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This mad French bedroom frolic finds an assortment of refined people stealing through the halls and rooms of a cheap hotel comically intent on assignations. -- Publisher's description.
A once-fashionable now fading resort hotel. A spinster aunt living in the attic. Dirt roads that lead to dead ends. A house full of secrets and old, dusty furnishings, uninhabited for almost half a century. A twelve-year-old girl with a passion for double-chocolate ice-cream sodas, and decaying lake-fronts, and an obsession with the death by drowning of another young girl, forty years before. Hotel Paradise is a delicate yet excruciating view of the pettiness and cruelty of small town America. It is a look at the difficult decisions a young girl must make on her way to becoming an adult and the choices she must make between right and wrong, between love and truth, between life and death.
This brand new collection of plays reaffirms Richard Foreman's status as "the reigning philosopher vaudvillian of the New York avant-garde". In addition to six new plays -- "Paradise Hotel", "The Universe", "Permanent Brain Damage", "Risk It! Risk It!", "Pearls for Pigs" and "Benita Canova" (the last two of which won Obie awards for Best Play -- this collection also boasts two essays. "On My Plays" and "Rules", which elaborate on Foreman's singular approach to the art of playwrighting. Filled with Foreman's signature wit and vision, Paradise Hotel is the work a true genius of American theater.
From the wildly popular bestselling author of The Keeper of Lost Things comes a surprising and uplifting story about the complicated relationships between mothers and daughters, and the magic of chosen family. Tilly was a bright, outgoing little girl who loved fizzy drinks, naughty words, and liked playing with ghosts and matches. When her beloved father suddenly disappeared, she and her fragile, difficult mother moved into Queenie Malone’s magnificent Paradise Hotel in Brighton, with its endearing and loving family of misfits—including the exuberant and compassionate Queenie herself. But then Tilly was dealt another shattering blow when her mother sent her off to boarding school with little explanation and no warning, and she lost her beloved chosen family. Now an adult, Tilda has grown into an independent woman still damaged by her mother’s unaccountable cruelty. Wary of people, her only true friend is her dog, Eli. When her estranged mother dies, Tilda returns to Brighton and the home she loved best. With the help of the still-dazzling Queenie, she sets about unraveling the mystery of her exile from The Paradise Hotel, only to discover that her mother was not the woman she thought she knew at all…and that it’s never too late to write your own happy ending. With Ruth Hogan’s trademark quirky, clever, and life-affirming characters, Queenie Malone’s Paradise Hotel will dazzle readers and mesmerize them until they reach the surprising twist at the end.
(Applause Books). Feydeau was the greatest of a great age of French farceurs and the first to enter the modern repertory. Of the more than 40 plays Feydeau wrote, over a third were one-acts. In this volume, Shapiro has selected and translated eight of these one-act plays, among them Feydeau's first and last works. Includes: Ladies' Man * Wooed and Viewed * Romance in A Flat * Fit to Be Tried, or, Stepbrothers in Crime * Mixed Doubles * The Boor Hug * Caught with His Trance Down * Tooth and Consequences, or, Hortense Said: "No Skin Off My Ass!"
With exceptional power, Robinson exposes both the gravity and levity of relationships — formed in duty, in fear, in need — and the subtle ways we attempt to escape their persistent pull. At turns humourous, chilling and tender, Robinson’s fiction displays a versatility in tone and subject that mirrors the stories of our lives, real or imagined, domestic or exotic. His writing elevates the "What If?" to new imaginary heights.
The Methuen Drama Dictionary of the Theatre is an essential reference tool and companion for anyone interested in the theatre and theatre-going. Containing over 2500 entries it covers the international spectrum of theatre with particular emphasis on the UK and USA. With biographical information on playwrights, actors and directors, entries on theatres and theatre companies, explanation of technical terms and theatrical genres, and synopses of major plays, this is an authoritative, trustworthy and comprehensive compendium. Included are: synopses of 500 major plays biographical entries on hundreds of playwrights, actors, directors and producers definitions of nearly 200 genres and movements entries on over 100 key characters from plays information about more than 250 theatres and companies Unlike similar products, The Methuen Drama Dictionary of the Theatre avoids a dry, technical approach with its sprinkling of anecdotal asides and fascinating trivia, such as how Michael Gambon gave his name to a corner of a racing track following an incident on BBC's Top Gear programme, and under 'advice to actors' the sage words of Alec Guinness: 'First wipe your nose and check your flies', and the equally wise guidance from the master of his art, Noël Coward: 'Just know your lines and don't bump into the furniture.' As a companion to everything from the main stage to the fringes of theatrical fact and folklore, this will prove an irresistible book to all fans of the theatre.