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Open Wounds explains how, after the First World War, the new Turkish Republic forcibly erased the memory of the atrocities, and traces of Armenians, from their historic lands -- a process to which the international community turned a blind eye.
Of Recent Incidents
The devastating debut short story collection from British Fantasy Award-winning author Georgina Bruce. Haunting and visceral tales for the lost and the lonely. An emotional and riveting debut. Advance praise for Georgina Bruce's 'This House of Wounds.' "An astonishing, totally absorbing debut collection. Edgy, disturbing and delicious in equal parts. Georgina Bruce plays with myth and horror beautifully." -Kerry Hadley-Pryce, Author of Gamble, and The Black Country "The stories in This House of Wounds strike me as both an emotional and intellectual examination of pain, from how it spreads and is passed on to others to how it can easily turn us into different, crueller creatures. Each act formed in pain leads to another, then another, and this makes for twisted, beautiful reading. Georgina Bruce is a courageous and compelling writer." -Aliya Whiteley, Author of The Loosening Skin, and The Beauty
Behind the front lines of a crusade to scour the world of magic, the crew of a field hospital confront the horrors of war. A companion novel to Adrian Tchaikovsky's award-winning fantasy novel City of Last Chances City-by-city, kingdom-by-kingdom, the Palleseen have sworn to bring Perfection and Correctness to an imperfect world. As their legions scour the world of superstition with the bright flame of reason, so they deliver a mountain of ragged, holed and scorched flesh to the field hospital tents just behind the front line. Which is where Yasnic, one-time priest, healer and rebel, finds himself. Reprieved from the gallows and sent to war clutching a box of orphan Gods, he has been sequestered to a particularity unorthodox medical unit. Led by 'the Butcher', an ogre of a man who's a dab hand with a bone-saw and an alchemical tincture, the unit's motley crew of conscripts, healers and orderlies are no strangers to the horrors of war. Theirs is an unspeakable trade: elbow-deep in gore they have a first-hand view of the suffering caused by flesh-rending monsters, arcane magical weaponry and embittered enemy soldiers. Entrusted – for now – with saving lives deemed otherwise un-saveable, the field hospital's crew face a precarious existence. Their work with unapproved magic, necromancy, demonology and Yasnic's thoroughly illicit Gods could lead to the unit being disbanded, arrested or worse. Beset by enemies within and without, the last thing anyone needs is a miracle... Reviews for City of Last Chances: 'Paints a vivid detailed backdrop' SFX 'Brilliant chaos ensues' Daily Mail 'Some of Tchaikovsky's best prose' SF Crowsnest 'An intriguing tangle... ingenious' Locus 'Endlessly creative' Patrick Ness 'Rich, inventive worldbuilding' Publishers Weekly 'Ilmar is vividly alive' David Towsey 'A master at the height of his powers' Ian Green 'An ambitious epic fantasy read' Grimdark Magazine
The assassination of the author Hrant Dink in Istanbul in 2007, a high-profile advocate of Turkish-Armenian reconciliation, reignited the debate in Turkey on the annihilation of the Ottoman Armenians. Many Turks soon re-awakened to their Armenian heritage, reflecting on how their grandparents were forcibly Islamised and Turkified, and the suffering their families endured to keep their stories secret. There was public debate around Armenian property confiscated by the Turkish state and the extermination of the minorities. At last the silence had been broken. Open Wounds explains how, after the First World War, the new Turkish Republic forcibly erased the memory of the atrocities, and traces of Armenians, from their historic lands -- a process to which the international community turned a blind eye. The price for this amnesia was, Vicken Cheterian argues, "a century of genocide." Turkish intellectuals acknowledge the price society must pay collectively to forget such traumatic events, and that Turkey cannot solve its recurrent conflicts with its minorities -- like the Kurds today -- nor have an open and democratic society without addressing the original sin on which the state was founded: the Armenian Genocide.
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Winner of the 2021 Center for Fiction First Novel Prize Winner of the 2022 Rosenthal Family Foundation Award Finalist for the 2022 Andrew Carnegie Medal for Excellence in Fiction • Finalist for the 2022 PEN/Hemingway Award for Debut Novel • Finalist for the 2022 Aspen Words Literary Prize • Finalist for the 2022 Lambda Literary Award for Lesbian Fiction One of NPR's Best Books of the Year • A Publishers Weekly and Library Journal Best Book of the Year in Fiction • A Kirkus Reviews Best Fictional Family of the Year • A Booklist Top Ten Book-Group Book of the Year • A Goodreads Choice Awards Best Debut Novel Nominee From an award-winning storyteller comes a stunning debut novel about a New Mexican family’s extraordinary year of love and sacrifice. "Masterly…Quade has created a world bristling with compassion and humanity. The characters and the challenges they face are wholly realized and moving; their journeys span a wide spectrum of emotion and it is impossible not to root for [them]." —Alexandra Chang, New York Times Book Review It’s Holy Week in the small town of Las Penas, New Mexico, and thirty-three-year-old unemployed Amadeo Padilla has been given the part of Jesus in the Good Friday procession. He is preparing feverishly for this role when his fifteen-year-old daughter Angel shows up pregnant on his doorstep and disrupts his plans for personal redemption. With weeks to go until her due date, tough, ebullient Angel has fled her mother’s house, setting her life on a startling new path. Vivid, tender, funny, and beautifully rendered, The Five Wounds spans the baby’s first year as five generations of the Padilla family converge: Amadeo’s mother, Yolanda, reeling from a recent discovery; Angel’s mother, Marissa, whom Angel isn’t speaking to; and disapproving Tíve, Yolanda’s uncle and keeper of the family’s history. Each brings expectations that Amadeo, who often solves his problems with a beer in his hand, doesn’t think he can live up to. The Five Wounds is a miraculous debut novel from a writer whose stories have been hailed as “legitimate masterpieces” (New York Times). Kirstin Valdez Quade conjures characters that will linger long after the final page, bringing to life their struggles to parent children they may not be equipped to save.
