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What does an architect's dream house look like? Explore the homes of thirty of the world's most talented architects. Inventive and imaginative homes in 17 different countries. Spacious or frugal, ambitious or modest, refined or rough-edged, daring or reductive, the inspiring buildings in Architects' Houses are unique in design concepts, details, and materials, and how they interact with their landscape. A treasure trove of ideas for homeowners, practitioners, and interior designers. Architects' Houses is richly illustrated with photographs, sketches, and plans. Learn how established architects design their own homes' design. Explore the creative process and influence of architects' houses over the past two hundred years. From Jefferson's Monticello to the creations of Charles and Ray Eames, Toyo Ito to Frank Gehry. This generously illustrated book brims with ideas and inspiration as these architects' houses show different answers to the question: how can a house enrich lives and its natural surroundings?
"Ever since Thomas Jefferson built Monticello, American architects have used their own houses as laboratories, testing new ideas and putting a fresh spin on the old. To select the best of our own era, Michael Webb traveled coast to coast, talking with 150 architects, and looking for houses and apartments that respond creatively to the challenge of site, context, and budget. He chose 41 recent examples, and six modern classics. Together they demonstrate how rich is the idea of "house."" "Pioneers like Schindler, Neutra, Wright, Gropius, Charles and Ray Eames, and Philip Johnson explored new ways of enclosing space and relating buildings to nature. They shocked their contemporaries and inspired their successors. The latest work shown here ranges even more widely - from a tree house in Berkeley to a playful weekend cottage on Lake Michigan, from a cluster of wooden towers in a Florida palm grove to a Toronto house that fuses craft and technology. Sophisticated New York apartments, daring hillside houses in Los Angeles, and witty variations on the New England vernacular reflect America's regional diversity. Houses are grouped by type. Over 200 color and vintage black and white photos, plans, and sections are woven together with lively descriptions of what each architect built - and why." "These architectural adventures offer new ways of satisfying practical and emotional needs, and write another chapter in the history of the American house. They demonstrate the timeless virtues of light and space, openness and privacy, fine craftsmanship and economical construction. Everyone who has dreamed of building a unique house or is planning piecemeal improvements can find inspiration is this eclectic anthology."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
In the first book of its kind, architectural critic Michael Webb and Esto photographer Roger Straus III examine 35 extraordinary modern houses that have been restored, enhanced, or extended by new owners who see them as timeless classics. Built in the heyday of modernism, from the 1930s through the early 1960s, these houses were designed by exceptional architects for themselves or for adventurous clients. A few were preserved as time capsules, but most endured years of neglect or abuse and might easily have been torn down. Webb explores how these houses were created-- as daring experiments or as creative responses to site and climate-- and the research and effort that went into their restoration. Included here are villas that fuse craft and invention, machines for living, and residences that embrace the landscape. Here, too, are houses inspired by the purity of classical temples, and frugal dwellings that have been sensitively enlarged. After a long eclipse, these houses and the enlightened attitudes they embody are being rediscovered by creative individuals searching for distinctive, open, light-filled places to live. Modernism is a way of living, more than a style, and this book celebrates the architects and owners who respect its character and scale. Also included are nearly 200 photographs taken by Roger Straus, all of which were specially commissioned for this book.
"The 100 houses presented here not only show a broad spectrum of building styles and interior designs, but also tell 100 individual stories of architects and their own four walls, opening a new window on the history of twentieth-century European architecture."--Jacket.
