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Oscar and Arabella, two woolly mammoths, try to cool off during a very hot summer.
These days, hot chicken is a “must-try” Southern food. Restaurants in New York, Detroit, Cambridge, and even Australia advertise that they fry their chicken “Nashville-style.” Thousands of people attend the Music City Hot Chicken Festival each year. The James Beard Foundation has given Prince’s Chicken Shack an American Classic Award for inventing the dish. But for almost seventy years, hot chicken was made and sold primarily in Nashville’s Black neighborhoods—and the story of hot chicken says something powerful about race relations in Nashville, especially as the city tries to figure out what it will be in the future. Hot, Hot Chicken recounts the history of Nashville’s Black communities through the story of its hot chicken scene from the Civil War, when Nashville became a segregated city, through the tornado that ripped through North Nashville in March 2020.
“Fahmy uses humor to work through stereotypes and tell stories about nuanced hijabi characters.” —The Washington Post Popular Instagram cartoonist and Muslim-American Huda Fahmy presents a hilarious, relatable, and painfully honest new collection of comics that break down barriers and show how universal our everyday problems, worries, and joys actually are. At some point in our lives, we’ve all felt a little out of place. Huda Fahmy has found it’s a little more difficult to fade into the crowd when wearing a hijab. In Yes, I’m Hot in This, Huda navigates the sometimes-rocky waters of life from the unique perspective of a Muslim-American woman, breaking down misconceptions of her culture one comic at a time. From recounting the many questions she gets about her hijab every day (yes, she does have hair) and explaining how she runs in an abaya (just fine, thank you) to dealing with misconceptions about Muslims, Yes, I’m Hot in This tackles universal feelings from an point of view we don’t hear from nearly enough. Every one of us have experienced love, misunderstanding, anger, and a deep desire for pizza. In Yes, I’m Hot in This, Huda’s clever comics demonstrate humor’s ability to bring us together, no matter how different we may appear on the surface.
Mother and young son affectionately enjoy activities together during each season of the year.
A delicious story about sharing! Nonesuke is taking care of the house while Mama Mouse goes out for groceries. Like a grown up, he decides to prepare pancakes for everyone. But once his brothers and sisters have been served, Nonesuke realizes he forgot someone: himself! Luckily, Nonesuke can count on his siblings to share. This colorful album includes an easy pancake recipe. A book to be devoured without moderation!
From the creator of the bestselling series The Last Kids on Earth, this hilarious middle grade adventure follows a young boy thrust into the world of selling hot dogs in space! Over the course of one very strange night, Cosmoe went from being an adventure-seeking, thirteen-year-old Earthling orphan to a hot-dog-slinging space traveler. He has all the adventure he once craved and more aboard the Neon Wiener—part spaceship, part food truck—selling their trademark “Galactic Hot Dogs.” Cosmoe and the rest of the crew journey to food competitions across the universe serving up the wildly popular wieners…until they gain a troublesome stowaway. The half-evil, half-awesome Princess Dagger doesn’t plan on going anywhere, and her presence on the ship means her all-evil mother is gunning for the Neon Wiener. Cosmoe rallies his friends to fight space jerks in all their many forms and vows to protect the princess. But can a group of hot dog enthusiasts face down an evil space queen?
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Time and the literary: the immediacy of information technology has supposedly annihilated both. Email, cell phones, satellite broadcasting seem to have ended the long-standing tradition of encoding our experience of time through writing. Paul de Man's seminal essay "Literary History and Literary Modernity" and newly commissioned essays on everything from the human genome to grammatical tenses argue, however that the literary constantly reconstructs our understanding of time. From eleventh-century France or a science-fiction future, Time and the Literary shows how these two concepts have been and will continue to influence each other.
Leticia Ochoa Adams met Jesus in a dive bar when she was eighteen years old. She didn’t actually meet Jesus, but it was there where she first witnessed holiness in action. The bar’s regulars taught her about the importance of community, being honest about who she is, not giving up on people, and how to laugh—even when awful things happen. In Our Lady of Hot Messes, Ochoa Adams tells the ongoing story of her redemption. At times funny and heartbreaking, but always gritty and unflinchingly honest, her story shows that no matter what you’re dealing with, God wants you to trust in his love. The Tejana daughter of a single mother—a cycle she would repeat in her own life—Ochoa Adams was sexually abused as a child. She married after a two-week courtship and, eight years later, divorced her husband who struggled with drug addiction. In between she suffered a late-term miscarriage and had three more children back-to-back. She always thought a dream life meant having a big house, kids, lots of money, and new cars. Since she hadn’t yet cracked the code for the American dream, “I turned to the person that every American woman turns to when looking for a way to make a better life for herself: Oprah.” Watching the daytime talk show queen helped Ochoa Adams put a name to what happened to her as a child. But she was still searching for something more. Ochoa Adams was baptized Catholic but attended a small-town Baptist church growing up. When she reverted to Catholicism at age thirty-three in order to marry her second husband, Ochoa Adams was convinced that Catholics had all of the answers to life’s toughest questions. But she quickly learned that becoming Catholic didn’t mean she could just erase her bad choices and difficult past. And just when she thought she was getting her life together, her son, Anthony, died by suicide. God, therapy, and caring priests helped her face her pain and heal her brokenness. She wants you to see yourself in her mistakes, learn from them, and realize along with her that even when we’ve put our trust in God—even if it’s begrudgingly—we still have to do the tough work to become the person God wants us to be. “I still make mistakes,” she says, “but I’m trying not to live as a hot mess even when things around me are messy.”