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Get ready for another heart-racing, twist-filled thriller from the #1 NEW YORK TIMES bestselling author NATASHA PRESTON. ARE YOU AFRAID OF DYING? It's just a stupid meme that's going around Izzy's small fishing town in the dead of winter - people reposting and sharing their biggest fear. But when her classmates start turning up dead - dying in the way that they said scared them the most - Izzy knows it's no joke. With each death hitting closer to home, Izzy knows she must stop the killer. Could her older sister's friend Tristan have something to do with the deaths? He's given her some strange vibes. Or what about his brooding cousin, Axel? He's in her classes at school but he's not a murderer . . . is he? Izzy soon finds herself on a path that will lead her right to the killer . . . and her own worst nightmare.
"The story of Ruth and her younger sister, Lucille, who grow up haphazardly, first under the care of their competent grandmother, then of two comically bumbling great-aunts, and finally of Sylvie, the eccentric and remote sister of their dead mother. The family house is in the small town of Fingerbone on a glacial lake in the Far West, the same lake where their grandfather died in a spectacular train wreck and their mother drove off a cliff to her death. It is a town "chastened by an outsized landscape and extravagant weather, and chastened again by an awareness that the whole of human history had occurred elsewhere." Ruth and Lucille's struggle toward adulthood beautifully illuminates the price of loss and survival, and the dangerous and deep undertow of transience."--
In creating his acclaimed masterpiece Parade's End, Ford Madox Ford "wanted the Novelist in fact to appear in his really proud position as historian of his own time . . . The 'subject' was the world as it culminated in the war." Published in four parts between 1924 and 1928, his extraordinary novel centers on Christopher Tietjens, an officer and gentleman-"the last English Tory"-and follows him from the secure, orderly world of Edwardian England into the chaotic madness of the First World War. Against the backdrop of a world at war, Ford recounts the complex sexual warfare between Tietjens and his faithless wife Sylvia. A work of truly amazing subtlety and profundity, Parade's End affirms Graham Greene's prediction: "There is no novelist of this century more likely to live than Ford Madox Ford."
Includes directory issue, July issue.
Ford Madox Ford's monumental work, The Parade's End Tetralogy, consists of four novels - Some Do Not, No More Parades, A Man Could Stand Up, and Last Post - which collectively offer a profound exploration of love, war, and societal change during World War I. Ford's writing style is characterized by its intricate prose, psychological depth, and innovative narrative techniques, such as fragmented chronology and shifting perspectives, a reflection of the modernist movement of the time. Set against the backdrop of the war-torn Europe, the Tetralogy delves into the complex inner lives of its characters, grappling with themes of loyalty, morality, and the impact of historical events on personal relationships. The work stands as a significant contribution to English literature, showcasing Ford's masterful storytelling and keen insight into human nature. Ford Madox Ford's own experiences as a soldier during WWI and his disillusionment with the war likely inspired the creation of this epic literary work. The Parade's End Tetralogy is a must-read for anyone interested in intricate character studies, historical fiction, and the lasting effects of war on individuals and society.
The former First Lady discusses her life, the Reagan administration, her shaky relationship with her children and key White House personnel, her husband’s involvement in the Iran-Contra affair, and her bout with cancer. “During our White House years I said almost nothing about how I really felt regarding the controversies that swirled around me. . . . But now those years are over, and it’s my turn to describe what happened. . . .” About Ronald Reagan: “Although Ronnie loves people, he often seems remote, and he doesn’t let anybody get too close. There’s a wall around him. He lets me come closer than anyone else, but there are times when even I feel that barrier.” About being a mother: “What I wanted most in all the world was to be a good wife and mother. As things turned out, I guess I’ve been more successful at the first than at the second.” About her influence: “I make no apologies for telling Ronnie what I thought. Just because you’re married doesn’t mean you have no right to express your opinions. For eight years I was sleeping with the president, and if that doesn’t give you special access, I don’t know what does.” About astrology: “What it boils down to is that each person has his or her own ways of coping with trauma and grief, with the pain of life, and astrology was one of mine. Don’t criticize me, I wanted to say, until you have stood in my place. This helped me. Nobody was hurt by it—except, possibly, me.” About Don Regan: “His very first day on the job, Don said that he saw himself as the ‘chief operating officer’ of the country. But he was hired to be chief of staff. . . . Although I believed for a long time that Donald Regan was in the wrong job, my ‘power’ in getting him to leave has been greatly exaggerated. Believe me, if I really were the dragon lady that he described in his book, he would have been out the door many months earlier.”