Download Free Horse In Early Indian Art Book in PDF and EPUB Free Download. You can read online Horse In Early Indian Art and write the review.

Illustrations: Numerous B/w Illustrations Description: Horse has been one of the noblest animals whose use came quite handy to man at very early age. For its nobility, energy and power horse was very soon universally acknowledged for the progress of human civilization. In its tremendous energy and power, man discovered something unusual and something divine and as such all over the ancient world some sort of divine flavour came to be attached to it by countries evolving different civilizations. The usefulness of this animal was also felt by our ancestors who attributed it to a high position and allowed the same to be symbolic theriomorphically of some of their very important gods and goddesses. Religious recognition which the horse received from the early Indians had also inspired Indian artists to compose meaningful and fascinating themes in stone, terracotta and in colour with horse as the pivotal character. Only a few books and articles have so far been written on animals in Indian art and in each case the studies have been very summarily undertaken. The present work for the first time studies exhaustively a single animal viz., the horse. Various aspects of horse including its history, its place and position in Indian mythology and its depictions in early Indian art have been dealt with utter devotion and affectionate sympathy.
Presents an illustrated examination of the role of horses in Native American culture and history, providing information on the depiction of horses in tribal clothing, tools, and other objects.
Presents an account of how the horse has contributed to almost every aspect of human history, from transport and war to agriculture, sports and arts. This book draws on archaeology, biology, art, literature and ethnography to show the relationship between humans and horses throughout history, from Alexander the Great to Genghis Khan.
An Attempt Is Made Here To String Together Pieces Of Evidence Collected From Various Sources With A View To Throwing Light On Different Aspects Of Ancient Indian Guilds And Presenting Their Systematic Account. The Region Covered Is Northern India And Western Deccan. The Clubbing Together Of These Two Areas Was Prompted By The Consideration Of Their Close Cultural Affinity And Geographical Proximity. The Choice Of The Period 600 Bc-600 Ad Was Determined On The Grounds That By 600 Bc, The Guilds Had Clearly Emerged And By 600 Ad They Were On The Decline. Evidence From Other Areas And Periods Is At Times Referred To For The Sake Of Comparison And Also For Drawing Inferences.Of The Eight Chapters, The First Five Deal Variously With Nature, Scope, Chronology And Limitations Of The Sources, Meaning Of The Terms Nigama And Sreni; Origin And Development Of Guilds; Their Structure; Characteristic Features And Functions. Then Follow Chapters Dealing With Relationship Between Guilds And Caste And Between Guild And State. In The Last Chapter, There Is A Brief Discussion On The Factors Responsible For The Decline Of The Guilds.Certain Important Aspects Related To Guild Organization, Not Adequately Dealt With Under Chapters, Are Elaborated In Eight Appendices Dealing Variously With Srenibala; Sanskrit Terms Connoting Economic Organizations; Significance Of Number Eighteen Tagged To Guilds; Guild Coins; Guild Seals; Problem Of Two Rates Of Interest Offered By Two Guilds Of The Same Age And Place; Various Aspects Of The Celebrated Silk-Weavers Guild Of Mandasor; And Nature Of Single-Craft Villages Of The Jataka Tales.Reference To The View Of Scholars On Issues Under Discussion Has Been Freely Resorted To. At Times Disagreement With Their View Has Been Expressed And New Interpretations Have Been Offered.
The Book Studies Various Aspects Of The Bull As Reflected In Indian Art And Literature Up To The Sixth Century Ad From Its Domestication And Migration And Philosophical Tenets Associated With It To Its Relation To The Fertility Cult And Significance Attached To Its Physical Form And Psychological Characteristics.
Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 28, 2011-Jan. 8, 2012.
Full of wisdom, passion and wonder, Horse is the utterly fascinating and enlightening story of horses and humans from the beginning of time to the present. Ever since the dawn of human history, horses have held a mystical sway over our imagination: we respect and revere them like no other animal. We have conceived of them as both domesticated and free, both belonging to our civilization and to the wild. At first, ours was an encounter of death, as prehistoric humans hunted horses all across the steppes of Asia, and throughout Europe. But they also painted horses full of grace and beauty on the walls of their caves, and gave them a central place in their songs and sacred rituals. Long before the invention of writing and the wheel, horses began to shape the way humans lived. Drawing on archaeology, biology, art, literature and ethnography, Horse illuminates the relationship between humans and horses throughout history – from Alexander the Great to Genghis Khan, from the Moors in Spain and the knights in France to the great horse cultures of native America. From the Ice Age to the Industrial Age, horses have provided sustenance, transportation, status, companionship and the ability to establish and expand empires. Included are stories of horses at work, at war and at play, both wild horses and famous horses, in paintings, books and movies. Horse looks at the ancient traditions of horse trading and horse stealing, horse racing and games with horses, and at rodeos and circuses, jumping and dressage. It compares techniques of training and traditions of breeding, from the Persians to the Nez Perce, from Lippizaners to Percherons, and ponders the intelligence of horses, their skill and strength as well as their grace and beauty.
His-History Indian Art-TB-12_E-R