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In late 19th-century New York, high society places great demands on a woman—she must be beautiful, wealthy, cultured, and above all, virtuous, at least on the surface. At 29, Lily Bart has had every opportunity to marry successfully within her social class, but her irresponsible lifestyle and high standards lead her further and further down the social ladder. Her gambling debts are catching up with her, and an arrangement with a friend's husband causes society to begin questioning her virtue. The House of Mirth is Edith Wharton’s sharp critique of an American upper class she viewed as morally corrupt and relentlessly materialistic. EDITH WHARTON [1862–1937], born in New York, made her debut at the age of forty but managed to write around twenty novels, nearly a hundred short stories, poetry, travelogues, and essays. Wharton was nominated for the Nobel Prize in Literature three times: 1927, 1928, and 1930. For The Age of Innocence [1920], she was awarded the Pulitzer Prize in 1921.
The Age of Innocence centers on an upper-class couple's impending marriage, and the introduction of the bride's cousin, plagued by scandal, whose presence threatens their happiness. The novel is noted for attention to detail and its accurate portrayal of how the 19th-century East Coast American upper class lived, as well as for the social tragedy of its plot.
'The war went on; life went on; Paris went on.' In A Son at the Front, her only novel dealing with World War I, Edith Wharton offers a vivid portrait of American expatriate life in Paris, as well as a gripping portrayal of a complex modern family. The painter John Campton is divorced from the mother of his son, George, and although Julia's second husband, Anderson Brant, a wealthy banker, has been a devoted stepfather to George, Campton resents his presence in George's life. This family drama is ruptured by the outbreak of fighting, which requires George, born in France, to report for military service despite his parents' belief that he should be exempted. Reflecting Wharton's own experiences, A Son at the Front documents the shock of the outbreak of war, the early hope of a quick victory for the Allies, the terrible human cost of the war, and the relief when, belatedly, the United States enters the conflict. The novel's tone reflects the realities of life in Paris, and the profound disillusionment of the post-war period, standing as not only an important part of Wharton's oeuvre, but a landmark in the literature of the First World War.
Like most Wharton novels, The House of Mirth examines the conflict between rigid social expectation and personal desire. Lily Bart is adept at playing society's games, which expect her to achieve an advantageous marriage. Yet, torn between her desire for luxurious living and a relationship based on mutual respect and love, she manages to sabotage all her possible chances for a wealthy marriage. The Age of Innocence is set in upper class New York City in the 1870s, and centers on an upper class couple's impending marriage, and the introduction of a woman plagued by scandal whose presence threatens their happiness. Though the novel questions the assumptions and morals of 1870's New York society, it never devolves into an outright condemnation.
For the 150th anniversary of Edith Wharton's birth: her three greatest novels, in a couture-inspired deluxe edition featuring a new introduction by Jonathan Franzen Born into a distinguished New York family, Edith Wharton chronicled the lives of the wealthy, the well born, and the nouveau riches in fiction that often hinges on the collision of personal passion and social convention. This volume brings together her best-loved novels, all set in New York. The House of Mirth is the story of Lily Bart, who needs a rich husband but refuses to marry without both love and money. The Custom of the Country follows the marriages and affairs of Undine Spragg, who is as vain, spoiled, and selfish as she is irresistibly fascinating. The Pulitzer Prize-winning The Age of Innocence concerns the passionate bond that develops between the newly engaged Newland Archer and his finacée's cousin, the Countess Olenska, new to New York and newly divorced. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
This book contains Edith Wharton's first novella and the second book she ever wrote, 'The Touchstone'. This narrative follows Stephen Glennard, a young man whose destitution leads him into a dubious money-making scheme which he embarks on so that he can afford to marry the woman he loves. After seeing an advertisement seeking any papers or correspondences related to a recently deceased author that he had been in communication with, he snaps up the opportunity. A tale of how social strata, money, and self-deprecation can impact love, 'The Touchstone' is well worth a read and is not to be missed by fans and collectors of Wharton's prolific work. This classic text has been chosen for its immense literary value, and we are proud to republish it here, complete with a new introductory biography of the author. Edith Wharton was a Pulitzer Prize-winning American novelist, short story writer, and designer.
Raised by a cold and regal aunt who has taught her to rely on her beauty and Texas tradition to secure a wealthy husband, thirty-year-old Vivienne Cally both attracts and repels a respected architectural graduate who cannot see himself fitting into her high-society circles.
"Sharp and dangerous and breathtaking.... A defiant story about a young woman choosing the life and motherhood that is best for her, without apology.” —Roxane Gay, bestselling author of Bad Feminist Marie is a waitress at an upscale Dallas steakhouse, attuned to the appetites of her patrons and gifted at hiding her private struggle as a young single mother behind an easy smile and a crisp white apron. It’s a world of long hours and late nights, and Marie often gives in to self-destructive impulses, losing herself in a tangle of bodies and urgent highs as her desire for obliteration competes with a stubborn will to survive. Pulsing with a fierce and feral energy, Love Me Back is an unapologetic portrait of a woman cutting a precarious path through early adulthood and the herald of a powerful new voice in American fiction.
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