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Maggie and John Anderson were successful African American professionals raising two daughters in a tony suburb of Chicago. But they felt uneasy over their good fortune. Most African Americans live in economically starved neighborhoods. Black wealth is about one tenth of white wealth, and black businesses lag behind businesses of all other racial groups in every measure of success. One problem is that black consumers -- unlike consumers of other ethnicities -- choose not to support black-owned businesses. At the same time, most of the businesses in their communities are owned by outsiders. On January 1, 2009 the Andersons embarked on a year-long public pledge to "buy black." They thought that by taking a stand, the black community would be mobilized to exert its economic might. They thought that by exposing the issues, Americans of all races would see that economically empowering black neighborhoods benefits society as a whole. Instead, blacks refused to support their own, and others condemned their experiment. Drawing on economic research and social history as well as her personal story, Maggie Anderson shows why the black economy continues to suffer and issues a call to action to all of us to do our part to reverse this trend.
First published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
This book is Albert Spaldings work of "historic facts concerning the beginning, evolution, development and popularity of base ball, with personal reminiscences of its vicissitudes, its victories and its votaries." It is one of the defining books in the early formative years of modern baseball.
"This is the colorful and dramatic biography of two of America's most controversial entrepreneurs: Moses Louis Annenberg, 'the racing wire king, ' who built his fortune in racketeering, invested it in publishing, and lost much of it in the biggest tax evasion case in United States history; and his son, Walter, launcher of TV Guide and Seventeen magazines and former ambassador to Great Britain."--Jacket.
Mallard Fillmore lampoons everything from political correctness to Phil, Oprah, and Geraldo to our government's insatiable appetite for spending our money. His marvelous supporting cast includes wickedly wonderful cariacatures of everyone who's anyone, from Hollywood to D.C. to Arkansas.
How is the American spirit holding up in these difficult times? Peter Funt, syndicated columnist and host of TV's "Candid Camera," looks beyond the headlines to find out. In six-dozen essays, Funt uses a light but penetrating touch to take the nation's temperature. "I've always been fascinated by small slices of life," he writes. "During my time in broadcast and print journalism, as well as in entertainment television, I've looked for the smaller items that, when taken together, create a bigger picture of who we are and where we're headed." Funt's columns appear regularly in The Wall Street Journal and The New York Times, and many of his op-eds formed the basis for these essays. Funt's canvas is very much like the real world we deal with every day. Sure, Americans are concerned about taxes, education and crime. But we also care about mobile apps that talk back to us, Paul McCartney's hairdo, and raccoons that destroy our lawns. "On 'Candid Camera, ' Funt explains, "we celebrated the American spirit, and in the last five years of traveling, interviewing and researching, I'm happy to report that the spirit remains strong. That said, my opinion pieces often focus on the negative. That's inherent in news and commentary; we don't dismiss all the good, but we search out those things that need to be fixed." In "Cautiously Optimistic," Peter Funt finds the good, the bad and the occasionally hilarious. These essays are designed to make you think, but also to smile.