For Arthur Andersson and Chris Wise, the fundamental elements that give buildings meaning are found in nature.Imbuing day-to-day activities with poetry and awe, their designs address both pragmatic needs and the psychological yearning for refuge and contemplation, centering and escape, joy and comfort. Their work is best experienced through the senses. Tactility, expressed through an eloquence of craft, the use of textured materials, and the logical design of structural systems, gives their buildings a rightness within the landscape. In their hands, daylight becomes a building material. Small wall apertures, three-sided dormers, clerestories, and other details grab, bend, and thread sunlight from one end of their houses to the other. Full of light and atmosphere, the houses are the physical embodiment of the great Charles Moore's influential tenet that architecture is about enhancing a sense of place. Natural Houses presents seven of the Austin, Texas-based firm's exquisitely crafted projects. Precise and cool, with forms often derived from the American vernacular of barns and cottages, these are painstakingly crafted houses made from regionally appropriate and aesthetically timeless materials. Natural Houses presents a range of sites and residences—from a small cabin in the woods to a multibuilding camp. Sited on a cliff, the House Above Lake Austin uses terraces to descend its steeply hilly site. The building's simple materials celebrate thesite and climate not by drawing attention to themselves, but by blending in. The stone foundation is similarly tied to the natural stone of the mountain. Smooth plaster walls above the stone foundation appear to have been chiseled from the rock itself. In a deceptively simple boathouse the walls fold down to become impromptu diving platforms. Exceptional photography captures the light and atmosphere of each project setting and illustrates how the firm rigorously expresses the design concept through detailing and construction. An introduction by Rick Sundberg of Olson Sundberg Kundig Allen Architects and essays by Jen Renzi and Frederick Steiner chart the firm's evolution and influences.
Many homes across America have designs based on plans taken from pattern books or mail-order catalogs. In Houses from Books, Daniel D. Reiff traces the history of published plans and offers the first comprehensive survey of their influence on the structure and the style of American houses from 1738 to 1950. Houses from Books shows that architectural publications, from Palladio&’s I Quattro Libri to Aladdin's Readi-Cut Homes, played a decisive role in every aspect of American domestic building. Reiff discusses the people and the firms who produced the books as well as the ways in which builders and architects adapted the designs in communities throughout the country. His book also offers a wide-ranging analysis of the economic and social conditions shaping American building practices. As architectural publication developed and grew more sophisticated, it played an increasingly prominent part in the design and the construction of domestic buildings. In villages and small towns, which often did not have professional architects, the publications became basic resources for carpenters and builders at all levels of expertise. Through the use of published designs, they were able to choose among a variety of plans, styles, and individual motifs and engage in a fruitful dialogue with past and present architects. Houses from Books reconstructs this dialogue by examining the links between the published designs and the houses themselves. Reiff&’s book will be indispensable to architectural historians, architects, preservationists, and regional historians. Realtors and homeowners will also find it of great interest. A catalog at the end of the book can function as a guide for those attempting to locate a model and a date for a particular design. Houses from Books contains a wealth of photographs, many by the author, that enhance its importance as a history and guide.
This beautifully illustrated volume presents Ferguson & Shamamian's finest work, including new houses, apartments, alterations and additions, and unbuilt design plans.
Southern Homes and Plan Books showcases the architectural legacy and design philosophy of Leila Ross Wilburn (1885–1967), a legacy that includes hundreds of houses in a variety of popular house styles, from bungalows to ranch houses, built using Wilburn’s plan books during the first six decades of the twentieth century. Wilburn opened her own firm in Atlanta in 1908 and practiced until her death in 1967. She published nine plan books that offered mail order house designs to contractors, builders, and prospective homeowners and allowed them the ease of choosing a preconceived design and construction plan. Sarah J. Boykin and Susan M. Hunter provide a survey of the southern homes built from Wilburn’s plan books, examining Wilburn’s architectural legacy and her achievements as a plan book architect. The book provides beautiful photographs of houses built from her plans, along with illustrations from the plan books themselves and other related documents from the time. Readers can thus see how her designs were realized as individual houses and also how they influenced the development of some of the Atlanta area’s beloved historical neighborhoods, most notably Druid Hills, Morningside, Virginia-Highland, and Candler Park, as well as the McDonough–Adams–Kings Highway (MAK) Historic District in Decatur. Today, Wilburn’s houses are enjoyed as appealing, historic homes and represent some of the richest examples of southern vernacular architecture to emerge from the plan book tradition.