In this book, David Patterson sets out to describe why Jews must live -- but especially think -- in a way that is distinctly Jewish. For Patterson, the primary responsibility of post-Holocaust Jewish thought is to avoid thinking in the same categories that led to the attempted extermination of the Jewish people. The Nazis, he says, were not anti- Semitic because they were racists; they were racists because they were anti-Semitic, and their anti-Semitism was furthered by a Western ontological tradition that made God irrelevant by placing the thinking ego at the center of being. If the Jewish people, in their particularity, are "chosen" to attest to the universal "chosenness" of every human being, then each human being is singled out to assume an absolute responsibility to and for all human beings. And that, Patterson says, is why the anti-Semite hates the Jew: because the very presence of the Jew robs him of his ego and serves as a constant reminder that we are all forever in debt, and that redemption is always yet to be. Thus the Nazis, before they killed Jewish bodies, were compelled to murder Jewish souls through the degradations of the Shoah. But why is the need for a revitalized Jewish thought so urgent today? It is not only because modern Jewish thought, hoping to accommodate itself to rational idealism, is thereby obliged to put itself in league with postmodernists who "preach tolerance for everything except biblically based religion, beginning with Judaism," and who effectively call on Jews, as fellow "citizens of the global village," to disappear. It is also because without the Jewish reality of Jerusalem, there is only the Jewish abstraction of Auschwitz, for in Auschwitz the Jews were murdered not as husbands and wives, parents and children, but as efficiently numbered units. If the Jews, Patterson claims, are not a people set apart by "a Voice that is other than human," then the Holocaust can never be understood as evil rather than simply immoral. With Open Wounds, Patterson aims to make possible a religious response to the Holocaust. Post-Holocaust Jewish thinking, confronting the work of healing the world -- of tikkun haolam -- must recover not just Jewish tradition but also the category of the holy in human beings' thinking about humanity.
This volume collects original essays on Hungarian-German playwright and screenwriter George Tabori (1914–2007) and his remarkable contributions to the stage. Tabori, a Jewish refugee and a truly transnational author, was best known for his work in New York theater that irreverently explored the Jewish experience, particularly the Holocaust. Although his illustrious career spanned a century, two continents, several languages, and a variety of literary genres, Tabori’s work has received scant attention in American letters, in spite of its significance for U.S. theater and Holocaust studies. Until Tabori, most dramas about the Holocaust were either rooted in American domestic realism, striving to create a strong empathetic connection between the audience and Holocaust victims, or featured an unembellished documentary style. Tabori staked out a third position, beyond realism and documentation. The volume brings together the voices of international scholars to provide a comprehensive introduction to Tabori’s theater as well as in-depth analyses of his work, discussing all of his major plays. Individual essays address Tabori’s postdramatic theater in relation to sacrificial ritual, performance studies, and post-humanist approaches to the contemporary stage, as well as performance aspects of his productions, questions of ethics and aesthetics raised by his theater, and his plays’ relation to Holocaust representation in popular culture.
The first in the Echoes of the Fall series, The Tiger and the Wolf is an epic fantasy novel by Adrian Tchaikovsky, winner of the Arthur C. Clarke Award and British Fantasy Award for Best Novel. ‘One of the most interesting and accomplished writers in speculative fiction’ – Christopher Paolini In the bleak northern crown of the world, war is coming . . . Maniye’s father is the Wolf clan’s chieftain, but she’s an outcast. Her mother was queen of the Tiger and these tribes have been enemies for generations. Maniye also hides a deadly secret. All can shift into their clan’s animal form, but Maniye can take on tiger and wolf shapes. She refuses to disown half her soul so escapes, rescuing a prisoner of the Wolf clan in the process. The killer Broken Axe is set on their trail to drag them back for retribution. The Wolf chieftain plots to rule the north, and controlling his daughter is crucial to his schemes. However, other tribes also prepare for strife. Strangers from the far south appear too, seeking allies in their own conflict. It’s a season for omens as priests foresee danger and a darkness falling across the land. Some say a great war is coming, overshadowing even Wolf ambitions. A time of testing and broken laws is near – but what spark will set the world ablaze? Continue this sweeping coming-of-age fantasy with The Bear and the Serpent.