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"Mystery, mayhem and humor ensue in Taylor Barton's fabulous Hotheaded Saints. Pull up a chaise, pour a glass of Long Island ice tea, shake the sand out of your shoes and read. A wonderful escape!" -Adriana Trigiani Best selling author of Big Stone Gap, Lucia, Lucia and Rococo "Hotheaded Saints is layered and revealing, dark and hopeful at the same time. Taylor Barton has drawn a compelling and fascinating portrait of the underbelly of the Hamptons and the interior life of a woman in search of redemption in it." -Rosanne Cash Singer, Songwriter, Author of Bodies of Water and Penelope Jane "Taylor Barton's exceptional debut novel explores, in stunning prose, the cutthroat and catty world of artist rivalry and family wreckage caused by drug-induced insanity. Although Hotheaded Saints is fraught with a myriad of inner and outer demons, at its core lies a transformative faith in the healing powers of destiny." -Martine Bellen Author of Vulnerability of Order Hotheaded Saints is a fiery, rip-roaring ride through the overwrought Hamptons; a kaleidoscope of the Bonnackers verses the A-listers. Hotheaded Saints exploits long buried injustices and the inexorable flow of a history that creates a tableau of epic tragedy. www.taylorbarton.com
Where most books dance around the distasteful details of the church's past, this one puts a spotlight on the negative and positive alike. With one ear attuned to the early church and another to contemporary culture, this book addresses the growing concerns both Christians and non-Christians have about how transparent the church has been about its roots. This book offers a forthright depiction of early Christianity, beginning with the apostles and ending after the time of Augustine. Sinners and Saints is the first of a four-volume series that humanizes the history of Christianity by honestly examining the actions, doctrines, decisions, groups, movements, and practices of past Christians. This book's assessment helps the reader accurately understand Christianity's background and recognize how it continues to shape the present.
This book illuminates the remarkable resilience of South Asian Sufi saints and their cults in the face of radical economic and political dislocations and breaks new ground in current research.
Reproduction of the original.
The history of American Indians on screen can be compared to a light shining through a prism. We may have seen bits and pieces of the genuine culture portrayed, but rarely did we see a satisfying and informative whole picture. Savages and Saints deals with the changing image of the American Indian in the Western film genre, contrasting the fictionalized images of native Americans portrayed in classic films against the historical reality of life on the American frontier. The book tells the stories of frontier warriors, Indian and white, revealing how their stories were often drastically altered on screen according to the times the films were made, the stars involved in the film's production, and the social/political beliefs of the filmmakers. Studio correspondence, letters from government files, and passages from western novels adapted for the screen are used to illustrate the various points. Instructors considering this book for use in a course may request an examination copy here.
Fire Under My Feet seeks to expose the diverse, significant, and often under-researched historical and developmental phenomena revealed by studies in the dance systems of the African Diaspora. In the book, written documentation and diverse methodologies are buttressed by the experiences of those whose lives are built around the practice of African diaspora dance. Replete with original perspectives, this book makes a significant contribution to dance and African diaspora scholarship simultaneously. Most important, it highlights the work of researchers from Ecuador, India, Puerto Rico, the United States, and the United Kingdom, and it exposes under-researched and omitted voices of the African diaspora dance world of the aforesaid locations and Puerto Rico, Columbia, and Trinidad as well. This study showcases a blend of scholars, dance practitioners, and interdisciplinarity, and engages the relationship between African diaspora dance and the fields of history, performance studies, critical race theory, religion, identity, and black agency.
Hothead is a haibun-patterned, book-length declamation in which no topic is off limits—Buddha, Jesus, Lincoln, America, global warming, eros, mental illness, the natural world, technology, the aging body. Cushman’s poetry shows us how to live in a world in which it is difficult to balance “the place where light and dark meet.” With an outmoded laptop named Patience as his daily consort, the speaker navigates through themes of love, politics, and belief. “There’s got to be someone,” Cushman writes, “exploring the way,” and the speaker of Hothead steps in to fill those shoes with intelligence, endurance, moxie, and humility.
The Vikings and sainthood are not concepts normally found side by side. But Norway’s King Olaf II Haraldsson (c. 995-1030) embodied both to an extraordinary degree. As a battle-eager teenager he almost single-handedly pulled down London Bridge (as in the nursery rhyme) and took part in many other Viking raids . Olaf lacked none of the traditional Viking qualities of toughness and audacity, yet his routine baptism grew into a burning missionary faith that was all the more remarkable for being combined with his typically Viking determination and energy – and sometimes ruthlessness as well. His overriding mission was to Christianize Norway and extirpate heathenism. His unstinting efforts, often at great peril to his life, earned him the Norwegian throne in 1015, when he had barely reached his twenties. For the next fifteen years he laboured against immense odds to subdue the rebellious heathen nobles of Norway while fending off Swedish hostility. Both finally combined against Olaf in 1030, when he fell bravely in battle not far from Trondheim, still only in his mid-thirties. After his body was found to possess healing powers, and reports of them spread from Scandinavia to Spain and Byzantium, Olaf II was canonized a saint 134 years later. He remains Norway’s patron saint as well as a legendary warrior. Yet more remarkably, he remains a saint not only of the Protestant church but also of the Roman Catholic and Greek Orthodox Churches – perhaps the only European fighting saint to achieve such acceptance.