry and poetics.
Two brothers struggling to find their place in the world. For the elder sibling Kildare, every morning begins with the memory of betrayal. Once governed by the principles of morality, Kildare has become an instrument of blood and steel-where the speed of his sword arm metes out his own brand of justice. Only the strength and resolve of his brother Zedaine keeps him from succumbing to the ever-present rage that burns behind his dark eyes. While employed by the mysterious sage Blade, the pair stumble upon Chameleon, a runaway tribeswoman displaying extraordinary psychic powers. Their meeting, however, is no chance encounter. A riddle Chameleon carries will change not only the future of the three, but the fate of the entire world. Hundreds of miles away, Macklore, a powerful wizard of Brisbane, has been dispatched to the volatile city of Gallanse. Smitten at the sight of princess Lydia, Macklore defies his orders and finds himself thrust into the middle of a bloody succession. When he openly supports Lydia's family, he is marked for death by a cult of magi working to raise the psychotic prince Dragomir to the throne. With few allies, Macklore must use his wits and innate magical powers to keep Dragomir from the crown and himself alive. Racing towards Gallanse, Kildare and Zedaine are torn between saving Macklore's life and exacting terrible vengeance upon the man responsible for their betrayal.
This fascinating literary essay, written by the famous American writer and poet, Edgar Allan Poe, explores the mystique of artistic creation. By using his renowned poem ‘The Raven’ as an example, Poe explains how good writers write well, concluding that brevity, ‘unity of effect’ and a logical method are the most important factors. Taking the reader through the deliberate choices made when writing the poem, the author also discusses theme, setting, sound, and the importance of refrain. ‘The Philosophy of Composition’ (1846) is a perfect read for literary scholars, writers, and fans of Poe. Edgar Allan Poe (1809–1849) was an American writer, poet, editor and literary critic, best known for his gothic, macabre tales that include ‘The Fall of the House of Usher’, ‘The Tell-Tale Heart’, and ‘The Murders in the Rue Morgue’. One of America’s first short story writers, Poe is considered the inventor of detective fiction and a key figure in both horror and science fiction. His work had a profound impact on American and international literature and he was one of the first American writers to earn international recognition. His other notable works include ‘The Raven and other Poem’s’, (1845) ‘The Cask of Amontillado’, ‘The Fall of the House of Usher’, and ‘The Tell-Take Heart’. With many of his stories adapted for TV and screen, including the gothic 2014 film ‘Stonehearst Asylum’, starring Kate Beckinsale, Michael Caine, and Ben Kingsley, Poe continues to influence literature, film, and television to this day.
Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortal ever dared to dream before. ' It is one of the most enduring scenes of American literature; an eerie winter evening full of memories and ghosts, when a bereaved man comes face to face with a strange bird utterin the foreboding phrase 'Nevermore'. Edgar Allan Poe's celebrated poem 'The Raven' is a haunting elegy of loss and mourning that has resonates with readers for over 150 years. This handsome edition sets the text alongside the famous illustrations by Gustave Dore, which capture and enhance the brooding atmosphere of the poem and the psychological turmoil of its subject. The book is completed with other poems fromPoe's acclaimed 1845 collection including 'Tamerlane', 'A Dream', and 'The Valley of Unrest'.
The classic EDGAR ALLAN POE poem 'The Raven' also includes 20 original illustrations by GUSTAVE DORE and a 'Comment on the Poem' by EDMUND C. STEDMAN. 'The Raven' delves into the hidden horrors of the human psyche. Originally published in 1845, the poem is narrated by a melancholy scholar brooding over Lenore, a woman he loved who is now lost to him. One bleak December at midnight, a raven with fiery eyes visits the scholar and perches above his chamber door. Struggling to understand the meaning of the word his winged visitant repeats -- "Nevermore!" -- the narrator descends by stages into madness..."
“You think you got away with something, don’t you? But your time has run out. We know where you are. And we are coming.” Andrew Ranulf Blankenship is a stylish nonconformist with wry wit, a classic Mustang, and a massive library. He’s also a recovering alcoholic and a practicing warlock. His house is a maze of sorcerous booby traps and escape tunnels, as yours might be if you were sitting on a treasury of Russian magic stolen from the Soviet Union thirty years ago. Andrew has long known that magic is a brutal game requiring blood sacrifice and a willingness to confront death, but years of peace and comfort have left him more concerned with maintaining false youth than with seeing to his own defense. Now a monster straight from the pages of Russian folklore is coming for him, and frost and death are coming with her.
A teenage Edgar Allan Poe attempts to escape the allure of his Muse in this YA novel—“a darkly delicious tale that’s sure to haunt readers forevermore” (Kerri Maniscalco, #1 New York Times bestselling author) Seventeen-year-old Edgar Poe counts down the days until he can escape his foster family—the wealthy Allans of Richmond, Virginia. He hungers for his upcoming life as a student at the prestigious new university, almost as much as he longs to marry his beloved Elmira Royster. However, on the brink of his departure, all of Edgar’s plans go awry when a macabre Muse named Lenore appears to him. Muses are frightful creatures that lead Artists down a path of ruin and disgrace, and no respectable person could possibly understand or accept them. But Lenore steps out of the shadows with one request: “Let them see me!”
The endearing true story of how a love of birds connected and inspired two literary giants--Charles Dickens and Edgar Allan Poe. Years before Edgar Allan Poe's raven said "Nevermore," Charles Dickens' pet raven, Grip, was busy terrorizing the Dickens children and eating chipped paint. So how exactly did this one mischievous bird make a lasting mark on literature? From England to the United States and back again, this is the true and fascinating story of how a brilliant bird captured two famous authors' hearts, inspired their writing, and formed an unexpected bond between them. This ingenious slice of history, biography, and even ornithology celebrates the fact that creative inspiration can be found everywhere.
The author of the Gabriel's Inferno Trilogy reveals a beautiful yet deadly underworld where creatures of the night roam and Gabriel and Julianne become the target of a powerful but elusive enemy... Raven Wood spends her days at Florence’s Uffizi gallery restoring Renaissance art. But an innocent walk home after an evening with friends changes her life forever. When she intervenes in the senseless beating of a homeless man, his attackers turn on her, dragging her into an alley. Raven is only semiconscious when their assault is interrupted by a cacophony of growls followed by her attackers' screams. Mercifully, she blacks out, but not before catching a glimpse of a shadowy figure who whispers to her... Cassita vulneratus. When Raven awakes, she is inexplicably changed. Upon returning to the Uffizi, no one recognizes her. More disturbingly, she discovers that she’s been absent an entire week. With no recollection of her disappearance, Raven learns that her absence coincides with one of the largest robberies in Uffizi history - the theft of a set of priceless Botticelli illustrations. When the police identify her as their prime suspect, Raven is desperate to clear her name. She seeks out one of Florence's wealthiest and most elusive men in an attempt to uncover the truth. Their encounter leads Raven to a dark underworld whose inhabitants kill to keep their secrets... THIS EDITION ONLY: Includes Bonus Scenes