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Sixteen-year-old Jolene, named after the girl in the Dolly Parton song, is from a long line of lowlifes, but at least they're musical lowlifes. Her mother is a tanning-salon manager who believes she can channel her karaoke habit into a professional singing career. Jolene's dad, a failed bass player, has gone back to the family demolition business and lives by the company motto: "We do not build things; we only tear them down." But Jolene and her big brother, Matt, are true musicians, writing songs together that make everything Jo hates about their lives matter less. When Matt up and leaves in the middle of the night, Jo loses her only friend, her support system and the one person who made her feel cool. As it becomes clear that Matt is never coming back, Jo must use music to navigate her loss.
This book contains poems about first love and heartbreak, the fear of never being good enough for others and yourself, finding out who you really are, goodbyes, as well as new beginnings. I want to tell you all about the people who have hurt me recklessly, loved me unconditionally, healed me selflessly, and ultimately made me who I am today. This is my story, but I hope you can find a piece of yourself in these poems. And I hope you'll feel less alone afterwards.
Told in their separate voices, sixteen-year-old Prince Oliver, who wants to break free of his fairy-tale existence, and fifteen-year-old Delilah, a loner obsessed with Prince Oliver and the book in which he exists, work together to seek his freedom.
This durable title offers up fun, foundational introductions to transportation modes that are sure to fascinate every early learner. Simple, rhythmical text introduces each vehicle, highlighting the vehicles' modes of travel. Detailed illustrations, meanwhile, provide colorful views of developing transportation scenes.
This book is about life in general, my observation about the changes that we as people are going through. Changes that are happening on a continuous basic. Changes that many are not aware of and not conscious of, and many who are aware and conscious will simply ignore because we are too busy trying to catch up with some things that keep on moving.
The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)
With its winning mix of gripping narrative and easy-to-implement performance-raising tips, this book has become a best-selling classic. It’s garnered 5-star reviews and wide-ranging endorsements – from Sebastian Coe and Dame Kelly Holmes to Lord Digby Jones
The women you've seen play today, we are more than football players, more than athletes and sportspeople of the very highest degree. We are heroines or heroes - or however you wanna say it – and we should be taking our place on posters and platforms and TV stations, changing the way perfect is thought of, changing the way girls can be brought up. Offside tells the story of women's football in the UK through the eyes of a modern professional female footballer as she seeks to find a future in the game through exploring its past. Mickey is alone in the locker room; she deliberates with herself about the biggest decision of her life, her career, her love – her football. But in a world where sexism is rife and a feeling of self-limitation reduces opportunities, fear makes for poor decisions while joy flourishes in the unlikeliest of places. Offside has been researched with top women's teams, Manchester City Women's FC and Millwall Lionesses, where many players, sports scientists and others who are integral to the development of the game have been interviewed to gain an in-depth insight into their world. The play blends a dramatic narrative with performance poetry and chanting to evoke the pace and passion of the women's game. The production, by Futures Theatre, has been developed in partnership with the National Football Museum, Manchester, and the IWM, London.
“I don’t master the mountain, I master speed.” Coming from Bode Miller, this isn’t boasting, it’s just the way he lives: fast, honest, and wide open. In this candid book, the two-time Olympic medalist and champion skier shares his story, the secret of his success, and his philosophy of life. Born and raised “off the grid”–without electricity or indoor plumbing–in the cabin built by his father in the woods near Franconia, New Hampshire (pop. 850), Bode is unconventional to the core. The strong values of his simple upbringing, where he and his family had to “invent, grow, or carry in” all the essentials have made Bode unique among today’s top sports stars. Bode’s approach to life is straightforward: “Get a plan, stick to it, and trust your instincts . . . and almost anything is possible.” And practically since birth, the iconoclastic Bode has been achieving the impossible and laying down tracks for others to follow. He revolutionized his sport by adopting new and crossover technologies, such as “shape” skis. He drives his tradition-bound European rivals to distraction, skiing and winning by instinct. His outsider status, killer smile, and outspoken yet laid-back persona have earned him a reputation as the Michael Jordan of skiing. Men’s Journal named Bode the second greatest athlete in the world. And in the 2005 season, Bode may have moved up a notch by becoming the first American to win the Overall World Cup Alpine championship in twenty-two years. In short, he is the kind of person everybody wants to know and hang out with. In a book loaded with insight, good humor, and eye-opening stories about the world of competitive skiing, Bode, as always, holds nothing back.