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Following World War I, horse cavalry entered a period during which it fought for its very existence against mechanized vehicles. On the Western Front, the stalemate of trench warfare became the defining image of the war throughout the world. While horse cavalry remained idle in France, the invention of the tank and its potential for success led many non-cavalry officers to accept the notion that the era of horse cavalry had passed. During the interwar period, a struggle raged within the U.S. Cavalry regarding its future role, equipment, and organization. Some cavalry officers argued that mechanized vehicles supplanted horses as the primary means of combat mobility within the cavalry, while others believed that the horse continued to occupy that role. The response of prominent cavalry officers to this struggle influenced the form and function of the U.S. Cavalry during World War II.
From their earliest evolution to the invention of the “horseless carriage,” this picture book captures how—for much of human history—horses powered the world! For thousands of years, horses and humans lived, worked, and played together, side by side. From the time they were first domesticated to the invention of the wheel, saddle, bit, and bridle; horses brought far-flung lands closer together at the speed of a gallop. Trade, agriculture, transportation, and more were expanded in new ways—all made possible by the power of the horse. In dazzling spreads packed with maps, sidebars, and other hidden gems, explore the special connection between horses and humans. Discover how horses evolved and track their migration as they come to live on six continents. See the everyday jobs done by horses for centuries. And consider the profound changes that came about when gasoline-powered engines arrived on the scene. An encyclopedic look at this magnificent animal, Horse Power offers a unique view of world history from the ancient past to today.
Priest’s debut collection, Horsepower, is a cinematic escape narrative that radically envisions a daughter’s waywardness as aspirational. Across the book’s three sequences, we find the black-girl speaker in the midst of a self-imposed exile, going back in memory to explore her younger self—a mixed-race child being raised by her white supremacist grandfather in the shadow of Churchill Downs, Kentucky’s world-famous horseracing track—before arriving in a state of self-awareness to confront the personal and political landscape of a harshly segregated Louisville. Out of a space that is at once southern and urban, violent and beautiful, racially-charged and working-class, she attempts to transcend her social and economic circumstances. Across the collection, Priest writes a horse that acts as a metaphysical engine of flight, showing us how to throw off the harness and sustain wildness. Unlike the traditional Bildungsroman, Priest presents a non-linear narrative in which the speaker lacks the freedom to come of age naively in the urban South, and must instead, from the beginning, possess the wisdom of “the horses & their restless minds.”
Provocatively shows us what a force the horse has been in determining how we live.
"A fascinating cross-section of insights, observations, and 'life lessons' gleaned from a virtual 'Who's Who' of today's best-known horsemen and women. Horse lovers of all persuasions will find this book interesting, instructive, and inspiring in almost equal measure"--Cover.
Carole, Stevie, and Lisa have been looking for a fourth member to join the Saddle Club. So when Carole introduces her friends to Kate Devine, the championship rider, the girls know they've found the perfect fit. Except that Kate doesn't want to ride ever again. . . .
Greene argues for recognition of horses’ critical contribution to the history of American energy and the rise of American industrial power, and a new understanding of the reasons for their replacement as prime movers.
Now is a time of exciting new developments for live animal power. As the numbers of adherents to this way of life grow, ecologically minded farmers in their fields are developing efficient horse-drawn systems, and equipment manufacturers in small shops all across North America and Europe are coming forth with new innovations in ground-drive technology that have us poised on the cusp of another agricultural revolution--with working horses, mules, donkeys, and oxen at the heart of it. --Publisher.
The pioneering oral historian, George Ewart Evans, began to record the farming ways of East Anglia in the 1950s by listening to old men and women whose memories went back more than fifty or sixty years. Many were agricultural labourers, born before the turn of the century, who had worked on farms before the arrival of mechanisation. It was assumed at that time that horses would soon disappear from the farms, and that this was the last chance of recording the part they had played for centuries. It later became clear that this forecast was too pessimistic and in Horse Power and Magic (Faber, 1979) Ewart Evans describes in fascinating detail some important farms where horses continued to be beneficially used more than thirty years later. He discovered that the traditions of the older horsemen had not died out but had been passed on, in only slightly attenuated form, to a younger generation keen to farm with horses, proving that the day of the heavy horse was by no means over. He also describes vividly the ways of horse-tamers whose skills had a touch of 'magic' about them. 'Taking his works a whole, there is no doubt that George Ewart Evans will survive as a fascinating pioneer of the extra-academic recording of human history...he has found a dimension all his own. This is indeed the very stuff of history.' Sunday Times
The horse has a long and rich history as a subject in the visual arts. In sculpture and painting, in the decorative arts, and most recently in photography, the horse has been celebrated for its cultural and social importance. Horse Power is a compelling photographic portrait of the horse today. From 12 to 17 September 2009, Bolofo documented life on the grounds of esteemed racehorse trainer Christiane Head-Maarek at Chantilly, France's famous racehorse town. Rising early each morning to make the most of the rare access he had gained, Bolofo photographed charming every-day occurrences - a blacksmith forging a horse shoe; filing a horse's hoof; grooming, walking and riding the animals - as well as making candid portraits of ambitious teenage jockeys-to-be. Bolofo explores every aspect of "horse power" - the physical strength of these million-dollar animals, their cultural and sporting status, and not least their noble beauty. Koto Bolofo was born in South Africa in 1959 and raised in Great Britain. Bolofo has photographed and made short films for magazines such as Vogue, Vanity Fair, and GQ. He has created advertising campaigns for companies including Herm�s, Louis Vuitton and Dom P�rignon. Bolofo lives in the Vend�e, France, and his books with Steidl include Venus, I Spy with My Little Eye, Something beginning with S, Vroom! Vroom!, La Maison and Grande Complications.